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Online Auction 026 – Jewish and Israeli History, Art and Culture
December 22, 2020
Opening: $100
Sold for: $125
Including buyer's premium
Ruth Schloss (1922-2013), Portrait of a Young Man.
Pastel on paper. Signed.
25.5X36 cm. Good condition. Stains. Creases, closed tears and open tears to edges of sheet.
Ruth Schloss (1922-2013) was born in Nuremberg, Germany, and immigrated to Palestine with her family in 1935. When she was only sixteen she began her studies at the Bezalel School, and then joined the founding group of Kibbutz Lehavot HaBashan. Schloss devoted her talents to the art and printing enterprises of the Kibbutz Movement, working as an illustrator for the newspaper "Mishmar LiYeladim" and as a book cover designer for "Sifriyat Poalim." From ca. 1950 to 1952, she studied art at the Académie de la Grande Chaumière in Paris, and after returning to Israel, due to the rift in the Kibbutz Movement, she left her kibbutz. Schloss was a member of the Communist Party, and her paintings, in the style of Social Realism, often conveyed a socialist message, exposing social differences and class distinctions. Her works focused on the weaker members of society – downtrodden women, hungry children, workers, and residents of transit camps. Later, she turned her attention to the lives of women, to the helplessness of birth, and to the decline of old age, all of which she painted from the perspective – and with the sensitivity – of a woman viewing human beings as rooted in their surroundings. In the words of the poet Nathan Zach: “Her motto remained the same over the years. Life itself. Without embellishment".
Reference: Gideon Ofrat, “Broader Horizons, 120 Years of Israeli Art, from the Ofrat Collection to the Levin Collection, Selected Works," Part II, Vienna-Jerusalem Foundation for Israeli Art, Jerusalem, 2013, Hebrew (English edition available).
Provenance: The Uzi Agassi Collection.
Pastel on paper. Signed.
25.5X36 cm. Good condition. Stains. Creases, closed tears and open tears to edges of sheet.
Ruth Schloss (1922-2013) was born in Nuremberg, Germany, and immigrated to Palestine with her family in 1935. When she was only sixteen she began her studies at the Bezalel School, and then joined the founding group of Kibbutz Lehavot HaBashan. Schloss devoted her talents to the art and printing enterprises of the Kibbutz Movement, working as an illustrator for the newspaper "Mishmar LiYeladim" and as a book cover designer for "Sifriyat Poalim." From ca. 1950 to 1952, she studied art at the Académie de la Grande Chaumière in Paris, and after returning to Israel, due to the rift in the Kibbutz Movement, she left her kibbutz. Schloss was a member of the Communist Party, and her paintings, in the style of Social Realism, often conveyed a socialist message, exposing social differences and class distinctions. Her works focused on the weaker members of society – downtrodden women, hungry children, workers, and residents of transit camps. Later, she turned her attention to the lives of women, to the helplessness of birth, and to the decline of old age, all of which she painted from the perspective – and with the sensitivity – of a woman viewing human beings as rooted in their surroundings. In the words of the poet Nathan Zach: “Her motto remained the same over the years. Life itself. Without embellishment".
Reference: Gideon Ofrat, “Broader Horizons, 120 Years of Israeli Art, from the Ofrat Collection to the Levin Collection, Selected Works," Part II, Vienna-Jerusalem Foundation for Israeli Art, Jerusalem, 2013, Hebrew (English edition available).
Provenance: The Uzi Agassi Collection.
Category
Pins and Badges
Catalogue
Online Auction 026 – Jewish and Israeli History, Art and Culture
December 22, 2020
Opening: $100
Unsold
Ruth Schloss (1922-2013), Male Portrait.
Ink on paper. Signed.
28X38 cm. Good-fair condition. Tears to edges of sheet. Numerous stains.
Ruth Schloss (1922-2013) was born in Nuremberg, Germany, and immigrated to Palestine with her family in 1935. When she was only sixteen she began her studies at the Bezalel School, and then joined the founding group of Kibbutz Lehavot HaBashan. Schloss devoted her talents to the art and printing enterprises of the Kibbutz Movement, working as an illustrator for the newspaper "Mishmar LiYeladim" and as a book cover designer for "Sifriyat Poalim." From ca. 1950 to 1952, she studied art at the Académie de la Grande Chaumière in Paris, and after returning to Israel, due to the rift in the Kibbutz Movement, she left her kibbutz. Schloss was a member of the Communist Party, and her paintings, in the style of Social Realism, often conveyed a socialist message, exposing social differences and class distinctions. Her works focused on the weaker members of society – downtrodden women, hungry children, workers, and residents of transit camps. Later, she turned her attention to the lives of women, to the helplessness of birth, and to the decline of old age, all of which she painted from the perspective – and with the sensitivity – of a woman viewing human beings as rooted in their surroundings. In the words of the poet Nathan Zach: “Her motto remained the same over the years. Life itself. Without embellishment".
Reference: Gideon Ofrat, “Broader Horizons, 120 Years of Israeli Art, from the Ofrat Collection to the Levin Collection, Selected Works," Part II, Vienna-Jerusalem Foundation for Israeli Art, Jerusalem, 2013, Hebrew (English edition available).
Provenance: The Uzi Agassi Collection.
Ink on paper. Signed.
28X38 cm. Good-fair condition. Tears to edges of sheet. Numerous stains.
Ruth Schloss (1922-2013) was born in Nuremberg, Germany, and immigrated to Palestine with her family in 1935. When she was only sixteen she began her studies at the Bezalel School, and then joined the founding group of Kibbutz Lehavot HaBashan. Schloss devoted her talents to the art and printing enterprises of the Kibbutz Movement, working as an illustrator for the newspaper "Mishmar LiYeladim" and as a book cover designer for "Sifriyat Poalim." From ca. 1950 to 1952, she studied art at the Académie de la Grande Chaumière in Paris, and after returning to Israel, due to the rift in the Kibbutz Movement, she left her kibbutz. Schloss was a member of the Communist Party, and her paintings, in the style of Social Realism, often conveyed a socialist message, exposing social differences and class distinctions. Her works focused on the weaker members of society – downtrodden women, hungry children, workers, and residents of transit camps. Later, she turned her attention to the lives of women, to the helplessness of birth, and to the decline of old age, all of which she painted from the perspective – and with the sensitivity – of a woman viewing human beings as rooted in their surroundings. In the words of the poet Nathan Zach: “Her motto remained the same over the years. Life itself. Without embellishment".
Reference: Gideon Ofrat, “Broader Horizons, 120 Years of Israeli Art, from the Ofrat Collection to the Levin Collection, Selected Works," Part II, Vienna-Jerusalem Foundation for Israeli Art, Jerusalem, 2013, Hebrew (English edition available).
Provenance: The Uzi Agassi Collection.
Category
Pins and Badges
Catalogue
Online Auction 026 – Jewish and Israeli History, Art and Culture
December 22, 2020
Opening: $200
Sold for: $250
Including buyer's premium
Ruth Schloss (1922-2013), five portraits.
Ink on paper; pen and ink on paper. Signed.
18.5X28.5 cm to 21X33cm. Condition varies. Stains. Minor creases. Closed tears, open tears and adhesive tape to edges of one drawing.
Ruth Schloss (1922-2013) was born in Nuremberg, Germany, and immigrated to Palestine with her family in 1935. When she was only sixteen, she began her studies at the Bezalel School, and then joined the founding group of Kibbutz Lehavot HaBashan. Schloss devoted her talents to the art and printing enterprises of the Kibbutz Movement, working as an illustrator for the newspaper "Mishmar LiYeladim" and as a book cover designer for "Sifriyat Poalim." From ca. 1950 to 1952, she studied art at the Académie de la Grande Chaumière in Paris, and after returning to Israel, due to the rift in the Kibbutz Movement, she left her kibbutz. Schloss was a member of the Communist Party, and her paintings, in the style of Social Realism, often conveyed a socialist message, exposing social differences and class distinctions. Her works focused on the weaker members of society – downtrodden women, hungry children, workers, and residents of transit camps. Later, she turned her attention to the lives of women, to the helplessness of birth, and to the decline of old age, all of which she painted from the perspective – and with the sensitivity – of a woman viewing human beings as rooted in their surroundings. In the words of the poet Nathan Zach: "Her motto remained the same over the years. Life itself. Without embellishment".
Reference: Gideon Ofrat, "Broader Horizons, 120 Years of Israeli Art, from the Ofrat Collection to the Levin Collection, Selected Works," Part II, Vienna-Jerusalem Foundation for Israeli Art, Jerusalem, 2013, Hebrew (English edition available).
Provenance: The Uzi Agassi Collection.
Ink on paper; pen and ink on paper. Signed.
18.5X28.5 cm to 21X33cm. Condition varies. Stains. Minor creases. Closed tears, open tears and adhesive tape to edges of one drawing.
Ruth Schloss (1922-2013) was born in Nuremberg, Germany, and immigrated to Palestine with her family in 1935. When she was only sixteen, she began her studies at the Bezalel School, and then joined the founding group of Kibbutz Lehavot HaBashan. Schloss devoted her talents to the art and printing enterprises of the Kibbutz Movement, working as an illustrator for the newspaper "Mishmar LiYeladim" and as a book cover designer for "Sifriyat Poalim." From ca. 1950 to 1952, she studied art at the Académie de la Grande Chaumière in Paris, and after returning to Israel, due to the rift in the Kibbutz Movement, she left her kibbutz. Schloss was a member of the Communist Party, and her paintings, in the style of Social Realism, often conveyed a socialist message, exposing social differences and class distinctions. Her works focused on the weaker members of society – downtrodden women, hungry children, workers, and residents of transit camps. Later, she turned her attention to the lives of women, to the helplessness of birth, and to the decline of old age, all of which she painted from the perspective – and with the sensitivity – of a woman viewing human beings as rooted in their surroundings. In the words of the poet Nathan Zach: "Her motto remained the same over the years. Life itself. Without embellishment".
Reference: Gideon Ofrat, "Broader Horizons, 120 Years of Israeli Art, from the Ofrat Collection to the Levin Collection, Selected Works," Part II, Vienna-Jerusalem Foundation for Israeli Art, Jerusalem, 2013, Hebrew (English edition available).
Provenance: The Uzi Agassi Collection.
Category
Pins and Badges
Catalogue
Online Auction 026 – Jewish and Israeli History, Art and Culture
December 22, 2020
Opening: $150
Sold for: $500
Including buyer's premium
Yosl Bergner (1920-2017), A Child on a Rocking Horse.
Watercolor on Paper. Signed. Dedicated in Hebrew "To Guri for the Bar Mitzvah, 1968" (Guri Segal, actor Shmulik Segal's son).
30X23 cm. Framing stains. Good condition. Matted.
Provenance: Estate of Shmulik Segal.
Watercolor on Paper. Signed. Dedicated in Hebrew "To Guri for the Bar Mitzvah, 1968" (Guri Segal, actor Shmulik Segal's son).
30X23 cm. Framing stains. Good condition. Matted.
Provenance: Estate of Shmulik Segal.
Category
Pins and Badges
Catalogue
Online Auction 026 – Jewish and Israeli History, Art and Culture
December 22, 2020
Opening: $300
Sold for: $375
Including buyer's premium
Aviva Uri (1922-1989), Untitled, 1974.
Charcoal on paper. Signed and dated.
70X77 cm. Fair condition. Heavily stained.
Provenance: The Uzi Agassi Collection.
Charcoal on paper. Signed and dated.
70X77 cm. Fair condition. Heavily stained.
Provenance: The Uzi Agassi Collection.
Category
Pins and Badges
Catalogue
Online Auction 026 – Jewish and Israeli History, Art and Culture
December 22, 2020
Opening: $100
Unsold
Mordechai Ardon (1896-1992), Entebbe, [1977].
Screenprint. Signed. Numbered 30/150.
Approx. 35X86 cm. Sheet size: approx. 104X74 cm. Good condition. Some stains (not affecting the print). Minor creases. Framed.
Screenprint. Signed. Numbered 30/150.
Approx. 35X86 cm. Sheet size: approx. 104X74 cm. Good condition. Some stains (not affecting the print). Minor creases. Framed.
Category
Pins and Badges
Catalogue
Online Auction 026 – Jewish and Israeli History, Art and Culture
December 22, 2020
Opening: $100
Unsold
Ze'ev (Yaakov Farkash, 1923-2002), five caricatures of the actor Shmulik Segal. Including a caricature dedicated to his 60th birthday and a caricature marking his being awarded the Ashman (ACUM) Award.
Felt-tipped pen and pencil on paper. Signed. Four works dated 1953 to 1987.
Size and condition vary. Good overall condition. Framed and unexamined out of frame.
Provenance: Estate of Shmulik Segal.
Felt-tipped pen and pencil on paper. Signed. Four works dated 1953 to 1987.
Size and condition vary. Good overall condition. Framed and unexamined out of frame.
Provenance: Estate of Shmulik Segal.
Category
Pins and Badges
Catalogue
Online Auction 026 – Jewish and Israeli History, Art and Culture
December 22, 2020
Opening: $150
Sold for: $525
Including buyer's premium
29 postcards that were sent from Palestine in the late Ottoman Rule, bearing a variety of period postmarks. Palestine, 1898 to 1914.
Among the postmarks: postmarks of the Italian post in Jerusalem; postmarks of the Turkish post in Jaffa, Jericho, Bethlehem, Jerusalem, Haifa and Tiberias; the Russian post in Jerusalem; the Austrian post in Jerusalem; the German post in Jaffa and Jerusalem; and additional postmarks.
One postcard is stamped with a postmark of the Jerusalem-Jaffa line railway post office, 1899.
Condition varies. Blemishes to some postcards.
Provenance: The Rimon Family Collection.
Among the postmarks: postmarks of the Italian post in Jerusalem; postmarks of the Turkish post in Jaffa, Jericho, Bethlehem, Jerusalem, Haifa and Tiberias; the Russian post in Jerusalem; the Austrian post in Jerusalem; the German post in Jaffa and Jerusalem; and additional postmarks.
One postcard is stamped with a postmark of the Jerusalem-Jaffa line railway post office, 1899.
Condition varies. Blemishes to some postcards.
Provenance: The Rimon Family Collection.
Category
Pins and Badges
Catalogue
Online Auction 026 – Jewish and Israeli History, Art and Culture
December 22, 2020
Opening: $100
Sold for: $250
Including buyer's premium
About 450 Revenue Stamps, Donation Stamps, "Tag Day" Labels and Unofficial Stamps Issued by Zionist Organizations. MandatoryPalestine and the State of Israel, [ca. 1920s to 1970s].
● Thirteen mandatory revenue stamps (mounted on pieces of paper with Hebrew notations). ● Seven Entertainment Tax stamps issued by the Petach Tikvah Municipality. ● Four donation stamps issued by the "Jubilee Fund for Our Children" (the Tel Aviv homeless children care initiative). ● Six "Tag Day" labels, for a donation to the "Child's Fund" (issued by the VIZO organization). ● "Tag Day" label for a donation to the JNF (after a poster designed by Otte Wallisch). ● Approx. 300 official revenue stamps of the State of Israel (various values and series). ● Stamps issued by "The League for Fighting Tuberculosis", "Levant Affair", "Maccabiah", and more.
Enclosed: three transport tickets of "HaMekasher" company (second series, 1942); two transport tickets of a member of Cooperative Association Ltd. Haifa (1942); two cut pieces of paper with a stamp of the district court of Jaffa.
Approx. 450 items. Size and condition vary.
● Thirteen mandatory revenue stamps (mounted on pieces of paper with Hebrew notations). ● Seven Entertainment Tax stamps issued by the Petach Tikvah Municipality. ● Four donation stamps issued by the "Jubilee Fund for Our Children" (the Tel Aviv homeless children care initiative). ● Six "Tag Day" labels, for a donation to the "Child's Fund" (issued by the VIZO organization). ● "Tag Day" label for a donation to the JNF (after a poster designed by Otte Wallisch). ● Approx. 300 official revenue stamps of the State of Israel (various values and series). ● Stamps issued by "The League for Fighting Tuberculosis", "Levant Affair", "Maccabiah", and more.
Enclosed: three transport tickets of "HaMekasher" company (second series, 1942); two transport tickets of a member of Cooperative Association Ltd. Haifa (1942); two cut pieces of paper with a stamp of the district court of Jaffa.
Approx. 450 items. Size and condition vary.
Category
Pins and Badges
Catalogue
Online Auction 026 – Jewish and Israeli History, Art and Culture
December 22, 2020
Opening: $300
Sold for: $2,125
Including buyer's premium
Some 230 items relating to modes of transport in Palestine (camels, donkeys, trains, airplanes, ships, submarines, zeppelins, buses, cable cars, automobiles, taxis, etc.). [From the early decades of the 20th century to the 2000s].
Included:
● Some 135 postcards and real-photo postcards. The postcards feature cargo transport on the backs of donkeys and camels, transportation in the cities of Palestine, airplanes, ships, submarines, and other modes of transport; some were printed on behalf of specific transport companies or airlines (including the Palestine [or Israel] Maritime League and the Israel Air Force) for purposes of advertisement. Most date from the years following the establishment of the State of Israel, but roughly 30 postcards are from the 1920s through the 1940s.
● Some 95 items of ephemera relating to transportation – photographs, flyers, receipts, brochures, pamphlets, single sheets. These include brochures and menus of the luxury ocean liner SS Conte di Savoia, which landed in the Port of Haifa in March 1935; permits to board a ship for business purposes (1930s and 1940s); preparatory sketches for an advertisement for the SS Polonia, by the graphic artist Sarah Rozman, Haifa, 1937; photos of sports cars in Palestine from the 1920s through the 1940s; a photograph of a zeppelin over Jerusalem; an issue of the aviation journal "HaTe'ufah"; passenger ticket for a journey on board the SS Tel Aviv from Haifa to Trieste (1930s); stationery and receipts of transportation and transport companies and Palestine-based travel agencies; time schedules and fare schedules for ship departures; bill of lading for a cargo ship; menu for the SS Israel liner; the album "Pages of Memoirs, History of the ‘Drom Yehudah' Cooperative" (Hebrew), edited by Zvi Rosenblum (illustration and layout by graphic designers Rothschild and Lipman), published by the directorate of the Drom Yehudah Cooperative bus company, 1956; tickets for the chair lift at the Mt. Hermon ski resort and the cable car at the Rosh Hanikra tourist site; receipts for "sherut" taxi services; additional items.
Size and condition vary. Overall good condition.
Provenance: The Rimon Family Collection.
Included:
● Some 135 postcards and real-photo postcards. The postcards feature cargo transport on the backs of donkeys and camels, transportation in the cities of Palestine, airplanes, ships, submarines, and other modes of transport; some were printed on behalf of specific transport companies or airlines (including the Palestine [or Israel] Maritime League and the Israel Air Force) for purposes of advertisement. Most date from the years following the establishment of the State of Israel, but roughly 30 postcards are from the 1920s through the 1940s.
● Some 95 items of ephemera relating to transportation – photographs, flyers, receipts, brochures, pamphlets, single sheets. These include brochures and menus of the luxury ocean liner SS Conte di Savoia, which landed in the Port of Haifa in March 1935; permits to board a ship for business purposes (1930s and 1940s); preparatory sketches for an advertisement for the SS Polonia, by the graphic artist Sarah Rozman, Haifa, 1937; photos of sports cars in Palestine from the 1920s through the 1940s; a photograph of a zeppelin over Jerusalem; an issue of the aviation journal "HaTe'ufah"; passenger ticket for a journey on board the SS Tel Aviv from Haifa to Trieste (1930s); stationery and receipts of transportation and transport companies and Palestine-based travel agencies; time schedules and fare schedules for ship departures; bill of lading for a cargo ship; menu for the SS Israel liner; the album "Pages of Memoirs, History of the ‘Drom Yehudah' Cooperative" (Hebrew), edited by Zvi Rosenblum (illustration and layout by graphic designers Rothschild and Lipman), published by the directorate of the Drom Yehudah Cooperative bus company, 1956; tickets for the chair lift at the Mt. Hermon ski resort and the cable car at the Rosh Hanikra tourist site; receipts for "sherut" taxi services; additional items.
Size and condition vary. Overall good condition.
Provenance: The Rimon Family Collection.
Category
Pins and Badges
Catalogue
Online Auction 026 – Jewish and Israeli History, Art and Culture
December 22, 2020
Opening: $100
Unsold
24 items of ephemera – transit and transport by land, water, and air in Mandatory Palestine and the State of Israel [ca. 1940s to 1970s].
Including: ● "Entry for goods Ex Ship, Rail, Road, or Aircraft for Home Consumption" – two forms dealing with oceangoing wool shipments arriving at the Port of Haifa, with glued labels of "Palestine Maritime League" (designed by Shamir Bros.); ● Two receipts for a donation to the "Palestine Maritime League" (designed by Shamir Bros.) toward establishing a seafarers' residence in Caesarea; ● Plane ticket for flight from Refidim to Lod Airport; ● Boat ticket for cruise on Lake Kinneret; ● Business cards for moving companies and taxi and courier services; ● Receipt from "Taxi Service Hadar Hacarmel" ("All Parts of Palestine & Syria"); ● "Road Maintenance Tax" coupons issued by the "Committee for State Services"; additional items.
Size and condition vary. Good overall condition.
Provenance: The Rimon Family Collection.
Including: ● "Entry for goods Ex Ship, Rail, Road, or Aircraft for Home Consumption" – two forms dealing with oceangoing wool shipments arriving at the Port of Haifa, with glued labels of "Palestine Maritime League" (designed by Shamir Bros.); ● Two receipts for a donation to the "Palestine Maritime League" (designed by Shamir Bros.) toward establishing a seafarers' residence in Caesarea; ● Plane ticket for flight from Refidim to Lod Airport; ● Boat ticket for cruise on Lake Kinneret; ● Business cards for moving companies and taxi and courier services; ● Receipt from "Taxi Service Hadar Hacarmel" ("All Parts of Palestine & Syria"); ● "Road Maintenance Tax" coupons issued by the "Committee for State Services"; additional items.
Size and condition vary. Good overall condition.
Provenance: The Rimon Family Collection.
Category
Pins and Badges
Catalogue
Online Auction 026 – Jewish and Israeli History, Art and Culture
December 22, 2020
Opening: $200
Sold for: $475
Including buyer's premium
110 items of ephemera related to the operations of the Zim shipping company. [Late 1940s to 1970s].
The collection includes dinner menus; tickets to events; informational brochures; greeting cards of various kinds; stationery; envelopes and philatelic items; napkins; some 75 "Shana Tova" postcards and greeting cards with photos of the company's various ocean liners and onboard facilities; and other items.
Zim Integrated Shipping Services Ltd. was established in 1945 by the Jewish Agency, the Histadrut national trade union, and the Palestine Maritime League. Today it ranks among the world's 20 largest shipping and container transport companies.
Size and condition vary. Good overall condition.
Provenance: The Rimon Family Collection.
The collection includes dinner menus; tickets to events; informational brochures; greeting cards of various kinds; stationery; envelopes and philatelic items; napkins; some 75 "Shana Tova" postcards and greeting cards with photos of the company's various ocean liners and onboard facilities; and other items.
Zim Integrated Shipping Services Ltd. was established in 1945 by the Jewish Agency, the Histadrut national trade union, and the Palestine Maritime League. Today it ranks among the world's 20 largest shipping and container transport companies.
Size and condition vary. Good overall condition.
Provenance: The Rimon Family Collection.
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