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Auction 35 - Rare and Important Judaica
January 29, 2014
Opening: $7,000
Unsold
Large collection of Samaritan booklets, books and manuscripts from the 19th and 20th centuries, from the estate of Avraham Nur Tsedakah, who during the 1960s and 70s worked as editor and printer of annotated editions of Samaritan manuscripts with explanations of Samaritan laws and customs.
The collection is composed of the following:
Manuscripts by Avraham Nur Tsedakah:
1. "Manuscript" of the "Five Books of Moses – Jewish version, Samaritan version, emphasizing the precise differences between the two" (according to an ancient Samaritan manuscript from the 11th century), edited by Avraham Nur and Ratzon Tsedakah. Four volumes: Bereshit, Vayikra, Bamidbar, Devarim. In this edition, the Jewish version is on the right hand side and the Samaritan version is on the left, without vowels. The preparation of these "manuscripts" was done by cutting and pasting the printed words by hand, (sometimes an individual word is cut out and sometimes several words together. The vowels were erased with correction-fluid). Apparently, these manuscripts were used for repeat printings in the mid-60s. Both versions were printed in Hebrew.
2-3. Manuscripts by Avraham Nur Tsedakah, the second and third parts of the photocopy edition of Tevat Markah. The second part, "about the depths of the Eden spring, by the Great Scholar Our Master Markah" (1990s) is written on large paper sheets in Samaritan. The third part (1995) was written on regular paper leaves. Both parts are written in Samaritan writing, in Hebrew and Arabic (the second part is lacking two leaves).
4. Manuscript by Avraham Nur Tsedakah, sections of the books of Shemot and Devarim, written on large chromo paper sheets. Samaritan writing in square script.
5. Volume of prayers in the handwriting of Avraham Nur Tsedakah, mid 40s. Samaritan writing.
Samaritan manuscripts:
* 14 volumes of Samaritan manuscripts, some from the second half of the 19th century and some from the first decades of the 20th century. Among them: a volume of a Samaritan Chumash (large format), written by Avraham ben Marchiv HaTzafri (1922) and other volumes of the Chumash.
* Many prayer books, including: a volume of prayers from 1856 composed of many varied prayers for Passover, a volume of prayers and songs for the month of Nissan and Passover, with words of praise to G-d by Tuvia ben Yitzchak HaCohen; a volume of prayers from the beginning of the 20s with prayers for Chag HaKatzir (the harvest festival), parts of the Ten Commandments and more; an especially handsome volume of prayers from 1863, by Ya'akov ben Aharon ben Shlomo ben Tuvia HaCohen, with the prayers of Hallel and blessings, Shirat Hayam, prayer and blessing for those who fulfill G-d's laws, prayer for reinforcing belief in G-d, etc; and other volumes with prayers for the Sabbath of Devarim, eve of Midrata and for the day of Mikrata (Ma'amad Har Sinai), for blessing and rain, health and cure of pain, curse for slanderers and enemies, bringing near days of light, counting the Omer and the Festival of Shavuot, etc. Most in Samaritan writing, some in Arabic. Many volumes have moth damage.
* Large certificate related to redemption for marriage and birth, signed by Binyamim ben Shalach HaTzafri (1910s or 20s).
Books, booklets and manuscript photocopies:
Books and booklets published by Avraham Nur and Ratzon Tsedakah (most are lithograph printings of Samaritan manuscripts, in Samaritan writing): * The book of Bamidbar in three columns (the source is in ancient Hebrew, with Samaritan Aramaic translation and Arabic translation). Written, edited and published by Ratzon Tsedakah HaTzafri. Holon, 1968. * The book of Bereshit, Samaritan version with Aramaic and Arabic translations. * Shirot (liturgical poems), the Eve of Kippur, with commentaries on Samaritan laws and customs, written by a selection of various Samaritan writers, Vol. 2, copy handwritten by Ratzon Binyamin Tsedakah. Israel, 1960. * Prayer for the day of Ma'amad Har Sinai (1962). * Prayer of Shabbat Devarim – the Ten Commandments. * Hundreds of photocopied leaves from manuscripts: prayers for the Sabbath and Succot, the Book of Vayikra (Samaritan version), prayers for the weekdays, prayer for the Eve of Chada (Motzaei Shabbat), prayer for Sabbath morning, prayer for the Eve and Day of the New Year, prayer book for the prayers of the Sabbath of Tzamot of Passover (copied and edited by Avraham Nur Tsedakah). Enclosed: * Annotated edition of the Meimar Markah (compilation of homiletics and explanations on the Samaritan Torah written in the 4th century by the Samaritan scholar Markah ben Amram ben Sered), Hebrew-English, edited and translated by John Macdonald. Published by Alfred Töpelmann, Berlin, 1963. Two volumes.
The collection is composed of the following:
Manuscripts by Avraham Nur Tsedakah:
1. "Manuscript" of the "Five Books of Moses – Jewish version, Samaritan version, emphasizing the precise differences between the two" (according to an ancient Samaritan manuscript from the 11th century), edited by Avraham Nur and Ratzon Tsedakah. Four volumes: Bereshit, Vayikra, Bamidbar, Devarim. In this edition, the Jewish version is on the right hand side and the Samaritan version is on the left, without vowels. The preparation of these "manuscripts" was done by cutting and pasting the printed words by hand, (sometimes an individual word is cut out and sometimes several words together. The vowels were erased with correction-fluid). Apparently, these manuscripts were used for repeat printings in the mid-60s. Both versions were printed in Hebrew.
2-3. Manuscripts by Avraham Nur Tsedakah, the second and third parts of the photocopy edition of Tevat Markah. The second part, "about the depths of the Eden spring, by the Great Scholar Our Master Markah" (1990s) is written on large paper sheets in Samaritan. The third part (1995) was written on regular paper leaves. Both parts are written in Samaritan writing, in Hebrew and Arabic (the second part is lacking two leaves).
4. Manuscript by Avraham Nur Tsedakah, sections of the books of Shemot and Devarim, written on large chromo paper sheets. Samaritan writing in square script.
5. Volume of prayers in the handwriting of Avraham Nur Tsedakah, mid 40s. Samaritan writing.
Samaritan manuscripts:
* 14 volumes of Samaritan manuscripts, some from the second half of the 19th century and some from the first decades of the 20th century. Among them: a volume of a Samaritan Chumash (large format), written by Avraham ben Marchiv HaTzafri (1922) and other volumes of the Chumash.
* Many prayer books, including: a volume of prayers from 1856 composed of many varied prayers for Passover, a volume of prayers and songs for the month of Nissan and Passover, with words of praise to G-d by Tuvia ben Yitzchak HaCohen; a volume of prayers from the beginning of the 20s with prayers for Chag HaKatzir (the harvest festival), parts of the Ten Commandments and more; an especially handsome volume of prayers from 1863, by Ya'akov ben Aharon ben Shlomo ben Tuvia HaCohen, with the prayers of Hallel and blessings, Shirat Hayam, prayer and blessing for those who fulfill G-d's laws, prayer for reinforcing belief in G-d, etc; and other volumes with prayers for the Sabbath of Devarim, eve of Midrata and for the day of Mikrata (Ma'amad Har Sinai), for blessing and rain, health and cure of pain, curse for slanderers and enemies, bringing near days of light, counting the Omer and the Festival of Shavuot, etc. Most in Samaritan writing, some in Arabic. Many volumes have moth damage.
* Large certificate related to redemption for marriage and birth, signed by Binyamim ben Shalach HaTzafri (1910s or 20s).
Books, booklets and manuscript photocopies:
Books and booklets published by Avraham Nur and Ratzon Tsedakah (most are lithograph printings of Samaritan manuscripts, in Samaritan writing): * The book of Bamidbar in three columns (the source is in ancient Hebrew, with Samaritan Aramaic translation and Arabic translation). Written, edited and published by Ratzon Tsedakah HaTzafri. Holon, 1968. * The book of Bereshit, Samaritan version with Aramaic and Arabic translations. * Shirot (liturgical poems), the Eve of Kippur, with commentaries on Samaritan laws and customs, written by a selection of various Samaritan writers, Vol. 2, copy handwritten by Ratzon Binyamin Tsedakah. Israel, 1960. * Prayer for the day of Ma'amad Har Sinai (1962). * Prayer of Shabbat Devarim – the Ten Commandments. * Hundreds of photocopied leaves from manuscripts: prayers for the Sabbath and Succot, the Book of Vayikra (Samaritan version), prayers for the weekdays, prayer for the Eve of Chada (Motzaei Shabbat), prayer for Sabbath morning, prayer for the Eve and Day of the New Year, prayer book for the prayers of the Sabbath of Tzamot of Passover (copied and edited by Avraham Nur Tsedakah). Enclosed: * Annotated edition of the Meimar Markah (compilation of homiletics and explanations on the Samaritan Torah written in the 4th century by the Samaritan scholar Markah ben Amram ben Sered), Hebrew-English, edited and translated by John Macdonald. Published by Alfred Töpelmann, Berlin, 1963. Two volumes.
Catalogue
Auction 35 - Rare and Important Judaica
January 29, 2014
Opening: $3,500
Sold for: $10,000
Including buyer's premium
Stencil circular, written on behalf of the Executive Central Committee of the First Zionist Congress, on official letterhead stationary of the Executive Committee of the Zionist Congress ("Bureau des Zionisten-Congresses") with hand-written signatures of all five committee members, including Herzl. Vienna, December 7, 1897. German.
In the circular, published three months after the First Zionist Congress in Basel, the Executive Central Committee members request to emphasize the importance of regular transfer of the "Schekel" funds, on the 1st and 15th of every month, to enable the routine and continuous activities of the committee. The circular states that the Executive Central Committee deals with many matters for which this funding is essential and the committee members are sure that the recipients of the circular will do all they can to act speedily and efficiently in the spirit of their common goal. The Executive Central Committee requests to receive the funds in cash, by registered mail, immediately, otherwise it "cannot be held responsible for the results".
At the First Zionist Congress held in Basel at the end of August 1897, several decisions were reached whose aim was to realize the vision of the Zionist movement. These included the goal of implementing the "Basel Plan" (which determined that the ambition of the Zionist movement is to establish a homeland for the Jewish People in Eretz Israel) and to establish various institutions that would serve to promote and realize the ideals of the movement, the first of these being the World Zionist Organization.
In the framework of founding the World Zionist Union, a General Central Committee of 18 members was elected, and from these an Executive Central Committee consisting of five members, all residents of Vienna, was appointed. The Executive Central Committee, whose role was to serve as a high-level management body – a sort of 'government' – of the General Central Committee, was headed by Dr. Theodor Herzl.
The five members of the first Executive Central Committee were Dr. Theodor Herzl [the father of Zionism; Chairman], who served as chairman, Dr. Oser Kokesch [attorney, one of the first members of the 'Kadima' student association, a founder of the Viennese Zionist 'Admat Yeshurun' association and member of the first committee of 'Otzar Hityashvut HaYehudim'], who served as secretary, Johann Kremenetzky [wealthy Zionist entrepreneur and industrialist, pioneer of the European electricity industry, first chairman of the JNF], Dr. Alexander Mintz [attorney, participated in the committee for formulating the 'Basel Plan', member of the Committee for Practical Settlement], and Dr. Moritz (Moshe) Tobias Schnierer [author and personal doctor of Theodor Herzl, who also accompanied Herzl on his visit to Palestine in 1898, co-founder of the 'Kadima' student association, the 'Ahavat Zion' association and the 'Admat Yeshurun' association]. These five members of the Executive Central Committee are the signatories of this document.
[1] page (+ three empty pages), 29 cm. Stains to margins. Tears to margins, some reinforced with tape. Filing holes, one torn.
Rare. Only a handful of documents with the signatures of all five members of the first Zionist Executive Central Committee are known to exist (perhaps because Dr. Mintz resigned from the Executive Central Committee after less than a year).
In the circular, published three months after the First Zionist Congress in Basel, the Executive Central Committee members request to emphasize the importance of regular transfer of the "Schekel" funds, on the 1st and 15th of every month, to enable the routine and continuous activities of the committee. The circular states that the Executive Central Committee deals with many matters for which this funding is essential and the committee members are sure that the recipients of the circular will do all they can to act speedily and efficiently in the spirit of their common goal. The Executive Central Committee requests to receive the funds in cash, by registered mail, immediately, otherwise it "cannot be held responsible for the results".
At the First Zionist Congress held in Basel at the end of August 1897, several decisions were reached whose aim was to realize the vision of the Zionist movement. These included the goal of implementing the "Basel Plan" (which determined that the ambition of the Zionist movement is to establish a homeland for the Jewish People in Eretz Israel) and to establish various institutions that would serve to promote and realize the ideals of the movement, the first of these being the World Zionist Organization.
In the framework of founding the World Zionist Union, a General Central Committee of 18 members was elected, and from these an Executive Central Committee consisting of five members, all residents of Vienna, was appointed. The Executive Central Committee, whose role was to serve as a high-level management body – a sort of 'government' – of the General Central Committee, was headed by Dr. Theodor Herzl.
The five members of the first Executive Central Committee were Dr. Theodor Herzl [the father of Zionism; Chairman], who served as chairman, Dr. Oser Kokesch [attorney, one of the first members of the 'Kadima' student association, a founder of the Viennese Zionist 'Admat Yeshurun' association and member of the first committee of 'Otzar Hityashvut HaYehudim'], who served as secretary, Johann Kremenetzky [wealthy Zionist entrepreneur and industrialist, pioneer of the European electricity industry, first chairman of the JNF], Dr. Alexander Mintz [attorney, participated in the committee for formulating the 'Basel Plan', member of the Committee for Practical Settlement], and Dr. Moritz (Moshe) Tobias Schnierer [author and personal doctor of Theodor Herzl, who also accompanied Herzl on his visit to Palestine in 1898, co-founder of the 'Kadima' student association, the 'Ahavat Zion' association and the 'Admat Yeshurun' association]. These five members of the Executive Central Committee are the signatories of this document.
[1] page (+ three empty pages), 29 cm. Stains to margins. Tears to margins, some reinforced with tape. Filing holes, one torn.
Rare. Only a handful of documents with the signatures of all five members of the first Zionist Executive Central Committee are known to exist (perhaps because Dr. Mintz resigned from the Executive Central Committee after less than a year).
Catalogue
Auction 35 - Rare and Important Judaica
January 29, 2014
Opening: $5,000
Sold for: $6,250
Including buyer's premium
Certificate on parchment, in honor of the Zionist statesman Shimshon Rosenbaum, on behalf of his friends, Zionist and Socialist activists from the Jewish community of Minsk. [Minsk, c. 1908].
The certificate was handwritten and hand-illustrated. In the center, is a long letter written in handsome square letters. Its frame is hand drawn and painted: At the top is an imaginary illustration of the city of Jerusalem crowned with rays of sun; on its right is the figure of an angel and on its left the figure of Moses (?) holding a torch. The right and left margins have several small illustrations: a Star of David, menorah, monogram of the letters Shin and Resh (initials of Shimson Rosenbaum), and other illustrations. Signed on the bottom right corner, "Meir Paranov / Porogov" (?).
In the letter, members of the Minsk Jewish community express their support of Rosenbaum and show their support following his arrest by the Russian Tsarist rule.
40 people, representatives of the Minsk Jewish community, signed at the bottom of the letter. Among them are: Yehoshua Sirkin, Esther Churgin, Noach Tiomkin, Avraham Kaplan, Avraham ben Kalonymus Kalman and others.
Dr. Shimshon Rosenbaum (Simon Yakovlevich Rosenbaum, 1859-1934), Jewish attorney and statesman, native of Pinsk, Belarus. Rosenbaum studied in a cheder and the Volozhin Yeshiva and later studied law at the Odessa University and at the University of Vienna. During his studies, he began his Zionist activities. Rosenbaum was a member of the Hovevei Zion movement, participated in Zionist congresses, was a member of the Zionist General Council, a member of Zionei Zion (who were in favor of a Jewish settlement only in Eretz Israel and strongly opposed the Uganda Scheme), one of the Zionist heads in Minsk and the primary organizer of the Minsk Convention, member of the central committee of the Zionist movement in Russia.
In 1906, Shimshon Rosenbaum was chosen to serve in the first Duma assembly of the Russian empire (the first Russian parliament), and was active as part of the Constitutional Democratic Party, which wished to advance political reforms, civil rights and liberal democracy in Russia. From the beginning of the Duma meeting, the party members raised subject such as release of political prisoners and abolishing the death sentence and they condemned the Tsarist rule at every occasion. In the beginning of July 1906, following the increase in the Duma's radical political pressure, the Tsar decided to close it.
In reaction to the closing of the Duma, some of its members, including Shimshon Rosenbaum, moved to Vyborg (at that time part of Finland), where they signed the Vyborg Manifesto which called for non-violent civil revolt expressed by not paying taxes and non-enlistment. The population as a rule did not heed the calls of those who signed the manifesto. Many of those who signed were arrested and were sentenced to three months imprisonment, and were banned from taking part in the Duma again. This letter relates to Rosenbaum's imprisonment after signing the manifesto.
After the end of his imprisonment, he became an attorney and dealt with files connected to pogroms and anti-Zionist trials. During World War I, he moved to Vilna and became the leader of the Lithuania Zionist movement. With the establishment of independent Lithuania, he became a deputy Foreign Minister and later Minister for Jewish matters. In 1924, he ascended to Eretz Israel. Since 1929, he served as Lithuanian Consul in Eretz Israel. When the organization for Minsk immigrants to Eretz Israel was founded in 1930, Rosenbaum was chosen as honorary president of the organization. Died in Tel-Aviv in 1934 and was buried in the Trumpledor cemetery.
Parchment sheet 44X35.5 cm. Good condition. Folding marks, minor stains. Minor tears and creases to margins. Several faded signatures.
The certificate was handwritten and hand-illustrated. In the center, is a long letter written in handsome square letters. Its frame is hand drawn and painted: At the top is an imaginary illustration of the city of Jerusalem crowned with rays of sun; on its right is the figure of an angel and on its left the figure of Moses (?) holding a torch. The right and left margins have several small illustrations: a Star of David, menorah, monogram of the letters Shin and Resh (initials of Shimson Rosenbaum), and other illustrations. Signed on the bottom right corner, "Meir Paranov / Porogov" (?).
In the letter, members of the Minsk Jewish community express their support of Rosenbaum and show their support following his arrest by the Russian Tsarist rule.
40 people, representatives of the Minsk Jewish community, signed at the bottom of the letter. Among them are: Yehoshua Sirkin, Esther Churgin, Noach Tiomkin, Avraham Kaplan, Avraham ben Kalonymus Kalman and others.
Dr. Shimshon Rosenbaum (Simon Yakovlevich Rosenbaum, 1859-1934), Jewish attorney and statesman, native of Pinsk, Belarus. Rosenbaum studied in a cheder and the Volozhin Yeshiva and later studied law at the Odessa University and at the University of Vienna. During his studies, he began his Zionist activities. Rosenbaum was a member of the Hovevei Zion movement, participated in Zionist congresses, was a member of the Zionist General Council, a member of Zionei Zion (who were in favor of a Jewish settlement only in Eretz Israel and strongly opposed the Uganda Scheme), one of the Zionist heads in Minsk and the primary organizer of the Minsk Convention, member of the central committee of the Zionist movement in Russia.
In 1906, Shimshon Rosenbaum was chosen to serve in the first Duma assembly of the Russian empire (the first Russian parliament), and was active as part of the Constitutional Democratic Party, which wished to advance political reforms, civil rights and liberal democracy in Russia. From the beginning of the Duma meeting, the party members raised subject such as release of political prisoners and abolishing the death sentence and they condemned the Tsarist rule at every occasion. In the beginning of July 1906, following the increase in the Duma's radical political pressure, the Tsar decided to close it.
In reaction to the closing of the Duma, some of its members, including Shimshon Rosenbaum, moved to Vyborg (at that time part of Finland), where they signed the Vyborg Manifesto which called for non-violent civil revolt expressed by not paying taxes and non-enlistment. The population as a rule did not heed the calls of those who signed the manifesto. Many of those who signed were arrested and were sentenced to three months imprisonment, and were banned from taking part in the Duma again. This letter relates to Rosenbaum's imprisonment after signing the manifesto.
After the end of his imprisonment, he became an attorney and dealt with files connected to pogroms and anti-Zionist trials. During World War I, he moved to Vilna and became the leader of the Lithuania Zionist movement. With the establishment of independent Lithuania, he became a deputy Foreign Minister and later Minister for Jewish matters. In 1924, he ascended to Eretz Israel. Since 1929, he served as Lithuanian Consul in Eretz Israel. When the organization for Minsk immigrants to Eretz Israel was founded in 1930, Rosenbaum was chosen as honorary president of the organization. Died in Tel-Aviv in 1934 and was buried in the Trumpledor cemetery.
Parchment sheet 44X35.5 cm. Good condition. Folding marks, minor stains. Minor tears and creases to margins. Several faded signatures.
Catalogue
Auction 35 - Rare and Important Judaica
January 29, 2014
Opening: $5,000
Sold for: $7,500
Including buyer's premium
Verve. Revue Artistique et Littéraire. Vol. VIII, Nos 33 et 34. Published by Verve, Paris 1956. French.
A book designed in album format. 105 quality black and white reproductions and 28 original lithographs (16 of which are colored), to works with Biblical subject matter created by Chagall during the years 1930-1955. The cover design is also by Chagall.
On the cover page there is a handwritten dedication by Chagall, “To Tuvya and Galila Ruebner (Paris, 1967).” Alongside the dedication Chagall added an illustration of a figure standing by a tree. The copy in front of us is wrapped in a brown paper envelope, on the frontage and on the spine Chagall wrote in colored pastels the following inscription: "Marc Chagall Bible”.
36 cm. Good condition. The cover is slightly loose. Tears on the spine. A few stains. The paper envelope is slightly torn. The lithographs are in good condition.
A book designed in album format. 105 quality black and white reproductions and 28 original lithographs (16 of which are colored), to works with Biblical subject matter created by Chagall during the years 1930-1955. The cover design is also by Chagall.
On the cover page there is a handwritten dedication by Chagall, “To Tuvya and Galila Ruebner (Paris, 1967).” Alongside the dedication Chagall added an illustration of a figure standing by a tree. The copy in front of us is wrapped in a brown paper envelope, on the frontage and on the spine Chagall wrote in colored pastels the following inscription: "Marc Chagall Bible”.
36 cm. Good condition. The cover is slightly loose. Tears on the spine. A few stains. The paper envelope is slightly torn. The lithographs are in good condition.
Catalogue
Auction 35 - Rare and Important Judaica
January 29, 2014
Opening: $14,000
Sold for: $17,500
Including buyer's premium
1. Poster on behalf of the Shomer HaTza'ir World Union designed by Yohanan Simon. Invitation to the first national convention in Tel Aviv, held on April 20-23, 1938. Printed by E. Strud, Tel Aviv, 1938.
The illustration depicts a man holding a red flag and a sheaf of grain. 63X95 cm. framed: 102.5X70.5 cm. Good-fair condition. Creases, few stains. Folding marks. See: "Art in the Service of Ideology, Hashomer Hatzair Political Posters 1937-1967". Editor: Shlomo Shaltiel. Published by Yad Yaari and the Ben-Gurion Research Center, 1999. Page 105.
2. Your List - Mem – the Left Front. Poster designed by Yohanan Simon. Printed by Azriel, Tel Aviv [1944].
A poster for the elections to the Histadrut, on behalf of the Left Front – joint list of HaShomer HaTzair, The Socialist League and Po'alei Zion Smol. Signed: Y. S.
34.5X50 cm. Good condition. Folding marks. Minor tears, restored. Glued on thick cardboard. See: "Art in the Service of Ideology", page 104.
3. Give a Hand to the Victory of the Left! The Left Front. Poster designed by Franz Kraus, [1944].
Election poster for the General Federation of Laborers (Histadrut Haovdim Haklalit). The illustration depicts a red fist, holding a white ballot with the letter of the party. In the background are masses of the working class, stepping on a blue surface. 32X47 cm. Good condition. Folding marks. See: "Art in the Service of Ideology", page 103.
4. "For Pioneer Action! For Breaking Through the Siege! For Breaching the Gates!". Poster designed by Yohanan Simon. HaDfus HaChadash Ltd. Tel Aviv [1944].
Election poster. For Great Zionism! For Fighting Socialism! For Brotherhood of Nations!. Signed: Y. S. The illustration portrays the hands of a man holding a hammer and in the background are a water tower and a guard tower, surrounded by barbed wire fences. This illustration created by Simon was a basis for additional posters. 35X49 cm. Good condition. 12 file holes. Creases. Folded.
5. Hashomer HaTzair in Eretz Israel, The Fourth National Convention. Linol.: Institute Named after Zvi Bergman. Printed by Nesher, Tel Aviv, [1984]. Designed by Nafali Bezem. Signed: Naftali. The illustration portrays three figures – a young girl and two boys – wearing Hashomer HaTzair shirts.
One boy is holding a blue flag and the second has a gun behind his back. 48.5X69.5 cm. framed: 78X58 cm. Good-fair condition. Creases, tears to proclamation margins, stains. Folding msrks. See: "Art in the Service of Ideology", page 108.
6. Poster on behalf of Mapam [the United Workers Party]. "For the Census of the Fighting Workers' Camp, Pioneer Industries! Revolutionary Struggle! May 1, 1949". Printed by Nesher, Tel Aviv. Designed by Yohanan Simon. Signed: "Ru-Yo".
50X70 cm. framed: 75X58 cm. Fair condition. Folding marks and creases. Tears to margins. Upper left corner lacking (damage to text). Tears restored with tape.
See: "Art in the Service of Ideology", page 64.
The design of Hashomer Hatzair posters was influenced by communist and socialist workers' union symbols as well as by Zionist symbols. The prominent colors of the posters are red, blue, white and black. The recurring images are the closed fist, the waving flag, factory chimneys, plowed fields and water towers, tools and weapons. These all express the vision of the movement: the establishment of a bi-national socialist state and an alliance between the workers of the cities and villages throughout Israel. Hashomer Hatzair posters were designed by artists, Kibbutz and movement members who stood at the helm of the movement's propaganda.
The illustration depicts a man holding a red flag and a sheaf of grain. 63X95 cm. framed: 102.5X70.5 cm. Good-fair condition. Creases, few stains. Folding marks. See: "Art in the Service of Ideology, Hashomer Hatzair Political Posters 1937-1967". Editor: Shlomo Shaltiel. Published by Yad Yaari and the Ben-Gurion Research Center, 1999. Page 105.
2. Your List - Mem – the Left Front. Poster designed by Yohanan Simon. Printed by Azriel, Tel Aviv [1944].
A poster for the elections to the Histadrut, on behalf of the Left Front – joint list of HaShomer HaTzair, The Socialist League and Po'alei Zion Smol. Signed: Y. S.
34.5X50 cm. Good condition. Folding marks. Minor tears, restored. Glued on thick cardboard. See: "Art in the Service of Ideology", page 104.
3. Give a Hand to the Victory of the Left! The Left Front. Poster designed by Franz Kraus, [1944].
Election poster for the General Federation of Laborers (Histadrut Haovdim Haklalit). The illustration depicts a red fist, holding a white ballot with the letter of the party. In the background are masses of the working class, stepping on a blue surface. 32X47 cm. Good condition. Folding marks. See: "Art in the Service of Ideology", page 103.
4. "For Pioneer Action! For Breaking Through the Siege! For Breaching the Gates!". Poster designed by Yohanan Simon. HaDfus HaChadash Ltd. Tel Aviv [1944].
Election poster. For Great Zionism! For Fighting Socialism! For Brotherhood of Nations!. Signed: Y. S. The illustration portrays the hands of a man holding a hammer and in the background are a water tower and a guard tower, surrounded by barbed wire fences. This illustration created by Simon was a basis for additional posters. 35X49 cm. Good condition. 12 file holes. Creases. Folded.
5. Hashomer HaTzair in Eretz Israel, The Fourth National Convention. Linol.: Institute Named after Zvi Bergman. Printed by Nesher, Tel Aviv, [1984]. Designed by Nafali Bezem. Signed: Naftali. The illustration portrays three figures – a young girl and two boys – wearing Hashomer HaTzair shirts.
One boy is holding a blue flag and the second has a gun behind his back. 48.5X69.5 cm. framed: 78X58 cm. Good-fair condition. Creases, tears to proclamation margins, stains. Folding msrks. See: "Art in the Service of Ideology", page 108.
6. Poster on behalf of Mapam [the United Workers Party]. "For the Census of the Fighting Workers' Camp, Pioneer Industries! Revolutionary Struggle! May 1, 1949". Printed by Nesher, Tel Aviv. Designed by Yohanan Simon. Signed: "Ru-Yo".
50X70 cm. framed: 75X58 cm. Fair condition. Folding marks and creases. Tears to margins. Upper left corner lacking (damage to text). Tears restored with tape.
See: "Art in the Service of Ideology", page 64.
The design of Hashomer Hatzair posters was influenced by communist and socialist workers' union symbols as well as by Zionist symbols. The prominent colors of the posters are red, blue, white and black. The recurring images are the closed fist, the waving flag, factory chimneys, plowed fields and water towers, tools and weapons. These all express the vision of the movement: the establishment of a bi-national socialist state and an alliance between the workers of the cities and villages throughout Israel. Hashomer Hatzair posters were designed by artists, Kibbutz and movement members who stood at the helm of the movement's propaganda.
Catalogue
Auction 35 - Rare and Important Judaica
January 29, 2014
Opening: $2,500
Sold for: $7,500
Including buyer's premium
"JOIN THE ARMY – You can crush him – Enlist!" A proclamation by the Mandate government, PDR MISC / 3553 [Palestine Drawing & Reproduction, Miscellaneous], [August / September 1941].
At the center of the proclamation is a large illustration of a stretched out hand in the shape of the letter V – symbolizing victory (identified with Winston Churchill during World War II), which slices the map of Europe (on the map are marked the capital cities: Rome, Bucharest, Budapest, Tirana, Istanbul, Bern, Paris and London). The fingers of the hand grasp a Wehrmacht soldier (a swastika appears on his helmet) and underneath is a call encouraging the Yishuv's young generation to enlist to the war effort against the German enemy – "Join the army – You can crush him – Enlist!". At the top of the proclamation is the emblem of the United Kingdom of the British government.
When World War II broke out and during the war, many of the Jewish settlers in Eretz Israel volunteered for the British army to assist in the war against the German enemy. At the end of 1939, the national institutes of the Jewish settlement announced that they would assemble Jewish soldiers who would be willing to fight in the lines of the British army. 40,000 young men and women enlisted. At first, the British government was unwilling to recruit the Jews, but the German threat grew and its unwillingness dissipated. In the summer of 1941, when the German army attacked the USSR and was in the western desert on its way to conquering the Suez Canal, the lifeline of the British Empire, the demand of mass enlistment to the British army was reawakened. The national institutes announced the conscription of single men from the age of 20-30 and punished those who evaded the draft. Apparently, this proclamation is from that time. 60X85.5 cm, framed: 88.5X64 cm. Good condition. Folding marks. Few stains.
At the center of the proclamation is a large illustration of a stretched out hand in the shape of the letter V – symbolizing victory (identified with Winston Churchill during World War II), which slices the map of Europe (on the map are marked the capital cities: Rome, Bucharest, Budapest, Tirana, Istanbul, Bern, Paris and London). The fingers of the hand grasp a Wehrmacht soldier (a swastika appears on his helmet) and underneath is a call encouraging the Yishuv's young generation to enlist to the war effort against the German enemy – "Join the army – You can crush him – Enlist!". At the top of the proclamation is the emblem of the United Kingdom of the British government.
When World War II broke out and during the war, many of the Jewish settlers in Eretz Israel volunteered for the British army to assist in the war against the German enemy. At the end of 1939, the national institutes of the Jewish settlement announced that they would assemble Jewish soldiers who would be willing to fight in the lines of the British army. 40,000 young men and women enlisted. At first, the British government was unwilling to recruit the Jews, but the German threat grew and its unwillingness dissipated. In the summer of 1941, when the German army attacked the USSR and was in the western desert on its way to conquering the Suez Canal, the lifeline of the British Empire, the demand of mass enlistment to the British army was reawakened. The national institutes announced the conscription of single men from the age of 20-30 and punished those who evaded the draft. Apparently, this proclamation is from that time. 60X85.5 cm, framed: 88.5X64 cm. Good condition. Folding marks. Few stains.
Catalogue
Auction 35 - Rare and Important Judaica
January 29, 2014
Opening: $3,000
Sold for: $7,500
Including buyer's premium
To Me Belongeth Vengeance and Recompense! Ernest Mechner and Otte Wallish. Colored lithograph printing. The General Hebrew Labor Federation in Israel, 1945. Stamped in upper right corner "mw" and in bottom right corner "Mechner Wallish Atelier".
Proclamation for May 1, 1945. At the top appears a flag of the Jewish Brigade under which there is a drawing of fighting Brigade soldiers on a bright red background. At the bottom, is a quote of a Biblical verse (Devarim 32, 35): "To Me belongeth vengeance and recompense; their foot shall slide in due time; for the day of their calamity is at hand, and the things that shall come upon them make haste".
The graphic artist Otte Wallish (1903-1977) designed the “Hebrew Post” stamps and other stamps, Israeli bills and coins.
48X33 cm, framed: 57.5X42.5 cm. Good condition. Horizontal folding line.
Proclamation for May 1, 1945. At the top appears a flag of the Jewish Brigade under which there is a drawing of fighting Brigade soldiers on a bright red background. At the bottom, is a quote of a Biblical verse (Devarim 32, 35): "To Me belongeth vengeance and recompense; their foot shall slide in due time; for the day of their calamity is at hand, and the things that shall come upon them make haste".
The graphic artist Otte Wallish (1903-1977) designed the “Hebrew Post” stamps and other stamps, Israeli bills and coins.
48X33 cm, framed: 57.5X42.5 cm. Good condition. Horizontal folding line.
Catalogue
Auction 35 - Rare and Important Judaica
January 29, 2014
Opening: $2,000
Unsold
Proclamation to all residents of the State of Israel, on behalf of the Provisional government of Israel. Tel Aviv: “HaPoel HaTzair” Co-operative, May 14, 1948.
First proclamation printed by the Provisional government; calling on all State residents to volunteer to protect the homeland and care for its benefit: "In the period of this primary test, during the enemy's attack, the Provisional Council takes the rule in its hands"; "We have been thrown into a cruel war. But we shall remember: Inside the borders of our State, the Arab citizens shall continue to live – and for many of them this war is unwelcome. Their rights, equal citizen rights, we are commanded to fulfill. Our face is towards peace. We stretch out our hands to them for sharing in the building of the homeland. Citizens! We will protect the honor of our young State. Each of us is responsible for it by his conduct, the purity of his stand, his honesty. Every person is responsible for its security and its future". 96x63.5cm. Good condition. Minor folding marks. Pasted on thin acid-free paper.
First proclamation printed by the Provisional government; calling on all State residents to volunteer to protect the homeland and care for its benefit: "In the period of this primary test, during the enemy's attack, the Provisional Council takes the rule in its hands"; "We have been thrown into a cruel war. But we shall remember: Inside the borders of our State, the Arab citizens shall continue to live – and for many of them this war is unwelcome. Their rights, equal citizen rights, we are commanded to fulfill. Our face is towards peace. We stretch out our hands to them for sharing in the building of the homeland. Citizens! We will protect the honor of our young State. Each of us is responsible for it by his conduct, the purity of his stand, his honesty. Every person is responsible for its security and its future". 96x63.5cm. Good condition. Minor folding marks. Pasted on thin acid-free paper.
Catalogue
Auction 35 - Rare and Important Judaica
January 29, 2014
Opening: $18,000
Unsold
Four monumental photo albums - travels through Egypt, Eretz Israel, Syria, Lebanon, Greece, Turkey, Switzerland and Germany in 1894.
Pasted on the albums leaves are 479 photographs, documenting the journey in chronological order. The owner of the album added large decorated titles to most of the leaves, as well as quotes from the Scriptures and the New Testament (relevant to the photographed sites), quotes of poems and handsome large colorful (watercolor) illustrations. Usually, the illustrations are a direct continuation of the subjects in the photographs: Oriental characters, flowers, birds, landscapes, etc.
Approximately half the photographs in the album (235) are small "private" photographs, photographed by the owners of the albums and half (244) are large photographs, mostly taken by well-known photographers such as the Turkish photographer J. P. Sébah (1838-1890), the French photographer Félix Bonfils (1831-1885), the Greek photographers Adelphi and Constantine Zangaki, who were active in the 1870s-1890s) and the French photographer Rubellin (active from 1860, owner of a studio in Istanbul; later signed "Rubellin et fils" Rubellin and his son); most of these photographs are signed and titled in the plate.
The albums in which the photographs are arranged are particularly large (height: 31 cm. width: 45 cm. thickness: 6-10 cm.) and are bound to look like books: wide leather bindings, leather corners and gilded impressions. Thick cardboard leaves, gilt-edged. Apparently, the four albums were created especially for their owner by a binder from Liverpool. The title (the country or area of travel; see below), the year 1894 and the initials RMI are impressed in gilded letters on the front cover of each album.
The first album is titled Egypt and the Nile and its binding is green. Written on the first page of the album is "The Start", and it is composed of photographs of Gibraltar, Port Said, the Suez Canal, the Nile valley and Cairo, hotels in Egypt, pyramids, the Sphinx, mosques, camel-riding in the Sahara Desert, the Giza Museum and some of its exhibits (Sphinxes, mummies etc.), Thebes, Medinet Habu (the Mortuary Temple of Ramesses III), etc. 77 large photographs and 73 small photographs are pasted on the album leaves. Four
photographs are enclosed.
The second album is titled Southern Palestine and its binding is red. It includes photographs of the market in Jaffa, a view from the house of Simon the Tanner of Jaffa, a view of Jerusalem from Mount Scopus, the Temple Mount (the Dome of the Rock is in the process of renovations), the Even HaShetiya (Foundation Stone), the Pool of Bethesda, Antonia Fortress, the Damascus Gate, Golgotha Hill, Church of the Holy Sepulchre, Jaffa Gate, the road to Bethlehem, the Tower of David, the Armenian Church, the entrance to the room of the Last Supper, Robinson's Arch, the Western Wall, the Valley of Hinnom (Gehenna), the Shiloach Pool, the Mount of Olives, the Valley of Yehoshafat (Kidron Valley), the Moabite mountains and the Dead Sea (view from the Mount of Olives), Rachel's Tomb, Bethlehem, The Church of the Nativity, Solomon's Pools, Hebron, the Oak of Abraham (Oak of Mamre), "the Good Samaritan" site, Jordan Valley and Jericho, Mar Elias Monastery, the Jordan River, Shilo, Mount Ebal, Nablus, Sebastia, Dotan Valley, Mount Carmel, Druze at supper, Atlit fort, etc. 54 large photographs and 46 small photographs are pasted on the album leaves. 18 photographs are enclosed.
Pasted on the albums leaves are 479 photographs, documenting the journey in chronological order. The owner of the album added large decorated titles to most of the leaves, as well as quotes from the Scriptures and the New Testament (relevant to the photographed sites), quotes of poems and handsome large colorful (watercolor) illustrations. Usually, the illustrations are a direct continuation of the subjects in the photographs: Oriental characters, flowers, birds, landscapes, etc.
Approximately half the photographs in the album (235) are small "private" photographs, photographed by the owners of the albums and half (244) are large photographs, mostly taken by well-known photographers such as the Turkish photographer J. P. Sébah (1838-1890), the French photographer Félix Bonfils (1831-1885), the Greek photographers Adelphi and Constantine Zangaki, who were active in the 1870s-1890s) and the French photographer Rubellin (active from 1860, owner of a studio in Istanbul; later signed "Rubellin et fils" Rubellin and his son); most of these photographs are signed and titled in the plate.
The albums in which the photographs are arranged are particularly large (height: 31 cm. width: 45 cm. thickness: 6-10 cm.) and are bound to look like books: wide leather bindings, leather corners and gilded impressions. Thick cardboard leaves, gilt-edged. Apparently, the four albums were created especially for their owner by a binder from Liverpool. The title (the country or area of travel; see below), the year 1894 and the initials RMI are impressed in gilded letters on the front cover of each album.
The first album is titled Egypt and the Nile and its binding is green. Written on the first page of the album is "The Start", and it is composed of photographs of Gibraltar, Port Said, the Suez Canal, the Nile valley and Cairo, hotels in Egypt, pyramids, the Sphinx, mosques, camel-riding in the Sahara Desert, the Giza Museum and some of its exhibits (Sphinxes, mummies etc.), Thebes, Medinet Habu (the Mortuary Temple of Ramesses III), etc. 77 large photographs and 73 small photographs are pasted on the album leaves. Four
photographs are enclosed.
The second album is titled Southern Palestine and its binding is red. It includes photographs of the market in Jaffa, a view from the house of Simon the Tanner of Jaffa, a view of Jerusalem from Mount Scopus, the Temple Mount (the Dome of the Rock is in the process of renovations), the Even HaShetiya (Foundation Stone), the Pool of Bethesda, Antonia Fortress, the Damascus Gate, Golgotha Hill, Church of the Holy Sepulchre, Jaffa Gate, the road to Bethlehem, the Tower of David, the Armenian Church, the entrance to the room of the Last Supper, Robinson's Arch, the Western Wall, the Valley of Hinnom (Gehenna), the Shiloach Pool, the Mount of Olives, the Valley of Yehoshafat (Kidron Valley), the Moabite mountains and the Dead Sea (view from the Mount of Olives), Rachel's Tomb, Bethlehem, The Church of the Nativity, Solomon's Pools, Hebron, the Oak of Abraham (Oak of Mamre), "the Good Samaritan" site, Jordan Valley and Jericho, Mar Elias Monastery, the Jordan River, Shilo, Mount Ebal, Nablus, Sebastia, Dotan Valley, Mount Carmel, Druze at supper, Atlit fort, etc. 54 large photographs and 46 small photographs are pasted on the album leaves. 18 photographs are enclosed.
Catalogue
Auction 35 - Rare and Important Judaica
January 29, 2014
Opening: $5,000
Unsold
Three photographs by Robert Capa, featuring General David (Mickey) Marcus, [1948].
Robert Capa (1913-1954) – American photographer of Jewish-Hungarian descent (born Erno Andre Freidman, in Budapest), considered the most famous war photographer of the 20th century. Experienced five wars: The civil war in Spain, Japan's invasion of China, World War II (all over Europe), Israel's War of Independence and the first Sino-Indian War. Among other projects, Capa documented the invasion of Normandy (D-day) and the liberation of Paris. In 1948, Capa came to Israel several times and photo-documented the War of Independence and the declaration ceremony. He was killed in a mine explosion in Vietnam during the first Sino-Indian war, when he left the jeep in the convoy in which he was traveling to photograph the advancing forces from a different angle.
David Marcus (1902-1948), also known as Mickey Stone, was the first general in the IDF, and a United States Army colonel. Many heroic stories are told of his role in the battles to liberate Europe in which he actively partook during World War II. In the framework of his diplomatic work, he participated in the Yalta, Tehran and Potsdam conferences. He came to Israel during the War of Independence as a member of Machal initiated by the Haganah, to contribute from his military experience. He wrote booklets on military matters, a report on the state of the battling forces and their setup. On the day the Jewish Quarter of the Old City of Jerusalem fell, he was appointed as commander of the Jerusalem front. Marcus was killed a few hours before the beginning of the first cease-fire of the War of Independence, accidentally shot to death by an IDF sentry in the village of Abu Ghosh, location of his headquarters.
On the verso of one photograph appears a handwritten (pen) signature of Robert Capa, with an ink-stamp: “Photograph by PM” and a caption written in pencil :“Marcus”, apparently in Capa’s handwriting; another photo bears the same ink-stamp on the back with a caption written in pencil as mentioned above [apparently, the stamp is from the cooperative international photography agency Magnum founded in 1947 with the cooperation of Robert Capa, Henri Cartier Bresson, David Sim Simor and George Roger]; the third photograph is neither signed nor titled. 20.5X25 cm. Good condition, few stains and wrinkles. Two are staple-marked.
Robert Capa (1913-1954) – American photographer of Jewish-Hungarian descent (born Erno Andre Freidman, in Budapest), considered the most famous war photographer of the 20th century. Experienced five wars: The civil war in Spain, Japan's invasion of China, World War II (all over Europe), Israel's War of Independence and the first Sino-Indian War. Among other projects, Capa documented the invasion of Normandy (D-day) and the liberation of Paris. In 1948, Capa came to Israel several times and photo-documented the War of Independence and the declaration ceremony. He was killed in a mine explosion in Vietnam during the first Sino-Indian war, when he left the jeep in the convoy in which he was traveling to photograph the advancing forces from a different angle.
David Marcus (1902-1948), also known as Mickey Stone, was the first general in the IDF, and a United States Army colonel. Many heroic stories are told of his role in the battles to liberate Europe in which he actively partook during World War II. In the framework of his diplomatic work, he participated in the Yalta, Tehran and Potsdam conferences. He came to Israel during the War of Independence as a member of Machal initiated by the Haganah, to contribute from his military experience. He wrote booklets on military matters, a report on the state of the battling forces and their setup. On the day the Jewish Quarter of the Old City of Jerusalem fell, he was appointed as commander of the Jerusalem front. Marcus was killed a few hours before the beginning of the first cease-fire of the War of Independence, accidentally shot to death by an IDF sentry in the village of Abu Ghosh, location of his headquarters.
On the verso of one photograph appears a handwritten (pen) signature of Robert Capa, with an ink-stamp: “Photograph by PM” and a caption written in pencil :“Marcus”, apparently in Capa’s handwriting; another photo bears the same ink-stamp on the back with a caption written in pencil as mentioned above [apparently, the stamp is from the cooperative international photography agency Magnum founded in 1947 with the cooperation of Robert Capa, Henri Cartier Bresson, David Sim Simor and George Roger]; the third photograph is neither signed nor titled. 20.5X25 cm. Good condition, few stains and wrinkles. Two are staple-marked.
Catalogue
Auction 35 - Rare and Important Judaica
January 29, 2014
Opening: $14,000
Unsold
66 photographs by the photographer Robert Ziller.
~ 48 photographs taken in France, Italy, Germany and Israel, early 1930s. The photographs, all black and white, depict urban and nature scenes photographed in Paris, Seine, Milano, Berlin and Haifa. All are stamped on the back: "Publication only by Phot. R. Ziller". Pasted on the reverse side of some photographs are paper labels with a description of the photograph and with the name Ziller. A few photographs have handwritten descriptions on the back. Size: 13X20 cm – 17X23 cm. Generally good condition. Stains, glue remnants or paper labels on the reverse.One photograph is missing one corner. Several photographs have damage to margins.
~ 16 color photographs taken in Germany, Austria, Uzbekistan, Mongolia and India, 1970s-80s (prints from 2006). Unstamped. 9X13.5 cm. Very good condition. Seven have descriptions on the back.
~ Two black and white photographs. Not stamped or described. 20.5X25 cm. Good condition.
The impact of the German expressionist films can be clearly discerned in Ziller's photographs from the beginning of the 1930s as well as the Avant-garde esthetic influence of the New Vision and the New Objectivity movements which are expressed in emphasis on the independent artistic qualities of photography as a modern technological medium.
Robert Ziller was born in Berlin in January 1914. After concluding his secondary school studies, he began to serve as an assistant to a photographer in the UFA studios in Berlin. There he worked with the leading expressionist cinematographers of his time such as the film-directors Fritz Lang, Georg Wilhelm Pabst, Hans Schwartz, the Jewish-German movie photographer Eugen Schüfftan and others. In 1933, with the rise of the Nazi party, and because he was a Jew, Ziller left Berlin for Paris, there he worked on full-length movies with Eugen Schüfftan (who also escaped to France that year), but since he wasn't successful in extending his work permit, he left France in 1934 and immigrated to Eretz Israel.
Ziller was 20 years old when he reached Eretz Israel. In the beginning he worked as an agriculturist. Eventually, he returned to his professional occupation and worked as a newspaper photographer. During the 40s, he returned to his occupation in the film industry and photographed documentary films for the JNF. He worked with Helmar Lerski on the film Adama (the first full-length film photographed in Eretz Israel), Yaldei HaShemesh, Mangina Ivrit and Kupat Cholim, with the cinematographer Herbert Klein on his film Beit Avi as well as with the photographer Floyd Crosby. During World War II, he joined the British Royal Air Force and served as an army photographer in Africa, Italy, France, England and Germany. In 1947, immigrated to England and lived in London. There he worked primarily on documentary films. In 1951, moved to the US and settled in New York. Photographed the European scenes for Alfred Hitchcock's film Torn Curtain and worked many years as a photographer for the UN. During his worldwide travels on behalf of the UN, he photographed many films and stills. Ziller died in Litchfield, Connecticut in July 2010.
The films which he photographed in Israel are in the Steven Spielberg Jewish Film Archive in Jerusalem. Since Ziller traveled through many countries, copies of his photographs are rare and even negatives, especially of his early photographs, have been lost. To the best of our knowledge, these photographs (from the 1930s) are Ziller's only stills which remain from that time.
Enclosed: If I Forget Thee, a picture story of modern Palestine, by Meyer Levin. The Viking Press, New York, 1947. 10 photographs by Ziller are printed in the book. His photograph appears on the front cover.
~ 48 photographs taken in France, Italy, Germany and Israel, early 1930s. The photographs, all black and white, depict urban and nature scenes photographed in Paris, Seine, Milano, Berlin and Haifa. All are stamped on the back: "Publication only by Phot. R. Ziller". Pasted on the reverse side of some photographs are paper labels with a description of the photograph and with the name Ziller. A few photographs have handwritten descriptions on the back. Size: 13X20 cm – 17X23 cm. Generally good condition. Stains, glue remnants or paper labels on the reverse.One photograph is missing one corner. Several photographs have damage to margins.
~ 16 color photographs taken in Germany, Austria, Uzbekistan, Mongolia and India, 1970s-80s (prints from 2006). Unstamped. 9X13.5 cm. Very good condition. Seven have descriptions on the back.
~ Two black and white photographs. Not stamped or described. 20.5X25 cm. Good condition.
The impact of the German expressionist films can be clearly discerned in Ziller's photographs from the beginning of the 1930s as well as the Avant-garde esthetic influence of the New Vision and the New Objectivity movements which are expressed in emphasis on the independent artistic qualities of photography as a modern technological medium.
Robert Ziller was born in Berlin in January 1914. After concluding his secondary school studies, he began to serve as an assistant to a photographer in the UFA studios in Berlin. There he worked with the leading expressionist cinematographers of his time such as the film-directors Fritz Lang, Georg Wilhelm Pabst, Hans Schwartz, the Jewish-German movie photographer Eugen Schüfftan and others. In 1933, with the rise of the Nazi party, and because he was a Jew, Ziller left Berlin for Paris, there he worked on full-length movies with Eugen Schüfftan (who also escaped to France that year), but since he wasn't successful in extending his work permit, he left France in 1934 and immigrated to Eretz Israel.
Ziller was 20 years old when he reached Eretz Israel. In the beginning he worked as an agriculturist. Eventually, he returned to his professional occupation and worked as a newspaper photographer. During the 40s, he returned to his occupation in the film industry and photographed documentary films for the JNF. He worked with Helmar Lerski on the film Adama (the first full-length film photographed in Eretz Israel), Yaldei HaShemesh, Mangina Ivrit and Kupat Cholim, with the cinematographer Herbert Klein on his film Beit Avi as well as with the photographer Floyd Crosby. During World War II, he joined the British Royal Air Force and served as an army photographer in Africa, Italy, France, England and Germany. In 1947, immigrated to England and lived in London. There he worked primarily on documentary films. In 1951, moved to the US and settled in New York. Photographed the European scenes for Alfred Hitchcock's film Torn Curtain and worked many years as a photographer for the UN. During his worldwide travels on behalf of the UN, he photographed many films and stills. Ziller died in Litchfield, Connecticut in July 2010.
The films which he photographed in Israel are in the Steven Spielberg Jewish Film Archive in Jerusalem. Since Ziller traveled through many countries, copies of his photographs are rare and even negatives, especially of his early photographs, have been lost. To the best of our knowledge, these photographs (from the 1930s) are Ziller's only stills which remain from that time.
Enclosed: If I Forget Thee, a picture story of modern Palestine, by Meyer Levin. The Viking Press, New York, 1947. 10 photographs by Ziller are printed in the book. His photograph appears on the front cover.
Catalogue
Auction 35 - Rare and Important Judaica
January 29, 2014
Opening: $3,000
Sold for: $8,750
Including buyer's premium
A unique collection of handwritten booklets and drawings which belonged to the youth Ullrich Remak, mostly from the time he stayed at a home for refugee children from Nazi Germany in Scotland, as well as certificates and documents, pertaining to his arrival to Scotland in the Kindertransport. 1938-1966 [most items are from the beginning of the 1940s]. English and German.
The collection is composed of unique handwritten items from the time Ullrich (Ully) Remak stayed at the German Jewish refugee-children's home in Scotland called the Birkenward Hostel at the beginning of the 1940s.
Below is the description of several of the more prominent items:
Four Handwritten Newspaper Issues which the boys published for internal distribution. The newspaper, named the "Refugee Club Paper" (RCP), was handwritten in only one copy and passed from one to another amongst the friends. The newspaper issues have short articles and poems, some of which discuss the war and the Nazi regime and allude to the Jewish origin of the writers; illustrations and comics, some colored. The issues are no. 3, 4 and 6 from 1941, and five leaves of another issue, incomplete, number unknown. Remak contributed illustrations and poems to the newspaper issues. Issue no. 4 includes two poems which he wrote (one titled "A Night in Wartime") and a comic strip which he drew called "Himmler Beats Dagger". Besides the newspaper issues, the collection includes leaves and booklets written by the children in order to amuse themselves and to pass the time: A catalogue presenting means of payment which they invented and used in the children's hostel. The catalogue presents 22 means of payment (cardboard cards) in the value of 1-100 RCM (Refugee Club Money), including a card of "00" intended for "collectors only" of which only 11 copies were made (the catalogue, from 1942, was handwritten inside a notebook upon seven pages; the means of payment were arranged and pasted onto the notebook leaves). A booklet dedicated to stamp collecting; a letter passed amongst the lads – invitation to a Sylvester party, December 1943; a handwritten list of 11 members in the Skelmorlie Club; Trivia cards; an animal bone, on one side inscribed: "Souvenir from Birkenward Hostel, 14.2.42", and on the other: " This dead bone goes to dust just how all are alike, stone, man & cow".
The collection also includes the following:
~ Eight illustrations by Remak, drawn in pencil, watercolor and chalk, all colorful (with the exception of one), some of World War II and the Nazis. One of the illustrations is of the inside of a synagogue.
~ Remak's private letters and documents: a notebook of marks from the children's school in Breslau, from 1936-1939; two letters addressed to Remak from the Refugee Children's Aid Committee, from 1942 and 1948; a National Registration Identity Card given to Remak in May 1940; certificate / visa to Great Britain for study purposes, with Remak's personal details and passport photograph; two postcards sent to Remak from his mother in 1939 and a letter sent to him from his aunt in the USA in 1947 (German); a list in German – the contents of Remak's suitcase when leaving Breslau for Glasgow. At the top of the list is his name, Ullrich Israel Remak (according to the Nazi regulation that obligates all Jewish males to add the name Israel to their names); a typewritten letter from 1966 addressing Mrs. I. Marchard requesting her assistance in finding the addresses of all the young men and women who stayed with him at the two hostels, on Hill St. and on Birkenward St. (English). The letter has the names of all the young men and women.
Ullrich Remak was born in 1926 in Breslau (Germany, now Wrocław, Poland). In 1939, following the rise of the Nazi regime, he was transported with his sister to England in the Kindertransport [a rescue mission to move Jewish and non-Aryan children, from Nazi Germany to the UK, according to a decision passed by the English government after the Kristallnacht]. Remak was placed in a hostel for German Jewish refugee children in Scotland. During the war years, he apparently stayed at two hostels for refugee children, one on Hill St. in Glasgow and the second, called Birkenward Hostel in the village of Skelmorlie. After the war, Remak stayed in England, studied engineering and was active in Zionist organizations. In 1951, he immigrated to Israel.
Enclosed is a collection of documents belonging to Ullrich Remak's mother, Nanni Remak. Nanni Remak (nee Loewe) was born in 1900 in Eastern Prussia (today Polish territory) and married Ludwig Remak in 1925. After her husband's death in 1938 and after her two children left for England in the Kindertransport, she attempted to immigrate to Eretz Israel but was caught by the British and transferred to a detention camp in Mauritius. In 1945, she reached Eretz Israel. The collection of documents which belonged to Nanni Remak is composed of a Nazi-German passport from 1936; a Nazi-German identity card from 1939, with the name Nanni Sarah Remak and two German identity papers from 1939; various documents, including her marriage certificate, her husband's death certificate, certificates testifying that she passed Red Cross courses (1941), etc; five recommendation letters from Breslau Jewish organizations from 1939, confirming that they employed Remak and testifying to her good qualities, apparently written preceding her leaving the city; an immigration certificate testifying that Remak reached Eretz Israel in 1945 from Mauritius, and an identity card from Palestine (1945) with her photograph.
Total of 32 items belonging to Ullrich Remak; 25 items from the estate of Nanni Remak. Varied size and condition.
The collection is composed of unique handwritten items from the time Ullrich (Ully) Remak stayed at the German Jewish refugee-children's home in Scotland called the Birkenward Hostel at the beginning of the 1940s.
Below is the description of several of the more prominent items:
Four Handwritten Newspaper Issues which the boys published for internal distribution. The newspaper, named the "Refugee Club Paper" (RCP), was handwritten in only one copy and passed from one to another amongst the friends. The newspaper issues have short articles and poems, some of which discuss the war and the Nazi regime and allude to the Jewish origin of the writers; illustrations and comics, some colored. The issues are no. 3, 4 and 6 from 1941, and five leaves of another issue, incomplete, number unknown. Remak contributed illustrations and poems to the newspaper issues. Issue no. 4 includes two poems which he wrote (one titled "A Night in Wartime") and a comic strip which he drew called "Himmler Beats Dagger". Besides the newspaper issues, the collection includes leaves and booklets written by the children in order to amuse themselves and to pass the time: A catalogue presenting means of payment which they invented and used in the children's hostel. The catalogue presents 22 means of payment (cardboard cards) in the value of 1-100 RCM (Refugee Club Money), including a card of "00" intended for "collectors only" of which only 11 copies were made (the catalogue, from 1942, was handwritten inside a notebook upon seven pages; the means of payment were arranged and pasted onto the notebook leaves). A booklet dedicated to stamp collecting; a letter passed amongst the lads – invitation to a Sylvester party, December 1943; a handwritten list of 11 members in the Skelmorlie Club; Trivia cards; an animal bone, on one side inscribed: "Souvenir from Birkenward Hostel, 14.2.42", and on the other: " This dead bone goes to dust just how all are alike, stone, man & cow".
The collection also includes the following:
~ Eight illustrations by Remak, drawn in pencil, watercolor and chalk, all colorful (with the exception of one), some of World War II and the Nazis. One of the illustrations is of the inside of a synagogue.
~ Remak's private letters and documents: a notebook of marks from the children's school in Breslau, from 1936-1939; two letters addressed to Remak from the Refugee Children's Aid Committee, from 1942 and 1948; a National Registration Identity Card given to Remak in May 1940; certificate / visa to Great Britain for study purposes, with Remak's personal details and passport photograph; two postcards sent to Remak from his mother in 1939 and a letter sent to him from his aunt in the USA in 1947 (German); a list in German – the contents of Remak's suitcase when leaving Breslau for Glasgow. At the top of the list is his name, Ullrich Israel Remak (according to the Nazi regulation that obligates all Jewish males to add the name Israel to their names); a typewritten letter from 1966 addressing Mrs. I. Marchard requesting her assistance in finding the addresses of all the young men and women who stayed with him at the two hostels, on Hill St. and on Birkenward St. (English). The letter has the names of all the young men and women.
Ullrich Remak was born in 1926 in Breslau (Germany, now Wrocław, Poland). In 1939, following the rise of the Nazi regime, he was transported with his sister to England in the Kindertransport [a rescue mission to move Jewish and non-Aryan children, from Nazi Germany to the UK, according to a decision passed by the English government after the Kristallnacht]. Remak was placed in a hostel for German Jewish refugee children in Scotland. During the war years, he apparently stayed at two hostels for refugee children, one on Hill St. in Glasgow and the second, called Birkenward Hostel in the village of Skelmorlie. After the war, Remak stayed in England, studied engineering and was active in Zionist organizations. In 1951, he immigrated to Israel.
Enclosed is a collection of documents belonging to Ullrich Remak's mother, Nanni Remak. Nanni Remak (nee Loewe) was born in 1900 in Eastern Prussia (today Polish territory) and married Ludwig Remak in 1925. After her husband's death in 1938 and after her two children left for England in the Kindertransport, she attempted to immigrate to Eretz Israel but was caught by the British and transferred to a detention camp in Mauritius. In 1945, she reached Eretz Israel. The collection of documents which belonged to Nanni Remak is composed of a Nazi-German passport from 1936; a Nazi-German identity card from 1939, with the name Nanni Sarah Remak and two German identity papers from 1939; various documents, including her marriage certificate, her husband's death certificate, certificates testifying that she passed Red Cross courses (1941), etc; five recommendation letters from Breslau Jewish organizations from 1939, confirming that they employed Remak and testifying to her good qualities, apparently written preceding her leaving the city; an immigration certificate testifying that Remak reached Eretz Israel in 1945 from Mauritius, and an identity card from Palestine (1945) with her photograph.
Total of 32 items belonging to Ullrich Remak; 25 items from the estate of Nanni Remak. Varied size and condition.
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