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Lot 122 "The Art of Marc Chagall" – The First Monograph on Marc Chagall – Moscow, 1918 – Two Copies

 

  Искусство Марка Шагала [The Art of Marc Chagall], by Yakov Tugendhold (Тугендхольд) and Abram Markovich Efros (Эфрос). M
 

  Искусство Марка Шагала [The Art of Marc Chagall], by Yakov Tugendhold (Тугендхольд) and Abram Markovich Efros (Эфрос). M
 

  Искусство Марка Шагала [The Art of Marc Chagall], by Yakov Tugendhold (Тугендхольд) and Abram Markovich Efros (Эфрос). M
 

  Искусство Марка Шагала [The Art of Marc Chagall], by Yakov Tugendhold (Тугендхольд) and Abram Markovich Efros (Эфрос). M
 

  Искусство Марка Шагала [The Art of Marc Chagall], by Yakov Tugendhold (Тугендхольд) and Abram Markovich Efros (Эфрос). M
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Auction 99 Part 1 Avant-Garde Art and Russian Literature from the Rachel and Joseph Brindt Collection Nov 5, 2024
Opening: $500
Sold for: $625
Including buyer's premium

Искусство Марка Шагала [The Art of Marc Chagall], by Yakov Tugendhold (Тугендхольд) and Abram Markovich Efros (Эфрос). Moscow: Геликон, 1918. First edition. Russian. Two copies.
The first monograph on Marc Chagall. Includes reproductions of his works on separate pages and within the text. Copy nos. 170 and 198, from an edition of 850 copies. The publishing house logo was designed by El Lissitzky.


Two copies: 51, [5] pages + [13] plates. The gatherings and leaves are detached from each other and from the cover. 29.5 cm. Condition varies between copies – one copy in good condition: tears, creases and minor abrasions to cover. Second copy in fair condition: minor stains and creases; tears and significant wear to cover; both parts of the cover are detached; spine is torn.

MoMA 172.


Marc Chagall (Марк Заха́рович Шага́л; 1887-1985), a Russian-French artist, is considered by many the greatest Jewish modern painter. Chagall was born to a Hassidic family in Liozna (then in Belarus), the eldest of nine siblings. When his mother asked his first art teacher, the painter Yehuda Pen, whether her son could earn a living from painting, Pen looked at Chagall's sketches and told her: "Yes, he has some ability". At the age of twenty, he was accepted to study art in St. Petersburg (during this period, he painted for the first time the figure of the Fiddler on the Roof, after which the famous musical is named) and in 1914 married the writer Bella Rosenfeld, who became known as one of his greatest sources of inspiration. After the October Revolution, Chagall was appointed commissar of arts for the Vitebsk district, where he established an art school and a museum. Among the teachers of the school were the artist El Lissitzky and the painter Yehuda Pen – Chagall's first teacher. In 1920, Chagall moved to Western Europe and after a short stay in Berlin settled in Paris. During this period, he created the important series "My Life", which documented the views of the Jewish town, and the series of bible illustrations. In 1941, about two years after the occupation of France by Nazi Germany, Chagall succeeded in escaping to the USA with the assistance of the American journalist Varian Fry. For several years he lived in New York, returning to France after the war, where he remained until his death. Chagall's works of art, which embrace a wide variety of fields and styles (prints, theater sets and costumes, sculpture and ceramics, tapestry, mosaics, stained glass, and more), are exhibited in leading museums and galleries, in the opera houses of New York and Paris, in the Mainz Cathedral, in the Knesset (in The Chagall Lounge) and elsewhere. The painter Pablo Picasso said of his work: "When Matisse dies, Chagall will be the only painter left who understands what color really is".

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Lot 123 "Monument to the Third International", by Nikolai Punin – St. Petersburg, 1920 – Drawings by Vladimir Tatlin


  Памятник III интернационала [Monument to the Third International], by Nikolai Punin. St. Petersburg: Отдела Изобразительны

  Памятник III интернационала [Monument to the Third International], by Nikolai Punin. St. Petersburg: Отдела Изобразительны
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Auction 99 Part 1 Avant-Garde Art and Russian Literature from the Rachel and Joseph Brindt Collection Nov 5, 2024
Opening: $300
Sold for: $1,188
Including buyer's premium
Памятник III интернационала [Monument to the Third International], by Nikolai Punin. St. Petersburg: Отдела Изобразительных Искусств Н.К.П., 1920. Russian.

A description of the famous architectural project by Russian artist and architect Vladimir Tatlin (Влади́мир Евгра́фович Та́тлин; 1885-1953) – "Monument to the Third International".
The structure, in the form of a spiral tower, was intended to stand in the center of St. Petersburg and serve as the central headquarters of the Comintern (Communist International) but was never built. A wooden model of the structure was presented by Tatlin at the eighth gathering of the Soviet Congress in 1920. This monument was a prominent example of Constructivist art.
The present work by Nikolai Punin (Никола́й Никола́евич Пу́нин; 1888-1953) includes detailed descriptions and drawings of the architectural and artistic planning of the tower, representing the ideology and vision of the Russian avant-garde movement and Tatlin's innovative and revolutionary design.

[4] leaves (including front and back cover). Approx. 28 cm. Fair-good condition. Stains, creases and wear. Tears with minor damage to text. Pen inscriptions.
MoMA 317.



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Lot 124 "Art in Production" – On the Constructivist Movement in Art – Moscow, 1921 – Two Copies (Variants)


  Искусство в производстве, Issue number 1. Moscow: Отдел ИЗО Наркомпроса, 1921. Russian. 
 

  Two copies – variants with d

  Искусство в производстве, Issue number 1. Moscow: Отдел ИЗО Наркомпроса, 1921. Russian. 
 

  Two copies – variants with d

  Искусство в производстве, Issue number 1. Moscow: Отдел ИЗО Наркомпроса, 1921. Russian. 
 

  Two copies – variants with d
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Auction 99 Part 1 Avant-Garde Art and Russian Literature from the Rachel and Joseph Brindt Collection Nov 5, 2024
Opening: $300
Sold for: $550
Including buyer's premium
Искусство в производстве, Issue number 1. Moscow: Отдел ИЗО Наркомпроса, 1921. Russian.
Two copies – variants with different cover colors, one in orange and the other in purple, with additional minor differences; one booklet (in the purple cover) was specially printed for the art historian and critic David Arkin (Дави́д Ефи́мович А́ркин; 1899-1957), who contributed to its creation – printed on the verso of the title page: "Copy of David Efimovich Arkin" (Russian).
The booklet comprises a collection of articles dedicated to the role of art in industrial production, emphasizing the need for artistic thinking in production and development processes, according to the principles of the Constructivist art movement. Contributors include David Shterenberg, David Arkin, Osip Brik, Aleksei Toporkov, Vasily Voronov, and others.

The lithographic covers were likely designed by David Shterenberg (1881-1948), a Russian-Jewish painter and graphic artist, one of the prominent representatives of the Russian avant-garde movement, and head of the Fine Arts Department of the People's Commissariat for Education – "Narkompros" (who published this booklet).

Two copies: 42, [1] pages. Approx. 22-22.5 cm. Overall good to good-fair condition. Stains, creases and minor wear. Inscriptions. Wear and blemishes to the orange-toned cover, with tape to spine.
MoMA 356.
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Art: Monographs and Albums (Reproductions, Drawings and Prints)
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Lot 125 "And Yet It Moves" – Composition on Avant-Garde Art by Ilya Ehrenburg – Moscow-Berlin, 1922 – Cover and Illustrations by Fernand Léger


  А всё-таки она вертится [And Yet It Moves], by Ilya Ehrenburg. Moscow-Berlin: Геликон, 1922. Russian. Cover design and ill

  А всё-таки она вертится [And Yet It Moves], by Ilya Ehrenburg. Moscow-Berlin: Геликон, 1922. Russian. Cover design and ill

  А всё-таки она вертится [And Yet It Moves], by Ilya Ehrenburg. Moscow-Berlin: Геликон, 1922. Russian. Cover design and ill

  А всё-таки она вертится [And Yet It Moves], by Ilya Ehrenburg. Moscow-Berlin: Геликон, 1922. Russian. Cover design and ill

  А всё-таки она вертится [And Yet It Moves], by Ilya Ehrenburg. Moscow-Berlin: Геликон, 1922. Russian. Cover design and ill
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5 PHOTOS
Auction 99 Part 1 Avant-Garde Art and Russian Literature from the Rachel and Joseph Brindt Collection Nov 5, 2024
Opening: $300
Sold for: $375
Including buyer's premium
А всё-таки она вертится [And Yet It Moves], by Ilya Ehrenburg. Moscow-Berlin: Геликон, 1922. Russian. Cover design and illustrations by Fernand Léger.

Ilya Ehrenburg's book on modern art in the early 20th century and the Constructivist movement in particular. Featuring images of works by various artists (Fernand Léger, Pablo Picasso, Alexander Rodchenko, El Lissitzky, Jacques Lipchitz and others), a photograph of New York, a photograph from one of Charlie Chaplin's films, and more. In addition, the book features three Modernist portraits of The Tramp from Charlie Chaplin's films, by Fernand Léger.
A comment printed by the publishing house at the beginning of the book, notes that "the author wants to emphasize that the book was printed in the old orthography against his will". The author's dedication, printed on the following page, reads: "By means of this book I salute the poets, the painters, the designers, the editors, the comedians, the circus artists, the musicians, all those who are building new things in Russia".

139, [3] pages + [8] plates. 21.5 cm. Good condition. Minor stains. Rebound – original cover and spine pasted on new cardboard binding.


Ilya Ehrenburg (1891-1967), a Jewish-Soviet writer and poet, one of the most important political writers of the 20th century. Ehrenburg grew up in Moscow, where his father was a director of a brewery. In 1905, he joined the Bolshevik underground movement, influenced by his schoolmate Nikolai Bukharin (later one of the leaders of the October Revolution); however, after being caught and tortured by the secret police he left Russia and moved to Paris.
In Paris, he continued to be involved in communist activity (during this period, he even met with Vladimir Ilyich Lenin); however, the Parisian bohemian life and the horrific impressions of World War I distanced him from his original views and he became an anarchist. When he returned to Russia in 1917, he opposed the revolution and published his blunt poem "Prayer for Russia", which compared the storming of the Winter Palace to rape. Subsequently, Ehrenburg was arrested once again by the secret police, this time for espionage for the other side, the Tsar's allies. He was released only due to the intervention of his childhood friend Nikolai Bukharin and in 1921 moved back to Paris.
After the defeat of France in World War II, he returned for the third time to Russia, this time as one of the most fervent supporters of the communist ideology and its leaders. During this period, he published his most radical writings (among them, the article "Kill!" – calling for indiscriminate killing of Germans) and grew closer to Joseph Stalin. In 1946, in collaboration with the writer Vasily Grossman, he published the "Black Book" – one of the earliest collections of testimonies by victims of the Nazis. His close relationship with Stalin, the great liberties he was allowed and the fact that he survived Stalin's Great Purge cast a long shadow over his integrity and his literary work during this period.
Ehrenburg was known as a fierce opponent of Zionism, calling Israel a "Bourgeois State" and David Ben-Gurion "The lowliest Jew in the world". In 1948, when he met the first Israeli ambassador in Moscow, Golda Meir, he refused to speak to her in Yiddish claiming it was a "bastard daughter" of German. Nevertheless, in his last will, he bequeathed the Jewish part of his archive to the "Yad Vashem" Institute in Jerusalem, where it was secretly kept for twenty years. Ehrenburg died in 1967 in Moscow.

Joseph Fernand Henri Léger (1881-1955), a French painter, sculptor and filmmaker. Léger initially trained as an architect; yet in 1900 decided to move to Paris, got to know the avant-garde artistic circles of Montparnasse and became a painter himself. With the outbreak of the World War he was drafted to the French army; he was wounded during a mustard gas attack and after prolonged hospitalization was discharged. During his entire military service, he never stopped sketching. He returned to Paris in the 1920s and became a prominent figure in the artistic life of the city; in those years, he also became interested in scenic design and filmmaking, since he believed that "the future of abstraction [was] in mural rather than easel paintings". In 1935, his works were exhibited for the first time at the MoMA Museum in New York. Among his well-known works are the paintings "Mona Lisa with Keys", "The Builders", the abstract film "Ballet Mécanique" and many others.
Category
Art: Monographs and Albums (Reproductions, Drawings and Prints)
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Lot 126 Edgar Degas, Mstislav Dobuzhinsky and Sergey Chekhonin – Three Monographs with Numerous Reproductions – Moscow and Peterburg, 1922-1924 – Modernist Style Covers


  Three booklets: 
 

  • Эдгар Дега и его искусство [Edgar Degas and His Art], by Jacob Tugendhold. Moscow: Издательство З.
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Auction 99 Part 1 Avant-Garde Art and Russian Literature from the Rachel and Joseph Brindt Collection Nov 5, 2024
Opening: $500
Unsold
Three booklets:
• Эдгар Дега и его искусство [Edgar Degas and His Art], by Jacob Tugendhold. Moscow: Издательство З. И. Гржебина, 1922. Russian.
Book dedicated to the work of French painter and sculptor Edgar Degas (1834-1917), accompanied by dozens of reproductions of his works (prints pasted on paper).
Cover illustration by Aleksandra Ekster (or Exter; Александра Александровна Экстер; 1882-1949), a Cubo-Futurist and Constructivist painter, stage and costume designer; born in Ukraine. Exter was among the most prominent Russian and Ukrainian avant-garde artists; she worked and lived in Kiev, St. Petersburg, Moscow, Vienna and Paris, and taught and influenced many artists including Boris Aronson, Issachar Ber Ryback and Yitzhak Frenkel.
[2] leaves, 89, [1] pages. Approx. 30 cm. Good-fair condition. Stains, creases and wear. Bookplate on the inside of the front cover; inscription on the back cover.
MoMA 385.

• Рисунки М. Добужинского [Drawings of M. Dobuzhinsky], by Erich Gollerbach. Moscow-Petrograd: Государственное издательство, 1923. Russian.
A monograph about painter Mstislav Dobuzhinsky (Мстислав Валерианович Добужинский; 1875-1957), a Lithuanian-Russian painter and illustrator, particularly known for his paintings depicting the process of urbanization in the early 20th century. The front cover and title page were designed by Dobuzhinsky. Initial by Sergey Chekhonin.
The author, Erich Gollerbach (Эрих Фёдорович Голлербах; 1895-1942), a Russian literary and art critic, bibliographer and bibliophile.
102, [2] pages. 27.5 cm. Good condition. Stains. Bookplate. Inscriptions and stamps. Loose pages and signatures. Stains, tears and wear at edges of cover; open tears in spine.

• С. Чехонин [S. Chekhonin], by Abram Efros and Nikolai Punin. Moscow-Petrograd: Государственное Издательство, [ca. 1924]. Russian.
Two articles by Abram Efros (Абра́м Ма́ркович Э́фро́с; 1888-1954) and Nikolai Punin (Никола́й Никола́евич Пу́нин; 1888-1953), dealing with the life and work of Russian multidisciplinary designer and artist Sergey Chekhonin  (Сергей Васильевич Чехонин; 1878-1936). Accompanied by 12 plates (on paper of varying thickness; some in color) and numerous illustrations in the text, presenting Chekhonin's diverse works – paintings, book illustrations, porcelain plates, stamps, banknotes, bookplates, and more. Illustrated cover. Besides the Russian edition, the book was also published in French, German and English.

112, [1] pages + [12] plates, 29 cm. Good-fair condition. Stains. Most pages and both parts of the cover detached. Tears, creases and wear at edges of cover; open tears in spine.
MoMA 530.
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Art: Monographs and Albums (Reproductions, Drawings and Prints)
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Lot 127 Alexander Archipenko – Album of Reproductions – Berlin, 1923


  Alexandre Archipenko, son oeuvre [Alexander Archipenko; His Work], album of reproductions. Berlin: Ukrainske slowo, 1923.

  Alexandre Archipenko, son oeuvre [Alexander Archipenko; His Work], album of reproductions. Berlin: Ukrainske slowo, 1923.

  Alexandre Archipenko, son oeuvre [Alexander Archipenko; His Work], album of reproductions. Berlin: Ukrainske slowo, 1923.

  Alexandre Archipenko, son oeuvre [Alexander Archipenko; His Work], album of reproductions. Berlin: Ukrainske slowo, 1923.

  Alexandre Archipenko, son oeuvre [Alexander Archipenko; His Work], album of reproductions. Berlin: Ukrainske slowo, 1923.
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Alexander Archipenko – Album of Reproductions – Berlin, 1923 Alexander Archipenko – Album of Reproductions – Berlin, 1923 Alexander Archipenko – Album of Reproductions – Berlin, 1923 Alexander Archipenko – Album of Reproductions – Berlin, 1923 Alexander Archipenko – Album of Reproductions – Berlin, 1923
5 PHOTOS
Auction 99 Part 1 Avant-Garde Art and Russian Literature from the Rachel and Joseph Brindt Collection Nov 5, 2024
Opening: $300
Unsold
Alexandre Archipenko, son oeuvre [Alexander Archipenko; His Work], album of reproductions. Berlin: Ukrainske slowo, 1923. French.

Album, containing 66 reproductions – a selection of works by Alexander Archipenko (Олександр Порфирович Архипенко; 1887-1964). Archipenko, a Ukrainian-American sculptor, pioneer in the field of modern sculpture, was known for combining Cubist and Futurist styles and for the use of "negative space" in his works.
The album opens with an introduction by German art historian Hans Hildebrandt.

15, [2] pages, [24] plates (55 reproductions printed on both sides of the plate) + [2] plates at the beginning of the album (color print and portrait photograph of Archipenko). 31 cm. Good condition. Minor stains. Stamp on margins of title page. Several plates partially detached. Stained and worn binding; open tears to edges of spine.
MoMA 452.
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Lot 128 "Turkestan" – Series of Autolithographic Drawings by Pavel Kuznetsov – Moscow-Petrograd, 1923

Туркестан, автолитографии, 1-я серия рисунков [Turkestan, Autolithographs, 1st Series of Drawings], by Pavel Kuznetsov. Mosco
Туркестан, автолитографии, 1-я серия рисунков [Turkestan, Autolithographs, 1st Series of Drawings], by Pavel Kuznetsov. Mosco
Туркестан, автолитографии, 1-я серия рисунков [Turkestan, Autolithographs, 1st Series of Drawings], by Pavel Kuznetsov. Mosco
Туркестан, автолитографии, 1-я серия рисунков [Turkestan, Autolithographs, 1st Series of Drawings], by Pavel Kuznetsov. Mosco
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4 PHOTOS
Auction 99 Part 1 Avant-Garde Art and Russian Literature from the Rachel and Joseph Brindt Collection Nov 5, 2024
Opening: $300
Unsold

Туркестан, автолитографии, 1-я серия рисунков [Turkestan, Autolithographs, 1st Series of Drawings], by Pavel Kuznetsov. Moscow-Petrograd: Государственное издательство, 1923. Russian.


A booklet containing 14 autolithographic prints, with drawings depicting the landscapes, buildings, figures, and local culture of Turkestan – a geographical region including Kazakhstan, Uzbekistan, Turkmenistan, Kyrgyzstan, and other parts of Central Asia, created by Pavel Kuznetsov (Павел Варфоломеевич Кузнецов; 1878-1968). Kuzentsov, a Russian painter, designer, and graphic artist, head of the painting department of the People's Commissariat for Education – "Narkompros". Kuznetsov visited this region of central Asia and studied local arts and cultures, and in his work combined local influences with modernist painting styles. The booklet opens with an introductory essay by Kuznetsov.


[1] printed cover, [2] leaves + 14 printed plates. 23 cm. Good condition. Minor stains and creases. Inscriptions on back cover.

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Art: Monographs and Albums (Reproductions, Drawings and Prints)
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Lot 129 "The Russian Revolutionary Poster" – Moscow, 1925 – Color Plates


  Русский революционный плакат [The Russian Revolutionary Poster], by Vyacheslav Polonsky. Moscow: Государственное издательс

  Русский революционный плакат [The Russian Revolutionary Poster], by Vyacheslav Polonsky. Moscow: Государственное издательс

  Русский революционный плакат [The Russian Revolutionary Poster], by Vyacheslav Polonsky. Moscow: Государственное издательс
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Auction 99 Part 1 Avant-Garde Art and Russian Literature from the Rachel and Joseph Brindt Collection Nov 5, 2024
Opening: $300
Sold for: $375
Including buyer's premium
Русский революционный плакат [The Russian Revolutionary Poster], by Vyacheslav Polonsky. Moscow: Государственное издательство, 1925. Russian.

A comprehensive work on various aspects of Soviet poster art during the revolution, the Civil War years, and the first years of the new regime in Russia.
The book was published to mark the 20th anniversary of the 1905 revolution and includes hundreds of reproductions of posters distributed in Russia during these years, including over fifty color plates, with various details about the poster designers, publishers and places of printing. Among the artists and painters who designed the posters are: Dmitry Moor, Viktor Deni, Ivan Malyutin, Vladimir Mayakovsky, Vladimir Lebedev, Mikhail Cheremnykh, Nikolai Apsit, Aleksei Radakov, and others.
The book is accompanied by an extensive review of the artistic importance of poster design and their role and influence in spreading revolutionary and communist ideas and mobilizing the masses, by art historian and literary critic Vyacheslav Polonsky (Вячеслав Павлович Полонский; 1886-1932), who headed the publishing department of the Red Army during the Russian Civil War, and took part in producing some of the posters featured in the album.

[2], 192 pages + [52] color plates (two plates missing). 34 cm. Good condition. Minor stains. Dedication from 1925 on endpaper. Abrasions, tears and wear to binding; open tears to spine.
MoMA 576.
Category
Art: Monographs and Albums (Reproductions, Drawings and Prints)
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Lot 130 20th Anniversary of the 1905 Revolution – "Machine Gun, 1905-1925" – Moscow, 1925 / "Album of Revolutionary Satire, 1905-1906" – Moscow, 1926


  Two publications concerned with the 1905 revolution:  
 

    
 

  • Пулеметъ, 1905-1925 гг. [Machine Gun, 1905
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Auction 99 Part 1 Avant-Garde Art and Russian Literature from the Rachel and Joseph Brindt Collection Nov 5, 2024
Opening: $300
Unsold
Two publications concerned with the 1905 revolution: 
 
• Пулеметъ, 1905-1925 гг. [Machine Gun, 1905-1925]. Moscow, Мосполиграфа, [1925]. Russian. A collection of selected texts, poems, and articles from the six issues of the satirical underground magazine "Machine Gun, " first published in Saint Petersburg in 1905-1906. The magazine harshly criticized the policies of Tsar Nicholas II. Following its publication, the editor, Nikolai Georgievich Shebuyev (Никола́й Гео́ргиевич Шебу́ев), was put on trial and sentenced to a year in prison for insulting His Majesty.
The present issue was printed to commemorate the 20th anniversary of the 1905 Revolution and is accompanied by illustrations and caricatures from the original magazine issues, including the blood-red handprint on the last page of issue no. 1, over the text of the "October Manifesto."
[16] pages. Approx. 25x33 cm. Fair-good condition. Stains, creases, and wear. Tears, including small open tears to the front cover and the last page, slightly affecting text.

• Альбом революционнойсатиры, 1905-1906 г.г [Album of Revolutionary Satire, 1905-1906], edited by Sergey Mitskevich (Сергей Иванович Мицкевич; 1869-1944). Moscow: Государственное издательство, 1926. Russian. An album containing over 120 satirical cartoons and illustrations (some in color) created during the 1905-1906 Russian Revolution, reflecting the political and social situation of those years. At the bottom of the pages, below the illustrations, are short descriptions and explanations.
127, [1] pages. Likely missing 4 pages (one page at the beginning of the book and one at the end, and pages 11-12, 21-22). 33.5 cm. Good-fair condition. Stains and wear. Tears and creases. Stamps and inscriptions. Endpaper detached. Damage and wear to the binding.
Category
Art: Monographs and Albums (Reproductions, Drawings and Prints)
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Lot 131 Collection of Books with Futurist and Constructivist Style Bindings and Covers – Moscow-Leningrad, 1918-1931 – Alexander Rodchenko, Anton Lavinsky, Boris Titov, Alexander Surikov and Solomon Telingater


  Five books and booklets: 
 
 
  
 
 
 

  1. Коринфяне (Трагедия) [The Corinthians (Tragedy)], a poetic drama by Ivan Akse

  Five books and booklets: 
 
 
  
 
 
 

  1. Коринфяне (Трагедия) [The Corinthians (Tragedy)], a poetic drama by Ivan Akse

  Five books and booklets: 
 
 
  
 
 
 

  1. Коринфяне (Трагедия) [The Corinthians (Tragedy)], a poetic drama by Ivan Akse

  Five books and booklets: 
 
 
  
 
 
 

  1. Коринфяне (Трагедия) [The Corinthians (Tragedy)], a poetic drama by Ivan Akse

  Five books and booklets: 
 
 
  
 
 
 

  1. Коринфяне (Трагедия) [The Corinthians (Tragedy)], a poetic drama by Ivan Akse

  Five books and booklets: 
 
 
  
 
 
 

  1. Коринфяне (Трагедия) [The Corinthians (Tragedy)], a poetic drama by Ivan Akse

  Five books and booklets: 
 
 
  
 
 
 

  1. Коринфяне (Трагедия) [The Corinthians (Tragedy)], a poetic drama by Ivan Akse
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Collection of Books with Futurist and Constructivist Style Bindings and Covers – Moscow-Leningrad, 1918-1931 – Alexander Rodchenko, Anton Lavinsky, Boris Titov, Alexander Surikov and Solomon Telingater Collection of Books with Futurist and Constructivist Style Bindings and Covers – Moscow-Leningrad, 1918-1931 – Alexander Rodchenko, Anton Lavinsky, Boris Titov, Alexander Surikov and Solomon Telingater Collection of Books with Futurist and Constructivist Style Bindings and Covers – Moscow-Leningrad, 1918-1931 – Alexander Rodchenko, Anton Lavinsky, Boris Titov, Alexander Surikov and Solomon Telingater Collection of Books with Futurist and Constructivist Style Bindings and Covers – Moscow-Leningrad, 1918-1931 – Alexander Rodchenko, Anton Lavinsky, Boris Titov, Alexander Surikov and Solomon Telingater Collection of Books with Futurist and Constructivist Style Bindings and Covers – Moscow-Leningrad, 1918-1931 – Alexander Rodchenko, Anton Lavinsky, Boris Titov, Alexander Surikov and Solomon Telingater Collection of Books with Futurist and Constructivist Style Bindings and Covers – Moscow-Leningrad, 1918-1931 – Alexander Rodchenko, Anton Lavinsky, Boris Titov, Alexander Surikov and Solomon Telingater Collection of Books with Futurist and Constructivist Style Bindings and Covers – Moscow-Leningrad, 1918-1931 – Alexander Rodchenko, Anton Lavinsky, Boris Titov, Alexander Surikov and Solomon Telingater
7 PHOTOS
Auction 99 Part 1 Avant-Garde Art and Russian Literature from the Rachel and Joseph Brindt Collection Nov 5, 2024
Opening: $300
Sold for: $1,125
Including buyer's premium
Five books and booklets:

1. Коринфяне (Трагедия) [The Corinthians (Tragedy)], a poetic drama by Ivan Aksenov. Moscow: Центрифуга, 1918. Russian. Plate after the title page designed by Alexander Rodchenko (Алекса́ндр Миха́йлович Ро́дченко; 1891-1956). MoMA 191.

2. Не попутчица [Not a Fellow Traveler], a story by Osip Brik. Moscow-Petrograd: Государственное издательство, 1923. Russian. Cover designed by Anton Lavinsky (Анто́н Миха́йлович Лави́нский; 1894-1968). MoMA 472.

3. Путь энтузиаста [The Path of an Enthusiast], a memoir by Vasily Kamensky. Moscow: Федерация, 1931. Russian. Binding designed by Boris Titov (Борис Борисович Титов; 1897-1951). At the beginning of the book is a plate with a portrait illustration of the author by Vladimir Mayakovsky.

4. Пушторг [Fur Trade], a novel in verse by Ilya Selvinsky. Moscow-Leningrad: Государственное издательство художественной литературы, 1931. Russian. Binding and cover designed by Alexander Surikov (Александр Михайлович Суриков; 1907-1946). Significant tears to cover and spine. Second edition. MoMA 962.

5. Во весь голос, Первое вступление в поэму [At the Top of My Voice, First Introduction to a Poem], by Vladimir Mayakovsky. Moscow-Leningrad: Государственное издательство художественной литературы, 1931. Cover designed by Solomon Telingater (Соломо́н Бенеди́ктович Телинга́тер; 1903-1969). MoMA 966-968.

Size and condition vary.
Category
Art: Monographs and Albums (Reproductions, Drawings and Prints)
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Lot 132 Two Books with Woodcuts by Zinovii Gorbovets – Vitebsk, 1927 / Moscow, 1933

 

  • З. Н. Горбовец: Гравюры на дереве [Z. I. Gorbovets: Woodcuts], with a foreword by Vsevolod Voinov (Всеволод Воинов), t
 

  • З. Н. Горбовец: Гравюры на дереве [Z. I. Gorbovets: Woodcuts], with a foreword by Vsevolod Voinov (Всеволод Воинов), t
 

  • З. Н. Горбовец: Гравюры на дереве [Z. I. Gorbovets: Woodcuts], with a foreword by Vsevolod Voinov (Всеволод Воинов), t
 

  • З. Н. Горбовец: Гравюры на дереве [Z. I. Gorbovets: Woodcuts], with a foreword by Vsevolod Voinov (Всеволод Воинов), t
 

  • З. Н. Горбовец: Гравюры на дереве [Z. I. Gorbovets: Woodcuts], with a foreword by Vsevolod Voinov (Всеволод Воинов), t
 

  • З. Н. Горбовец: Гравюры на дереве [Z. I. Gorbovets: Woodcuts], with a foreword by Vsevolod Voinov (Всеволод Воинов), t
 

  • З. Н. Горбовец: Гравюры на дереве [Z. I. Gorbovets: Woodcuts], with a foreword by Vsevolod Voinov (Всеволод Воинов), t
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Two Books with Woodcuts by Zinovii Gorbovets – Vitebsk, 1927 / Moscow, 1933 Two Books with Woodcuts by Zinovii Gorbovets – Vitebsk, 1927 / Moscow, 1933 Two Books with Woodcuts by Zinovii Gorbovets – Vitebsk, 1927 / Moscow, 1933 Two Books with Woodcuts by Zinovii Gorbovets – Vitebsk, 1927 / Moscow, 1933 Two Books with Woodcuts by Zinovii Gorbovets – Vitebsk, 1927 / Moscow, 1933 Two Books with Woodcuts by Zinovii Gorbovets – Vitebsk, 1927 / Moscow, 1933 Two Books with Woodcuts by Zinovii Gorbovets – Vitebsk, 1927 / Moscow, 1933
7 PHOTOS
Auction 99 Part 1 Avant-Garde Art and Russian Literature from the Rachel and Joseph Brindt Collection Nov 5, 2024
Opening: $300
Unsold

• З. Н. Горбовец: Гравюры на дереве [Z. I. Gorbovets: Woodcuts], with a foreword by Vsevolod Voinov (Всеволод Воинов), text by I. P. Furman (И.П. Фурман). Vitebsk: 1927.
A volume of woodcuts by Zinovii Gorbovetz, including several portraits, landscapes of Vitebsk, a bookplate, and more, in Gorbovets' special style. A preface by the painter Vasvolod Winov and a short essay by the archaeologist I. P. Foreman were added to the volume.
The volume was released in a limited edition of only 75 copies. On the front endpaper is a signed dedication by the author of the accompanying text, Furman, dated September 12, 1927, Vitebsk.
15, [2], [1] pages + [10] plates. 24 cm. Good condition. Minor stains. Minor tears, including open tears, to margins of cover and spine.
MoMA 693.


• Жизнь [Life], poems by Vladimir Lugovskoy (Луговской). Moscow: Советская Литература, 1933. With woodcuts by Zinovii Gorbovets
86, [2] pages. 14.5 cm. Good condition. Blemishes, stains and wear to cover.


Zinovii Gorbovets (Зиновий Исаакович Горбовец, 1897-1979), artist and designer known for his woodcuts; a member of the Artists' Union of the USSR. In the 1920s he lived and worked in Vitebsk; between 1924-1925 he taught at the art school in Vitebsk founded by Marc Chagall and Kazimir Malevich.

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Art: Monographs and Albums (Reproductions, Drawings and Prints)
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Lot 133 Five Books with Woodcuts by Solomon Yudovin – Moscow and Leningrad, 1928-1935 – Handwritten Dedication by Yudovin


  Five books and booklets with bindings, covers, and various woodcuts by Solomon Yudovin. Moscow and Leningrad, 1928-1935. R

  Five books and booklets with bindings, covers, and various woodcuts by Solomon Yudovin. Moscow and Leningrad, 1928-1935. R

  Five books and booklets with bindings, covers, and various woodcuts by Solomon Yudovin. Moscow and Leningrad, 1928-1935. R

  Five books and booklets with bindings, covers, and various woodcuts by Solomon Yudovin. Moscow and Leningrad, 1928-1935. R

  Five books and booklets with bindings, covers, and various woodcuts by Solomon Yudovin. Moscow and Leningrad, 1928-1935. R

  Five books and booklets with bindings, covers, and various woodcuts by Solomon Yudovin. Moscow and Leningrad, 1928-1935. R

  Five books and booklets with bindings, covers, and various woodcuts by Solomon Yudovin. Moscow and Leningrad, 1928-1935. R
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Five Books with Woodcuts by Solomon Yudovin – Moscow and Leningrad, 1928-1935 – Handwritten Dedication by Yudovin Five Books with Woodcuts by Solomon Yudovin – Moscow and Leningrad, 1928-1935 – Handwritten Dedication by Yudovin Five Books with Woodcuts by Solomon Yudovin – Moscow and Leningrad, 1928-1935 – Handwritten Dedication by Yudovin Five Books with Woodcuts by Solomon Yudovin – Moscow and Leningrad, 1928-1935 – Handwritten Dedication by Yudovin Five Books with Woodcuts by Solomon Yudovin – Moscow and Leningrad, 1928-1935 – Handwritten Dedication by Yudovin Five Books with Woodcuts by Solomon Yudovin – Moscow and Leningrad, 1928-1935 – Handwritten Dedication by Yudovin Five Books with Woodcuts by Solomon Yudovin – Moscow and Leningrad, 1928-1935 – Handwritten Dedication by Yudovin
7 PHOTOS
Auction 99 Part 1 Avant-Garde Art and Russian Literature from the Rachel and Joseph Brindt Collection Nov 5, 2024
Opening: $300
Sold for: $400
Including buyer's premium
Five books and booklets with bindings, covers, and various woodcuts by Solomon Yudovin. Moscow and Leningrad, 1928-1935. Russian.

• С. Юдовин, Гравюры на дереве. Текст И. Иоффе и Э. Голлербаха [S. Yudovin, Wood Engravings. Text: I. Ioffe and E. Gollerbach], a booklet dedicated to Yudovin's woodcuts. Ленинград, 1928. On the first page, a handwritten dedication (in Russian) by Solomon Yudovin.

• Новый набор [New Group], texts by "members of the literary circle of the A. Sokolov printing house". Leningrad: Издательство Писателей в Ленинграде, 1932. Russian. Handwritten dedication on the flyleaf (in Russian) from the year of printing.

• Пустыня [Desert], by Pyotr Pavlenko, woodcuts by Solomon Yudovin. Leningrad: Издательство писателей в Ленинграде, 1932.

• У Днепра / באמ דניעפער [By the Dnieper], a novel by David Bergelson. Moscow: Художественная литература, 1935. Russian.

• Миргород [Mirgorod], a collection of stories by Nikolai Gogol. Leningrad: Художественная литература, 1937. Russian.

Four books. Size and condition vary.

Solomon Yudovin (Соломон Борисович Юдовин; 1892-1954), born in Beshenkovichi in the Vitebsk region, studied art under Yehuda Pen and Mstislav Dobuzhinsky and specialized in printmaking and book illustration. In the years 1912-1914 he was a member of An-sky's ethnographic expedition to the Pale of Settlement, a journey that greatly influenced his artistic path. Most of his works dealt with Jewish themes and incorporated Jewish folk motifs. In the years 1918-1923 he stayed in Vitebsk, which was then one of the centers of avant-garde artistic activity. Unlike many of his contemporary Russian Jewish artists, Yudovin was not influenced by modernism and engaged in realistic figurative art throughout his life.

Category
Art: Monographs and Albums (Reproductions, Drawings and Prints)
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