Auction 91 Part 1 Jewish and Israeli History, Culture and Art
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Die Balalaika, ein Versreigen von Arthur Silbergleit; mit 8 Lithographien von Hermann Struck [The Balalaika… by Arthur Silbergleit; with 8 lithographs by Hermann Struck]. Berlin: Vereinigung Kuenstlerdank (Clauss-Rochs-Stiftung) im Eigenbroedlerverlag, [1920?]. German.
Poems by Jewish-German poet and author Arthur Silbergleit (1881-1943; perished in Auschwitz), accompanied by eight lithographs by Hermann Struck depicting Eastern European villages and figures.
Copy no. 91 of 100. Signed by Silbergleit and by Struck on title page.
[41], [2] pp + [8] plates (lithographs), approx. 21.5 cm. Good condition. Minor stains. Some creases. Ownership inscriptions, inked stamps and bookplate. Strip of tape between front endpapers. Fine binding, with parchment spine and string bookmark, slightly worn.
Not in NLI.
Text printed in red and black; accompanied by ten full-page lithographs by Struck. Ornamented chapter titles. Copy no. 385 from an edition of approx. 1700 copies. Signed by Zalman Shneur on justification page.
32, [1] pp., 25 cm. Good condition. Minor stains. Inked stamp on endpaper. Strips of tape between boards and endpapers. Fine, original boards (minor blemishes). Paper dust jacket.
Watercolor and pencil on paper. Signed and dated.
Approx. 30X37 cm, in a 64.5X71.5 cm frame. Good condition. Minor blemishes. Unexamined out of frame.
Provenance: The Willy Lindwer Collection.
Reference: From Jerusalem with Love, Art, Photos and Souvenirs, 1799-1948, item 242.
Woodcut. Signed and dated. Numbered 38/40.
"Pins: Woodcuts, 1942-1985" (The Israel Museum, Jerusalem, 1985), no. 94.
Leaf approx. 45X56 cm. Matted and framed (64.5X75 cm with frame). Good condition. Unexamined out of frame.
Woodcut. Signed and dated. Numbered 8/30.
Leaf approx. 28.5X44 cm. Matted and framed (52.5X70.5 cm with frame). Good condition. Unexamined out of frame.
Twenty-six lithographs (title page, table of contents, illustrations and justification page), with an introduction in Russian. All lithographs, except for two, are signed in pencil: "A. Kaplan" (Russian), and dated (most are dated 54-57). The front of the portfolio is signed and dated as well.
[27] ff., 60X45 cm. Good condition. Creases and some tears to edges. Minor stains. Stains, tears and blemishes to portfolio.
Dozens of reproductions of selected works by the Russian-Jewish Avant-guard artist, Natan Altman, accompanied by an essay by the Soviet art critic Boris Arvatov (Борис Арватов, 1896-1940).
61, [10] pp. + [40] plates (reproductions) + [1] plate (photograph of the artist). Approx. 31 cm. Good condition. Minor stains. Inked stamps. New hardcover binding; bound with original wrappers.
Overview of the process of Chagall's twelve stained glass window designs for the synagogue of the Hadassah Medical Centre in Jerusalem. The windows, depicting the Twelve Tribes of Israel, are one of Chagall's most famous works.
The book is llustrated with many plates (in color and black-and-white), and features two original color lithographs by Chagall.
210, [3] pp. (including plates), 32.5 cm. Good condition. Stains to edges and endpapers. Cloth boards, with the original dust jacket (minor blemishes to edges of jacket). Card slipcase.
Part II of a catalogue raisonné of Picasso's lithographs. Features 105 reproduction of lithographs created in 1947-1949, and two original lithographs – cover and frontispiece.
208, [1] pp., 32 cm. Good condition. Minor stains. Cover detached from spine. Minor tears and blemishes to cover. Significant stains and tears (including open tears) to glassine overwrap.
Including original lithographs by Chagall, Picasso, Matisse, Rouault, Bonnard and others (on dust jackets, covers and inside issues), and dozens of reproductions. Texts by Albert Camus, Jean-Paul Sartre, André Gide, Jacques Prévert, Paul Valéry and others.
35.5 cm (pagination varies). Page missing in issue no. 4 (reproduction). Condition varies. Stains. Minor damage. Pages loose or detached in two issues. Closed and open tears to dust jackets. Damage and loss to spines; repairs with adhesive tape.
Some 60 items relating to the work of the painter Saul Raskin. Ca. 1930s to 1960s. English, with some Yiddish and Hebrew.
The collection includes: • Invitation cards to Raskin's exhibitions and to various events held in his honor, including an invitation to a reception to welcome Raskin back to New York following a visit to Palestine (1946); invitations to events marking his birthdays; invitations to his exhibitions at the Hebraica gallery in New York; an invitation to a retrospective exhibition at the Mishkan LeOmanut Museum of Art at Kibbutz Ein Harod on the occasion of his 85th birthday (1963); and more. • Brochures for various exhibitions, and brochures advertising the publication of books dealing with Raskin's works. • Brief autobiographical summary, printed on glossy paper (English). • Article by Raskin on the subject of the Labor Legion in Migdal, typewritten (English). And more.
The collection also includes a small drawing in pencil, on lined paper: cello player (unsigned), and a number of handwritten items by Raskin, including: • A biographical information sheet. • A list titled "Jewish Art in Theory and Practice" (outline for a lecture?), written in pen on the back of a brochure advertising the launch of a new portfolio comprising 20 color reproductions and titled "Saul Raskin: Twenty Full Color Plates" (1953). • Brief letter, signed, written on a printed brochure advertising the publication of Raskin's book, "Saul Raskin: 125 Paintings, Drawings, Etchings" (ca. 1938).
Size and condition vary.
Saul Raskin (1878-1966), born in Nogaisk (today Prymorsk, Ukraine), and trained in the art of lithography in Simferopol, Crimea. Wandered throughout Europe and studied art in Odessa, Germany, Switzerland, France, and Italy. Immigrated to the United States in 1904, where, among other things, he produced caricatures and cartoons for Yiddish journals, and illustrations for books. He also taught art and served as an art critic. At the age of 43, following a visit to Palestine – a deeply moving experience in his life – he began his career as a professional painter. Many of his works focused on Jewish tradition; these included illustrations for the Mishnaic "Ethics of the Fathers", the Passover Haggadah, and the Five Megilloth. Raskin was regarded as one of the greatest of American Jewish painters. He self-identified as a Zionist, visited Palestine and the State of Israel a number of times, and painted works that featured its landscapes and inhabitants.
A portfolio with an essay by Moshe Dayan ("The Victory of the Vanquished"), a short historical survey entitled "Judea Capta" [Captive Judea] by Uzi Narkiss, a review of the events leading to the fall of Masada by Henry Jadoux and Georges Israël, and the story of Masada as told in Josephus Flavius' "The Jewish Wars."
The texts are accompanied by a series of original lithographs created especially for this publication by the French artist Raymond Moretti. Some of the lithographs are printed on separate sheets and some are printed on the text leaves. Fourteen of the lithographs are signed in pencil by Moretti.
Copy from a limited edition of 298 copies in English and 298 copies in French; contained in a special leather-covered Clamshell box with wood dowel closure.
29 sheets, folded in two, of which: 15 sheets with lithographs only (some with more than one print); 12 text sheets, or sheets containing text and lithographs; 2 blank sheets. A total of 27 lithographic prints, and 3 in-text illustrations. 52.5 cm. Good condition.