Auction 73 - Jewish and Israeli History, Culture and Art
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Displaying 13 - 24 of 255
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $400
Unsold
Decorated wooden album binding made by a detainee in the detention camp in the Ayalon Valley (Latrun), 1946.
Wooden binding with a brown leather spine. The front board depicts a pair of chained hands holding a torch, drawn in black ink, the Hebrew letter "ש"; inscribed "From Joseph" (Hebrew). The back board depicts a detention camp – tin shacks, barbed wire and a watchtower, titled "Emek Ayalon". Dated (Hebrew) on the edge: "Adar II 5706". Single album leaf bound inside, inscribed: "To Shifra, for your twenty-second birthday. Loyally, from Joseph. […] in the Ayalon Valley, the seventh of Adar II 5706" (10.3.1946. Hebrew).
At least one additional work, also dedicated to Shifra and made (or ordered) by the same Latrun camp detainee is known of. See Kedem auction no. 68 item 48.
10X22 cm. Good condition. Minor blemishes to binding and leaf. Stains to spine.
Provenance: The Rimon Family Collection.
Wooden binding with a brown leather spine. The front board depicts a pair of chained hands holding a torch, drawn in black ink, the Hebrew letter "ש"; inscribed "From Joseph" (Hebrew). The back board depicts a detention camp – tin shacks, barbed wire and a watchtower, titled "Emek Ayalon". Dated (Hebrew) on the edge: "Adar II 5706". Single album leaf bound inside, inscribed: "To Shifra, for your twenty-second birthday. Loyally, from Joseph. […] in the Ayalon Valley, the seventh of Adar II 5706" (10.3.1946. Hebrew).
At least one additional work, also dedicated to Shifra and made (or ordered) by the same Latrun camp detainee is known of. See Kedem auction no. 68 item 48.
10X22 cm. Good condition. Minor blemishes to binding and leaf. Stains to spine.
Provenance: The Rimon Family Collection.
Category
The British Mandate of Palestine, Jewish Enlistment, Illegal Immigration,
Cyprus Detention Camps and the Establishment of the State of Israel
Catalogue
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $500
Unsold
"A Fleet Returning to the Homeland, Illegal Immigrant Ships at the Port of Haifa", album with photographs by Lipa Kugel. Haifa and elsewhere, [ca. mid-late 1940s].
A small souvenir album with 28 photographs of abandoned illegal immigrant ships at the port of Haifa and other ports. the photographs depict various ships, including the SS Hanna Szenes, SS Palmach, SS Henrietta Szold, SS HaChayal HaIvri, SS Chaviva Reick, SS Theodor Herzl and other ships. The ships seized by the British authorities and kept at the Haifa port were known as "the Fleet of Shadows". At the beginning of the album is a folded leaf with the photographer's name and information about the photographs: the names of the ships, the number of immigrants and their arrival date in Palestine (the list enumerates eighteen photographs only, the rest of the photographs in the album were possibly taken by other photographers or added later). The front board reads "A Fleet Returning to the Homeland, Illegal Immigrant Ships at the Port of Haifa" (Hebrew).
Enclosed: a "Shanah Tovah" card published by Photo-Studio Kugel, with the same photographs of the illegal immigrant ships appearing in the album.
A total of 28 photographs. Size of photographs: approx. 11.5X8.5 cm. Condition varies. Good overall condition. Some of the photographs are captioned by hand on the leaves. Blue binding tied with string, with tissue guards. The leaves of the album and the photographs are slightly bent. Tears and blemishes to the tissue guards (some of them restored with acid-free tape). Scuffs and blemishes to binding.
Provenance: The Rimon Family Collection.
A small souvenir album with 28 photographs of abandoned illegal immigrant ships at the port of Haifa and other ports. the photographs depict various ships, including the SS Hanna Szenes, SS Palmach, SS Henrietta Szold, SS HaChayal HaIvri, SS Chaviva Reick, SS Theodor Herzl and other ships. The ships seized by the British authorities and kept at the Haifa port were known as "the Fleet of Shadows". At the beginning of the album is a folded leaf with the photographer's name and information about the photographs: the names of the ships, the number of immigrants and their arrival date in Palestine (the list enumerates eighteen photographs only, the rest of the photographs in the album were possibly taken by other photographers or added later). The front board reads "A Fleet Returning to the Homeland, Illegal Immigrant Ships at the Port of Haifa" (Hebrew).
Enclosed: a "Shanah Tovah" card published by Photo-Studio Kugel, with the same photographs of the illegal immigrant ships appearing in the album.
A total of 28 photographs. Size of photographs: approx. 11.5X8.5 cm. Condition varies. Good overall condition. Some of the photographs are captioned by hand on the leaves. Blue binding tied with string, with tissue guards. The leaves of the album and the photographs are slightly bent. Tears and blemishes to the tissue guards (some of them restored with acid-free tape). Scuffs and blemishes to binding.
Provenance: The Rimon Family Collection.
Category
The British Mandate of Palestine, Jewish Enlistment, Illegal Immigration,
Cyprus Detention Camps and the Establishment of the State of Israel
Catalogue
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $2,000
Unsold
A handwritten diary by one of the Exodus illegal immigrants. [Germany? ca. August-September 1947]. Yiddish.
The illegal immigrant ship SS Exodus (or in its Hebrew name – Yetzi'at Eiropa) left the port of Sète, France, in July 1947, carrying 4554 passengers, most of them Holocaust survivors. The ship was intercepted by the British and its passengers were sent, after a bitter struggle, to DP camps in Northern Germany. The high-profile struggle of the illegal immigrants was publicized worldwide; the public dismay at the way the British authorities treated Holocaust survivors helped turn public opinion in favor of establishing a Jewish state in Palestine.
As evident from the diary entries, the events were recorded in the diary shortly after their occurrence, in DP camps in Northern Germany, where Exodus illegal immigrants were gathered, or aboard the deportation ship Runnymede Park, after the deportation from Haifa port.
The diary documents the story of the Exodus illegal immigrants chronologically and from a personal perspective: the departure from the port of Sète in France, arrival in Haifa port, embarking the deportation ship SS Runnymede Park, sailing to Port-de-Bouc in France and the long stay there (while the immigrants refused to disembark) and later, the trip from France to Germany (the diary ends when the ship crosses The Strait of Gibraltar on its way to Germany).
The author recounts his experiences and feelings using mainly plural form: "We reached Haifa on July 18th. While standing in the port we listened to the radio. They spoke to us in Hebrew and handed out leaflets in English and in Hebrew announcing that we would sail to Cyprus… who could have imagined!!! Unfortunately, we could only see Haifa from far away. With tears in our eyes we looked at the land we longed for but could not set foot in. We saw no civilians around us, only soldiers and more soldiers. With heads bent down, looking at the Holy Land, we embarked the Runnymede Park. I was one of the last passengers to embark, there was no place to sit, we were packed like herring in a small barrel” (p.4).
The writer continues to tell about the immigrants' refusal to disembark in France and the decision to start a hunger strike, as well as the decision not to allow pregnant women and children to disembark in Gibraltar; about the Red Cross physician who boarded the ship in France; about "Mordechai" (probably Mordechai Roseman, leader of the immigrants on the ship) and an address he gave to the illegal immigrants; about observing Shabbat on the ship; about journalists coming on board in Port-de-Bouc; about the flag the immigrants prepared and waved in front of the journalists in France – a British flag with a swastika ("we prepared a British flag with a swastika from a blanket, red toothpaste and condensed milk. The journalists immediately took pictures of it, and we celebrated in front of the English… we flew the flag continuously... The English looked on, grinding their teeth"), and more.
Enclosed with the diary is a full translation into Hebrew.
The diary is written in blue ink, in a notebook starting with Hebrew studying exercises (in pencil). [12] diary pages + [16] pages with exercises. Notebook: 11X17 cm. Fair-poor condition. Wear. Stains and tears. New paper cover; placed in an elegant case.
Provenance: The Rimon Family Collection.
The illegal immigrant ship SS Exodus (or in its Hebrew name – Yetzi'at Eiropa) left the port of Sète, France, in July 1947, carrying 4554 passengers, most of them Holocaust survivors. The ship was intercepted by the British and its passengers were sent, after a bitter struggle, to DP camps in Northern Germany. The high-profile struggle of the illegal immigrants was publicized worldwide; the public dismay at the way the British authorities treated Holocaust survivors helped turn public opinion in favor of establishing a Jewish state in Palestine.
As evident from the diary entries, the events were recorded in the diary shortly after their occurrence, in DP camps in Northern Germany, where Exodus illegal immigrants were gathered, or aboard the deportation ship Runnymede Park, after the deportation from Haifa port.
The diary documents the story of the Exodus illegal immigrants chronologically and from a personal perspective: the departure from the port of Sète in France, arrival in Haifa port, embarking the deportation ship SS Runnymede Park, sailing to Port-de-Bouc in France and the long stay there (while the immigrants refused to disembark) and later, the trip from France to Germany (the diary ends when the ship crosses The Strait of Gibraltar on its way to Germany).
The author recounts his experiences and feelings using mainly plural form: "We reached Haifa on July 18th. While standing in the port we listened to the radio. They spoke to us in Hebrew and handed out leaflets in English and in Hebrew announcing that we would sail to Cyprus… who could have imagined!!! Unfortunately, we could only see Haifa from far away. With tears in our eyes we looked at the land we longed for but could not set foot in. We saw no civilians around us, only soldiers and more soldiers. With heads bent down, looking at the Holy Land, we embarked the Runnymede Park. I was one of the last passengers to embark, there was no place to sit, we were packed like herring in a small barrel” (p.4).
The writer continues to tell about the immigrants' refusal to disembark in France and the decision to start a hunger strike, as well as the decision not to allow pregnant women and children to disembark in Gibraltar; about the Red Cross physician who boarded the ship in France; about "Mordechai" (probably Mordechai Roseman, leader of the immigrants on the ship) and an address he gave to the illegal immigrants; about observing Shabbat on the ship; about journalists coming on board in Port-de-Bouc; about the flag the immigrants prepared and waved in front of the journalists in France – a British flag with a swastika ("we prepared a British flag with a swastika from a blanket, red toothpaste and condensed milk. The journalists immediately took pictures of it, and we celebrated in front of the English… we flew the flag continuously... The English looked on, grinding their teeth"), and more.
Enclosed with the diary is a full translation into Hebrew.
The diary is written in blue ink, in a notebook starting with Hebrew studying exercises (in pencil). [12] diary pages + [16] pages with exercises. Notebook: 11X17 cm. Fair-poor condition. Wear. Stains and tears. New paper cover; placed in an elegant case.
Provenance: The Rimon Family Collection.
Category
The British Mandate of Palestine, Jewish Enlistment, Illegal Immigration,
Cyprus Detention Camps and the Establishment of the State of Israel
Catalogue
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $2,000
Unsold
Two passports (Reisepass) issued in Vienna, in 1938, to the Jews Leon Külla and Emilie Külla, two illegal immigrants who arrived in Palestine on board of the SS Atlantic and were deported to the island of Mauritius.
On the first pages of the passports are several inked stamps of Viennese authorities and foreign embassies in the city (authorization from the Vienna Police to leave the Reich, transit visa to Czechoslovakia via Bratislava and entrance visa to Paraguay). The last used page of both passports is stamped with an entrance stamp to Palestine via the Haifa Port, dated 27.8.1945. Five years separate this stamp from the other ones, during which the passport had not been stamped even once. The fate of the couple during this time is implied only by a handwritten comment next to the entrance stamp to Palestine: "Auth.: From Mauritius" (English).
"The Exiles of Mauritius" were the passengers of the illegal immigrant ship SS Atlantic, captured by the British and deported to the island of Mauritius in the Indian Ocean. The illegal immigrants left Bratislava in September 1940, sailed to Tulcea on a river ship and there boarded the SS Atlantic. On their way, they stopped in Istanbul and Crete, and when the crew refused to sail on, the passengers took over the ship by force. After running out of coal, they burned the wooden furniture and when it too ran out, the ship was forced to stop and was discovered by the British Navy. The illegal immigrants were deported to Mauritius, where they remained for five years, and only after the end of the war, in August 1945, did they reach Palestine.
Naturally, the illegal immigrants' passports were not stamped during this clandestine voyage; lacking any stamps, the only documentation of their journey is the handwritten note added to the entrance stamp to Palestine.
These passports, issued after the annexation of Austria to Germany, include alongside their owners' pictures and personal details also identifying marks for Jews – the letter "J" (in red ink) appears on the first page and the names "Israel" and "Sarah" were added to the owners' birth names.
16.5 cm. Good-fair condition. Creases, stains and minor blemishes. Tears to spines, reinforced with tape. Detached cover to one passport, with three strips of paper glued to spine.
On the first pages of the passports are several inked stamps of Viennese authorities and foreign embassies in the city (authorization from the Vienna Police to leave the Reich, transit visa to Czechoslovakia via Bratislava and entrance visa to Paraguay). The last used page of both passports is stamped with an entrance stamp to Palestine via the Haifa Port, dated 27.8.1945. Five years separate this stamp from the other ones, during which the passport had not been stamped even once. The fate of the couple during this time is implied only by a handwritten comment next to the entrance stamp to Palestine: "Auth.: From Mauritius" (English).
"The Exiles of Mauritius" were the passengers of the illegal immigrant ship SS Atlantic, captured by the British and deported to the island of Mauritius in the Indian Ocean. The illegal immigrants left Bratislava in September 1940, sailed to Tulcea on a river ship and there boarded the SS Atlantic. On their way, they stopped in Istanbul and Crete, and when the crew refused to sail on, the passengers took over the ship by force. After running out of coal, they burned the wooden furniture and when it too ran out, the ship was forced to stop and was discovered by the British Navy. The illegal immigrants were deported to Mauritius, where they remained for five years, and only after the end of the war, in August 1945, did they reach Palestine.
Naturally, the illegal immigrants' passports were not stamped during this clandestine voyage; lacking any stamps, the only documentation of their journey is the handwritten note added to the entrance stamp to Palestine.
These passports, issued after the annexation of Austria to Germany, include alongside their owners' pictures and personal details also identifying marks for Jews – the letter "J" (in red ink) appears on the first page and the names "Israel" and "Sarah" were added to the owners' birth names.
16.5 cm. Good-fair condition. Creases, stains and minor blemishes. Tears to spines, reinforced with tape. Detached cover to one passport, with three strips of paper glued to spine.
Category
The British Mandate of Palestine, Jewish Enlistment, Illegal Immigration,
Cyprus Detention Camps and the Establishment of the State of Israel
Catalogue
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $700
Unsold
Wooden chess set made by Josef Rosenblum, a prisoner at the Atlit detention camp. Atlit, 1940.
A chess board and chess pieces in a wooden case inscribed with a dedication. The lid reads "S.I. Koegel / As a souvenir / by: Josef Rosenblum" (Hebrew). Additional inscription etched on the inside of the lid: "Made in Atlit 5700" (Hebrew). The black squares on the chess board and the black pieces were painted black, but the inscriptions, the place and the date, and chess board pattern on the lid were etched into the wood.
The "Bintivey Haapala" database lists Josef Rosenblum as an illegal immigrant who immigrated to Palestine on board of the illegal immigrant ship SS Hilda. The recipient, Koegel (Kogel) Shraga Iser (Filip) of Prešov, Slovakia, was also an illegal immigrant on board of the SS Hilda as well as a prisoner of the detention camp in Atlit together with Josef Rosenblum. After his release from the camp, he enlisted into the 51st Middle Eastern commando unit of the British Army and fought in World war II.
The SS Hilda left Sulina, Romania, in January 1940 carrying refugees from European countries occupied by Nazi Germany. The ship was intercepted by the British when arriving at the shores of Istanbul, held in high seas and after prolonged negotiations, during which the British threatened to deport the illegal immigrants to Paraguay, the ship docked in Haifa, where the women were taken to an immigrants' house while the men were sent to the detention camp in Atlit. The women were released after three weeks; but the detained men in Atlit remained there for about six months, during which they celebrated Passover, writing a special Haggadah telling their personal Exodus story – The Haggadah of the Atlit Illegal Immigrants, 1940.
The conditions in the British detention camps varied between camps; but in every one of them the problem of inaction and boredom was most bothersome. In many camps, the detainees kept themselves busy in various ways including handcraft and art. Art workshops guided by artists existed in several camps, including the detention camp in Atlit, where artist Isidor Ascheim, also an illegal immigrant on board of the SS Hilda, was active and contributed his talent to the Haggadah of the illegal immigrants of Atlit; alongside the "high" art, the prisoners at the various camps made an abundance of useful and decorative works of applied art with wood, stone and metal.
Sawn, glued, painted and etched wood; hinges and nails. Chess board: 33.5X34 cm. Case: 23.5X16X7 cm. One white piece is missing; replaced by a wooden cube. Good overall condition. Minor blemishes. Minor fractures. Stains.
Provenance: The Rimon Family Collection.
A chess board and chess pieces in a wooden case inscribed with a dedication. The lid reads "S.I. Koegel / As a souvenir / by: Josef Rosenblum" (Hebrew). Additional inscription etched on the inside of the lid: "Made in Atlit 5700" (Hebrew). The black squares on the chess board and the black pieces were painted black, but the inscriptions, the place and the date, and chess board pattern on the lid were etched into the wood.
The "Bintivey Haapala" database lists Josef Rosenblum as an illegal immigrant who immigrated to Palestine on board of the illegal immigrant ship SS Hilda. The recipient, Koegel (Kogel) Shraga Iser (Filip) of Prešov, Slovakia, was also an illegal immigrant on board of the SS Hilda as well as a prisoner of the detention camp in Atlit together with Josef Rosenblum. After his release from the camp, he enlisted into the 51st Middle Eastern commando unit of the British Army and fought in World war II.
The SS Hilda left Sulina, Romania, in January 1940 carrying refugees from European countries occupied by Nazi Germany. The ship was intercepted by the British when arriving at the shores of Istanbul, held in high seas and after prolonged negotiations, during which the British threatened to deport the illegal immigrants to Paraguay, the ship docked in Haifa, where the women were taken to an immigrants' house while the men were sent to the detention camp in Atlit. The women were released after three weeks; but the detained men in Atlit remained there for about six months, during which they celebrated Passover, writing a special Haggadah telling their personal Exodus story – The Haggadah of the Atlit Illegal Immigrants, 1940.
The conditions in the British detention camps varied between camps; but in every one of them the problem of inaction and boredom was most bothersome. In many camps, the detainees kept themselves busy in various ways including handcraft and art. Art workshops guided by artists existed in several camps, including the detention camp in Atlit, where artist Isidor Ascheim, also an illegal immigrant on board of the SS Hilda, was active and contributed his talent to the Haggadah of the illegal immigrants of Atlit; alongside the "high" art, the prisoners at the various camps made an abundance of useful and decorative works of applied art with wood, stone and metal.
Sawn, glued, painted and etched wood; hinges and nails. Chess board: 33.5X34 cm. Case: 23.5X16X7 cm. One white piece is missing; replaced by a wooden cube. Good overall condition. Minor blemishes. Minor fractures. Stains.
Provenance: The Rimon Family Collection.
Category
The British Mandate of Palestine, Jewish Enlistment, Illegal Immigration,
Cyprus Detention Camps and the Establishment of the State of Israel
Catalogue
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $400
Unsold
Handwritten Ketubah and a pin from the Cyprus detention camps:
1. Ketubah DeIrkesa (replacing a previous Ketubah that has been lost). April 18, 1948.
Ketubah for the couple Chaim son of Dov and Etel daughter of Yaakov, written in Famagusta, Cyprus, as a replacement for their previous Ketubah which was lost. The Ketubah is handwritten on a folded sheet of paper and signed by the witnesses Asher Henzel son of Shimshon (the scribe who wrote the Ketubah) and Peretz Raphael son of Aharon.
23X14 cm. Good-fair condition. Stains. Small tears to edges. Fold lines.
2. A pin made of a Cypriot coin, 1947
A pin made of a Cypriot ½ Piastre coin filed on both sides. Engraved with tin shacks, a barbed wire fence, a watchtower and the legend "In the Cyprus Exile 11-XII-47" (Hebrew). A bent needle was soldered to verso.
Diameter: 19 mm. Good condition.
The first detention camps in Cyprus, set to detain the illegal immigrants of the SS Henrietta Szold and the SS Yagur, were established in Karaolos, near the port city of Famagusta. The complex consisted of five camps in which detainees lived in tents (these camps were known as the "summer camps"). Later, the British established additional camps in other locations in Cyprus.
1. Ketubah DeIrkesa (replacing a previous Ketubah that has been lost). April 18, 1948.
Ketubah for the couple Chaim son of Dov and Etel daughter of Yaakov, written in Famagusta, Cyprus, as a replacement for their previous Ketubah which was lost. The Ketubah is handwritten on a folded sheet of paper and signed by the witnesses Asher Henzel son of Shimshon (the scribe who wrote the Ketubah) and Peretz Raphael son of Aharon.
23X14 cm. Good-fair condition. Stains. Small tears to edges. Fold lines.
2. A pin made of a Cypriot coin, 1947
A pin made of a Cypriot ½ Piastre coin filed on both sides. Engraved with tin shacks, a barbed wire fence, a watchtower and the legend "In the Cyprus Exile 11-XII-47" (Hebrew). A bent needle was soldered to verso.
Diameter: 19 mm. Good condition.
The first detention camps in Cyprus, set to detain the illegal immigrants of the SS Henrietta Szold and the SS Yagur, were established in Karaolos, near the port city of Famagusta. The complex consisted of five camps in which detainees lived in tents (these camps were known as the "summer camps"). Later, the British established additional camps in other locations in Cyprus.
Category
The British Mandate of Palestine, Jewish Enlistment, Illegal Immigration,
Cyprus Detention Camps and the Establishment of the State of Israel
Catalogue
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $700
Unsold
Seven photographic "Shanah Tovah" greeting cards sent by detainees of the detention camps in Cyprus. Cyprus, the eve of Rosh HaShanah, 1947-1948.
· Four personal cards bearing their sender's portrait, surrounded by sights of the camps, tents, watchtowers, the bridge between camp 65 and camp 66 and ships sailing to Palestine. · Two "Shanah Tovah" greeting cards bearing photographs of the "summer camps" where the detainees lived in tents. One of them is folded and signed in the plate "Foto Pais". With handwritten greeting for the New Year by the members of the joint camp secretariat. · "Shanah Tovah" greeting card by the "Zionist Youth" Movement in Cyprus, bearing the slogan "To Fulfillment" (Hebrew). Handwritten greeting on verso, signed "To Fulfillment in Cyprus" (Hebrew).
5.5X8 to 7.5X9 cm. (one card is folded in half). Good overall condition. Minor blemishes. Creases. Stains.
Provenance: The Rimon Family Collection.
· Four personal cards bearing their sender's portrait, surrounded by sights of the camps, tents, watchtowers, the bridge between camp 65 and camp 66 and ships sailing to Palestine. · Two "Shanah Tovah" greeting cards bearing photographs of the "summer camps" where the detainees lived in tents. One of them is folded and signed in the plate "Foto Pais". With handwritten greeting for the New Year by the members of the joint camp secretariat. · "Shanah Tovah" greeting card by the "Zionist Youth" Movement in Cyprus, bearing the slogan "To Fulfillment" (Hebrew). Handwritten greeting on verso, signed "To Fulfillment in Cyprus" (Hebrew).
5.5X8 to 7.5X9 cm. (one card is folded in half). Good overall condition. Minor blemishes. Creases. Stains.
Provenance: The Rimon Family Collection.
Category
The British Mandate of Palestine, Jewish Enlistment, Illegal Immigration,
Cyprus Detention Camps and the Establishment of the State of Israel
Catalogue
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $700
Sold for: $875
Including buyer's premium
An album with a collection of photographs from the Cyprus detention camps, documenting mainly the children's home in the summer camps in Karaolos. Cyprus, 1946-1949.
Approx. 80 photographs depicting the lives of the detainees in the Cyprus camps, documenting mainly the children's home that was established in the "summer camps" in Karaolos – camps 60-63 – and which was known as "Kaytanat Elez" (literally: Joy Summer School).
The photographs are mounted and captioned on the leaves. The captions, combined with the order of the photographs, form a comprehensive picture of the daily life of the children detained in Cyprus. Depicting the arrival at the camps and the establishment of the children's home under the supervision of nurses who were sent from Palestine and the children's lives – school classes and recesses, teachers and students, kindergartens, Purim celebrations, games and group activities, sea-bathing, meals, resting and bathing, the kitchen, gifts from school children in South Africa, birthday parties, and more. The photographs also depict various aspects of the life in the camps in general: assemblies, demonstrations for the right to immigrate to Palestine, various administrative buildings, the kitchen, the washrooms, the visit of the well-known Yiddish singer Sidor Belarsky to the camps, workers assembly, water supply by a JOINT-sponsored truck, and more.
The album ends with the evacuation of the camps and the immigration to Israel, emphasizing the tribulations the illegal immigrants experienced when leaving the camps and the exacting screening by UN representatives whose role was to ascertain the immigrants' age; the rules of immigration determined that men fit for service will not be permitted to enter the young state of Israel lest they give it an advantage over its neighbors.
Several of the photographs were commercially produced in the camps of Cyprus, including a photographic "Shanah Tovah" greeting card, signed in the plate "Foto Pais" and a photographic "Regards from Cyprus" greeting card (Hebrew), also bearing the inscription "Lehagshmah" (to fulfillment).
Photographs: size and condition vary. Good overall condition. Album: 16.5X26 cm. Good condition. Stains. Creases. Small tears to leaves and tissue guards, some repaired. New binding. Missing one photograph.
Provenance: The Rimon Family Collection.
Approx. 80 photographs depicting the lives of the detainees in the Cyprus camps, documenting mainly the children's home that was established in the "summer camps" in Karaolos – camps 60-63 – and which was known as "Kaytanat Elez" (literally: Joy Summer School).
The photographs are mounted and captioned on the leaves. The captions, combined with the order of the photographs, form a comprehensive picture of the daily life of the children detained in Cyprus. Depicting the arrival at the camps and the establishment of the children's home under the supervision of nurses who were sent from Palestine and the children's lives – school classes and recesses, teachers and students, kindergartens, Purim celebrations, games and group activities, sea-bathing, meals, resting and bathing, the kitchen, gifts from school children in South Africa, birthday parties, and more. The photographs also depict various aspects of the life in the camps in general: assemblies, demonstrations for the right to immigrate to Palestine, various administrative buildings, the kitchen, the washrooms, the visit of the well-known Yiddish singer Sidor Belarsky to the camps, workers assembly, water supply by a JOINT-sponsored truck, and more.
The album ends with the evacuation of the camps and the immigration to Israel, emphasizing the tribulations the illegal immigrants experienced when leaving the camps and the exacting screening by UN representatives whose role was to ascertain the immigrants' age; the rules of immigration determined that men fit for service will not be permitted to enter the young state of Israel lest they give it an advantage over its neighbors.
Several of the photographs were commercially produced in the camps of Cyprus, including a photographic "Shanah Tovah" greeting card, signed in the plate "Foto Pais" and a photographic "Regards from Cyprus" greeting card (Hebrew), also bearing the inscription "Lehagshmah" (to fulfillment).
Photographs: size and condition vary. Good overall condition. Album: 16.5X26 cm. Good condition. Stains. Creases. Small tears to leaves and tissue guards, some repaired. New binding. Missing one photograph.
Provenance: The Rimon Family Collection.
Category
The British Mandate of Palestine, Jewish Enlistment, Illegal Immigration,
Cyprus Detention Camps and the Establishment of the State of Israel
Catalogue
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $1,000
Sold for: $2,125
Including buyer's premium
An album with a collection of photographs documenting the lives of the illegal immigrants in the Cyprus detention camps. Cyprus, [1946-1949].
106 photographs, including eighteen uncharacteristically large photographs. The photographs document parades, sport training and work out, youth and children groups gymnastics and foot drills demonstrations and celebrations; Golda Myerson's [Meir] visit to the camps; Brit Milah (ritual circumcision) in Cyprus; a medical clinic and tin-shack pharmacy in one of the camps; an illegal immigrant cooking on an improvised stove at the entrance of a tent; illegal immigrants seen over the double barbed wire leaving the camp on a truck; large pudles after the winter rains in a tent camp – one of the "summer camps"; and more.
The photographs are signed on verso "Photo Hanoch Cyprus" (Hebrew), some also signed in the plate "Photo Heinrich Cyprus" (Hebrew).
Large photographs: approx. 12X17 cm. Small photographs: approx. 6X9 cm. Good condition. Album: 28X20 cm. Good overall condition. Re-bound with new tissue guards. New mounting corners.
Provenance: The Rimon Family Collection.
106 photographs, including eighteen uncharacteristically large photographs. The photographs document parades, sport training and work out, youth and children groups gymnastics and foot drills demonstrations and celebrations; Golda Myerson's [Meir] visit to the camps; Brit Milah (ritual circumcision) in Cyprus; a medical clinic and tin-shack pharmacy in one of the camps; an illegal immigrant cooking on an improvised stove at the entrance of a tent; illegal immigrants seen over the double barbed wire leaving the camp on a truck; large pudles after the winter rains in a tent camp – one of the "summer camps"; and more.
The photographs are signed on verso "Photo Hanoch Cyprus" (Hebrew), some also signed in the plate "Photo Heinrich Cyprus" (Hebrew).
Large photographs: approx. 12X17 cm. Small photographs: approx. 6X9 cm. Good condition. Album: 28X20 cm. Good overall condition. Re-bound with new tissue guards. New mounting corners.
Provenance: The Rimon Family Collection.
Category
The British Mandate of Palestine, Jewish Enlistment, Illegal Immigration,
Cyprus Detention Camps and the Establishment of the State of Israel
Catalogue
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $1,200
Sold for: $3,750
Including buyer's premium
Stone candlestick made in the Cyprus detention camps, by sculptor Nahman Vikrovitzky. Cyprus, 5708 (1947/1948).
Rock gypsum, chiseled and engraved.
A candlestick shaped as the Hebrew letter "צ" with two indentation for candles. In the opening of the "צ" are the Hebrew letters י.ו.ן forming the Hebrew word ציון – "Zion".
The front of the candlestick is decorated with bunches of grapes and a view of David's Tower, and on its back is the Hebrew inscription "Cyprus 5708". The candlestick is placed on a square stone base decorated with bunches of grapes and a view of the Western Wall.
The sculptor Nahman Vikrovitzky (1924-2016), was born in Stolin (then Poland). On the eve of Rosh HaShanah 1942, his parents and all his family were murdered by the Nazis together with most of the Jewish population of the town. After the Holocaust, he tried to immigrate to Palestine on the illegal immigrant ship SS Theodor Herzl, which sailed from France on April 2, 1947, and was caught opposite the shore of Tel-Aviv. During his imprisonment in Cyprus, which lasted about a year and a half, Vikrovitzky sculpted in wood and stone. In Cyprus there were two groups of artists: the first consisted of students of the professional art workshops taught by Ze'ev Ben Zvi, Naftali Bezem and Chana Liberman, whose works of art tended to be expressionist and received artistic prestige, and who were appropriately equipped with hammers and chisels for working with stone. The second group was that of the 'amateur' artists whose works were considered by the first group as 'folkloristic' and simplistic. Vikrovitzky belonged to the second group and made his own work tools from nails, cans and other objects.
After Vikrovitzky immigrated to Israel, he commemorated the victims of the Holocaust in sculptures he exhibited in various venues. In 1993 he was awarded the Hermann Struck Prize of the Haifa Municipality for his works of art commemorating the Holocaust.
For additional information about art in the detention camps in Cyprus see enclosed material:
1. Cyprus, the Art of Life: The Detention Camps, 1946-1949. Tel-Aviv: Eretz Israel Museum, 2017.
2. The Handiworks of the Cyprus Exiles Illegal Immigrants, by Ya'akov Koren (Hebrew), in the Israeli Numismatic Collector's Association newspaper [no year].
Height: 15 cm. Dimensions of base: 14X12 cm. Good condition. Minor blemishes to edges. Glue to prevent slippage on the lower side of the stone base.
Provenance: The Rimon Family Collection.
Rock gypsum, chiseled and engraved.
A candlestick shaped as the Hebrew letter "צ" with two indentation for candles. In the opening of the "צ" are the Hebrew letters י.ו.ן forming the Hebrew word ציון – "Zion".
The front of the candlestick is decorated with bunches of grapes and a view of David's Tower, and on its back is the Hebrew inscription "Cyprus 5708". The candlestick is placed on a square stone base decorated with bunches of grapes and a view of the Western Wall.
The sculptor Nahman Vikrovitzky (1924-2016), was born in Stolin (then Poland). On the eve of Rosh HaShanah 1942, his parents and all his family were murdered by the Nazis together with most of the Jewish population of the town. After the Holocaust, he tried to immigrate to Palestine on the illegal immigrant ship SS Theodor Herzl, which sailed from France on April 2, 1947, and was caught opposite the shore of Tel-Aviv. During his imprisonment in Cyprus, which lasted about a year and a half, Vikrovitzky sculpted in wood and stone. In Cyprus there were two groups of artists: the first consisted of students of the professional art workshops taught by Ze'ev Ben Zvi, Naftali Bezem and Chana Liberman, whose works of art tended to be expressionist and received artistic prestige, and who were appropriately equipped with hammers and chisels for working with stone. The second group was that of the 'amateur' artists whose works were considered by the first group as 'folkloristic' and simplistic. Vikrovitzky belonged to the second group and made his own work tools from nails, cans and other objects.
After Vikrovitzky immigrated to Israel, he commemorated the victims of the Holocaust in sculptures he exhibited in various venues. In 1993 he was awarded the Hermann Struck Prize of the Haifa Municipality for his works of art commemorating the Holocaust.
For additional information about art in the detention camps in Cyprus see enclosed material:
1. Cyprus, the Art of Life: The Detention Camps, 1946-1949. Tel-Aviv: Eretz Israel Museum, 2017.
2. The Handiworks of the Cyprus Exiles Illegal Immigrants, by Ya'akov Koren (Hebrew), in the Israeli Numismatic Collector's Association newspaper [no year].
Height: 15 cm. Dimensions of base: 14X12 cm. Good condition. Minor blemishes to edges. Glue to prevent slippage on the lower side of the stone base.
Provenance: The Rimon Family Collection.
Category
The British Mandate of Palestine, Jewish Enlistment, Illegal Immigration,
Cyprus Detention Camps and the Establishment of the State of Israel
Catalogue
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $1,200
Unsold
Album with a chiseled stone binding by a detainee in the Cyprus detention camps and a collection of photographs taken in the camps. Cyprus, 1947-[1949].
stone binding carved with a relief of a sailboat in a medallion and with the inscription "Cyprus 1947", mounted on a felt base (new).
With 13 corner-mounted photographs taken in the detention camps in Cyprus. Some are captioned in the plate "Memory from Cyprus" (Hebrew) and "Cyprus 5708" (Hebrew) and some are inscribed "Lehagshamah" (to fulfillment). Alongside the photographs, the album contains two "Shanah Tovah" greeting cards published by "Palphot", one depicting illegal immigrants getting off a ship at the shores of Palestine, inscribed within with the wish "We hope that you too will be among the arrivals this year" (Hebrew).
Album: approx. 11X24 cm. Good condition. Scratches and scuff marks to stone. Photographs: size and condition vary. Good overall condition. Some photographs captioned and dated by hand on verso (English).
Provenance: The Rimon Family Collection.
stone binding carved with a relief of a sailboat in a medallion and with the inscription "Cyprus 1947", mounted on a felt base (new).
With 13 corner-mounted photographs taken in the detention camps in Cyprus. Some are captioned in the plate "Memory from Cyprus" (Hebrew) and "Cyprus 5708" (Hebrew) and some are inscribed "Lehagshamah" (to fulfillment). Alongside the photographs, the album contains two "Shanah Tovah" greeting cards published by "Palphot", one depicting illegal immigrants getting off a ship at the shores of Palestine, inscribed within with the wish "We hope that you too will be among the arrivals this year" (Hebrew).
Album: approx. 11X24 cm. Good condition. Scratches and scuff marks to stone. Photographs: size and condition vary. Good overall condition. Some photographs captioned and dated by hand on verso (English).
Provenance: The Rimon Family Collection.
Category
The British Mandate of Palestine, Jewish Enlistment, Illegal Immigration,
Cyprus Detention Camps and the Establishment of the State of Israel
Catalogue
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $400
Unsold
Photograph album with a carved wood binding, made by a detainee in the Cyprus detention camps, 5708 (1947/1948).
Carved front board, depicting a flag with a Star of David, a barbed wire fence and a burning torch [torch of resistance, bravery and hope], inscribed "Cyprus 5708" (Hebrew). The leaves of the album – brown and heavy – are blank. Blue leather spine.
9X17 cm. Good condition. Minor blemishes.
Provenance: The Rimon Family Collection.
Carved front board, depicting a flag with a Star of David, a barbed wire fence and a burning torch [torch of resistance, bravery and hope], inscribed "Cyprus 5708" (Hebrew). The leaves of the album – brown and heavy – are blank. Blue leather spine.
9X17 cm. Good condition. Minor blemishes.
Provenance: The Rimon Family Collection.
Category
The British Mandate of Palestine, Jewish Enlistment, Illegal Immigration,
Cyprus Detention Camps and the Establishment of the State of Israel
Catalogue