Auction 91 Part 1 Jewish and Israeli History, Culture and Art
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"Esser Sichot LiYeladim" [after the German edition, Kleine Märchen – Little Fairy Tales], adapted from Hans Christian Andersen, the Brothers Grimm, and others, with illustrations by Tom Seidmann-Freud. Jerusalem-Berlin: Ophir publishing (by Moriah), 5683 [1923]. Hebrew.
Ten fairy tales by Hans Christian Andersen, the Brothers Grimm, and others, translated into Hebrew by Haim Nachman Bialik. Each tale is accompanied by a color illustration by Tom Seidmann-Freud.
Tom Seidmann-Freud (1892-1930), painter, illustrator, and author, native of Vienna; niece of Sigmund Freud. Notwithstanding the brevity of her career (cut short by her suicide at age 38), Seidmann-Freud had a profound impact on 20th-century children's literature. Her distinctive style of illustration – characterized by simple, delicately colored geometric forms – is suggestive of the influence of "Neue Sachlichkeit" ("New Objectivity"), a modernist art movement that developed in Germany in the interwar period.
[12] ff., 20X25 cm. Good condition. A few stains to pages. Stains and blemishes to binding. Notations and inked stamps to endpapers. Front free endpaper partially detached.
See: Marit Benisrael and Ada Wardi, "The Book of Tom", 2022, pp 93-133.
"Sefer Hadevarim" [The Book of Things], sixteen poems by Chaim Nachman Bialik and sixteen illustrations by Tom Seidmann-Freud. Jerusalem-Berlin: Ophir, 1922. Hebrew.
Sixteen short poems by Chaim Nachman Bialik, each accompanied by a color illustration by Tom Seidmann-Freud.
Tom Seidmann-Freud (1892-1930), painter, illustrator, and author, native of Vienna; niece of Sigmund Freud. Notwithstanding the brevity of her career (cut short by her suicide at age 38), Seidmann-Freud had a profound impact on 20th-century children's literature. Her distinctive style of illustration – characterized by simple, delicately colored geometric forms – is suggestive of the influence of "Neue Sachlichkeit" ("New Objectivity"), a modernist art movement that developed in Germany in the interwar period.
[35] pp., 21 cm. Good-fair condition. Foxing. Minor tears and blemishes to edges of boards and to spine. Strips of cloth tape between boards and endpapers.
Buch der erfüllten Wünsche [Book of Fulfilled Wishes], by Tom Seidmann-Freud. Potsdam: Müller & Kiepenheuer, 1929. German.
Book illustrated with Seidmann-Freud's delicate and lyrical drawings, colored in pochoir.
Tom Seidmann-Freud (1892-1930), painter, illustrator, and author, native of Vienna; niece of Sigmund Freud. Notwithstanding the brevity of her career (cut short by her suicide at age 38), Seidmann-Freud had a profound impact on 20th-century children's literature. Her distinctive style of illustration – characterized by simple, delicately colored geometric forms – is suggestive of the influence of "Neue Sachlichkeit" ("New Objectivity"), a modernist art movement that developed in Germany in the interwar period.
[12] ff. 25.5 cm. Book in good condition, slightly stained and creased. Blemishes, minor tears, stains and marginal abrasions to cover.
See:
1. Ayala Gordon, "Hebrew Illustrations". 2005, pp. 140.
2. Marit Benisrael and Ada Wardi, "The Book of Tom", 2022, pp 152.
Kinstlerischer Aleph-Bet [Artistic Alphabet], by Ben-Zion Zuckerman (Bencion Cukierman). Vilnius: "Vilner Farlag fun B. A. Kletskin", 1920. Yiddish.
The book features ornamented miniatures of the letters of the Hebrew alphabet, designed by Ben-Zion Zuckerman. The letters, each on its own page, are set on vegetal or abstract backgrounds, sometimes incorporating a corresponding object or scene. Some of the letters are decorated with Jewish motifs – a Menorah, Jewish figures, a praying man, and more. The last page features the Hebrew word "sof" (end). Some of the miniatures are signed in the plate and some are dated 1919.
Ben-Zion Zuckerman (1890-1944), born in the vicinity of Vilnius, studied at the Vilnius Drawing School, later leaving for Paris where he studied at the École des Beaux-Arts. In 1923-1927, he lived and worked in Palestine, painting its views even after returning to Europe. He died in Samarkand in the midst of World War II.
[33] ff., 20X26.5 cm. Good condition. Minor creases. Trace of glue to title page. Minor dampstains to front cover. Tears to spine (with loss).
Aleph-Bet, Hermann Fechenbach. Berlin: Schocken, [1936?].
Picture book, with twenty-two color drawings of animals, in order of the Hebrew alphabet, by Hermann Fechenbach. Enclosed are twenty-two loose plates with the same illustrations in black and white and one plate with a preface in English and in German (all placed in a pocket inside back board).
Fechenbach explains in his preface: "I have painted for you twenty-two different animals… You can also copy them on tracing paper, cut them out with scissors and color them. For the tracing and coloring I have added twenty-two drawings, so that you need not spoil the picture-book…".
Hermann Fechenbach (1897-1986), German-Jewish artist, illustrator and printmaker. Fought and was seriously wounded in WWI. He studied art in Erfurt and Stuttgart. In 1938, after an unsuccessful attempt to immigrate to Palestine, he settled with his wife in England, where he worked as an artist. In 1940, he was interned as an enemy alien in the Hutchinson Internment Camp on the Isle of Man, along with many other German and Austrian Jews. He remained there for ten months, during which he created a series of linocuts titled "My Impressions as Refugee". After his release, he remained in England, where he continued his artistic work until his death.
[24] pp. + 23 plates, approx. 24X22.5 cm. Good condition. Foxing. Inked stamp inside front board. Abrasions to binding edges.
[24] ff. (extra copy of one leaf), 18.5X23.5 cm. Good condition. Minor stains to body of book (dark stains, caused by tape, in margins of title page and last page). Inked stamp on title page. Strip of tape to inside front board. Inscriptions on both sides of front board. Binding stained and worn, with minor abrasions.
Hebrew alphabet reader with poems by Levin Kipnis and illustrations in gold and vivid colors by Ze'ev Raban, one of the first teachers at Bezalel. The book, printed in Berlin for Jewish children in Europe, integrates images representing the attributes of the Land of Israel and Zionist messages regarding immigration to Palestine. Its impressive illustrations and meticulous printing turned it into a milestone in Hebrew children's literature.
[16] leaves (heavy paper), 24.5 cm. Good condition. Some stains. Browning to endapapers. Minor stains and blemishes to binding.
Children's tale by Shmuel Yosef Agnon. Accompanied by four color illustrations by Ze'ev Raban. Cover illustration by Raban.
[7] ff. (including cover), 28X20 cm. Good condition. Minor blemishes and creases. Minor tears to spine and corners of cover.
Hebrew reader for children with color illustrations by Meir Gur-Aryeh and Ze'ev Raban.
The book features stories for Jewish holidays, poems by Levin Kipnis, Haim Nachman Bialik, Asher Barash, Anda Pinkerfeld and more.
[1], 63, [2] pp., 17.5X25 cm. Overall good condition. Creases. Minor blemishes. Minor closed and open tears to edges of leaves and cover, repaired. Cover in good-fair condition: stains, abrasions (damaging text), inked stamps and notations.
The cards are divided into nine sets, advertising various local products. This set is missing two cards.
8.5X6 cm. Overall fair condition. Stains, creases and tears. Open tears to some cards (with damage to illustrations).
Grete Wolf-Krakauer (1890-1970), sketches for a game of blocks intended to teach the Hebrew letters. [Jerusalem, 1930s].
Ink and watercolor on paper and tracing paper.
Five small sketches providing the outline for a game of blocks. Four of the sketches present scenes featuring objects, creatures, or sites, each representing one of six letters ("aryeh" [lion] for "aleph, " "bayit" [house] for "beth, " "gamal" [camel] for "gimel, " and so forth, and next to it the corresponding letter). One sketch, on tracing paper, is divided up into 12 squares, with each square featuring a word that represents one of the letters, and next to it a small illustration (a picture of a lion next to "aryeh, " a house next to "bayit, " and so on. The sketch featuring the letters of the second half of the Hebrew alphabet is missing.
These five sketches were used in the preparation of a game of blocks meant as a teaching aid introducing the Hebrew alphabet. Each card would be cut into six parts, with each part being pasted onto one of the sides of a block. When a player would arrange the blocks in the proper order of the Hebrew alphabet, the full illustrated scene would unfold.
Five sketches, approx. 12X8 cm. Good condition. Minor blemishes. Tears to the sketch drawn on tracing paper.
Group photograph, taken at the yard of Bezalel. See: Schatz's Bezalel 1906-1929, Jerusalem: The Israel Museum, 1983, p. 54.
Approx. 28.5X23 cm. Good condition. Stains. Silvering and minor abrasions to edges. Mounted on card.
Provenance: The Rimon Family Collection.