Auction 31 - Jewish and Israeli History and Culture
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Displaying 25 - 36 of 79
Auction 31 - Jewish and Israeli History and Culture
May 21, 2013
Opening: $200
Sold for: $250
Including buyer's premium
Passover Haggadah. Berlin, 1938. Hebrew-German, Yaari 2248; Otzar 3634. On the inner side of front cover appears a large Ex-Libris label: "Haggadah überreicht von der Jüdischen Winterhilfe, der Jüdischen Gemeinde zu Berlin, als danke fur die Pessach spende 5698" [Haggadah, presented by Winter Rescue of the Berlin Jewish Community, in appreciation for a donation for Passover 1938]. "The "Winter Rescue" organization was founded in Germany in the early 1930s and acted to assist Jewish people in winter through supply of food, medications and heating devices. Ex-Libris label 10X13.5 cm. Good condition. Minor stains. Haggadah 21 cm. Good condition. Cover worn and loose.
Category
Anti-Semitism, the Holocaust and She'erit Ha-Pleita
Catalogue
Auction 31 - Jewish and Israeli History and Culture
May 21, 2013
Opening: $200
Unsold
Geburtsschein (birth certificate) of Jonas Willig (born 1857). Prague, 1892. Printed on paper and pasted on cloth. On the reverse side is an ink stamp from the City of Vienna from August 2 1939: “annahme des zusatznamen Israel – Sara angezeigt” stating that the name “Israel” was added to the original name of the owner of the certificate by order (The name “Sara” was erased by ink). Attached is a marriage certificate - Trauungsschein - of the above, from 1895. 33X20 cm. Good condition, signs of folding, stains and wear.
Category
Anti-Semitism, the Holocaust and She'erit Ha-Pleita
Catalogue
Auction 31 - Jewish and Israeli History and Culture
May 21, 2013
Opening: $300
Sold for: $750
Including buyer's premium
Help!! Sauvez! Hilfe!!, Anatol Gurevitch, Tel-Aviv: "Fidea – Humanistic Publishing House", 1939.
A poem and 15 impressive lino-cuts inspired by German expressionism, by Anatol Gurevitch, all about the persecution of Jews in Germany.
Anatol Gurevitch (1919-2005), native of Russia. Studied in Germany, France and Italy and with the Israeli painters Miron Sima and Yitzchak Frenkel. Immigrated to Israel in 1934 and was involved with painting and set and costumes design for the theater.
[1] leaf + [15] lino-cuts. 34 cm. Good-fair condition. Cover and first leaf are detached. Tears and stains on cover and first leaf. Minor stains within booklet.
A poem and 15 impressive lino-cuts inspired by German expressionism, by Anatol Gurevitch, all about the persecution of Jews in Germany.
Anatol Gurevitch (1919-2005), native of Russia. Studied in Germany, France and Italy and with the Israeli painters Miron Sima and Yitzchak Frenkel. Immigrated to Israel in 1934 and was involved with painting and set and costumes design for the theater.
[1] leaf + [15] lino-cuts. 34 cm. Good-fair condition. Cover and first leaf are detached. Tears and stains on cover and first leaf. Minor stains within booklet.
Category
Anti-Semitism, the Holocaust and She'erit Ha-Pleita
Catalogue
Auction 31 - Jewish and Israeli History and Culture
May 21, 2013
Opening: $200
Sold for: $250
Including buyer's premium
Di broyne bestye, balades un satires [the "Brown Beast", ballads and satires], by Lazer Wolf. Illustrations: A. Hafter. Moscow:"Der Emes", 1943. Yiddish. Anthology of poems defaming Hitler and Nazi Germany, by the Yiddish poet Lazer Wolf. Wolf (1910-1943) was a member of "yung vilne" group [Young Vilnius], a literary, Jewish-Yiddish, group active in Vilnius from 1927 until the late 1930s. 40 pp, 14.5 cm. Good condition. Minor tears to cover.
Category
Anti-Semitism, the Holocaust and She'erit Ha-Pleita
Catalogue
Auction 31 - Jewish and Israeli History and Culture
May 21, 2013
Opening: $250
Unsold
A Year in Treblinka by Yankel Wiernik. New-York: American Representation of the General Jewish Workers Union of Poland, 1944. English. The booklet "A Year in Treblinka" includes Yankel Wiernik's testimony about Treblinka extermination camp and a drawing of the camp area.
Wiernik (1887-1972) was born in Brisk province (present day Brest in Belarus). Was of tamong the defenders of the "Bund" movement and worked as a carpenter in Warsaw. In 1942 was deported from Warsaw Ghetto to Treblinka extermination camp where he stayed for a year, until August 1943 when the uprising broke out. Wiernik was a dominant figure in this uprising and one of the few survivors. When he succeeded to escape he returned to Warsaw and joined the Communist underground organization "Armia Ludowa" ("People's Army"). The composition "A Year in Treblinka" was first printed in 1944, by Polish underground members. Later on this composition was sent, with other underground documents, to London, was translated from Polish into English and Yiddish and was published in the USA. After WW II, Wiernik made Aliya to Israel. 46 pp, 21.5 cm. Good condition. Minor tear to cover.
Wiernik (1887-1972) was born in Brisk province (present day Brest in Belarus). Was of tamong the defenders of the "Bund" movement and worked as a carpenter in Warsaw. In 1942 was deported from Warsaw Ghetto to Treblinka extermination camp where he stayed for a year, until August 1943 when the uprising broke out. Wiernik was a dominant figure in this uprising and one of the few survivors. When he succeeded to escape he returned to Warsaw and joined the Communist underground organization "Armia Ludowa" ("People's Army"). The composition "A Year in Treblinka" was first printed in 1944, by Polish underground members. Later on this composition was sent, with other underground documents, to London, was translated from Polish into English and Yiddish and was published in the USA. After WW II, Wiernik made Aliya to Israel. 46 pp, 21.5 cm. Good condition. Minor tear to cover.
Category
Anti-Semitism, the Holocaust and She'erit Ha-Pleita
Catalogue
Auction 31 - Jewish and Israeli History and Culture
May 21, 2013
Opening: $400
Sold for: $500
Including buyer's premium
Elmondom…My Story…1942-1945, Ervin Abádi. No publisher name, Budapest, 1947. Hungarian and English.
"I shall tell", Aharon (Ervin) Abádi's memoires of the Holocaust. The book contains many illustrations in b/w. Copy no. 347 out of an edition of 500 copies, published with the assistance of the Joint organization. On the third page appears a dedication handwritten by Abádi, in Hungarian; on the fourth page appears a portrait photo of Abádi, signed.
Aharon (Ervin) Abádi (1918-1979), Israeli author, journalist, graphic designer, native of Hungary. Abádi was born in Budapest. When still very young his genial artistic talent was revealed and he was sent to study art in Rome. When persecutions on racial basis started in Fascist Italy, he was forced to return to Hungary. With the rise of Nazi regime into power in Hungary, joined the founders of the Zionist underground, was captured and sent to labor camps. Later on was sent to Bergen Belsen concentration camp. Was freed in 1945, when the camp was liberated, being seriously ill with typhoid. Made Aliya to Israel in 1950 and started to draw, write books and create graphic designs. [5] leaves, 27 pp, 30X21 cm. Good condition. Minor stains, tears to cover.
"I shall tell", Aharon (Ervin) Abádi's memoires of the Holocaust. The book contains many illustrations in b/w. Copy no. 347 out of an edition of 500 copies, published with the assistance of the Joint organization. On the third page appears a dedication handwritten by Abádi, in Hungarian; on the fourth page appears a portrait photo of Abádi, signed.
Aharon (Ervin) Abádi (1918-1979), Israeli author, journalist, graphic designer, native of Hungary. Abádi was born in Budapest. When still very young his genial artistic talent was revealed and he was sent to study art in Rome. When persecutions on racial basis started in Fascist Italy, he was forced to return to Hungary. With the rise of Nazi regime into power in Hungary, joined the founders of the Zionist underground, was captured and sent to labor camps. Later on was sent to Bergen Belsen concentration camp. Was freed in 1945, when the camp was liberated, being seriously ill with typhoid. Made Aliya to Israel in 1950 and started to draw, write books and create graphic designs. [5] leaves, 27 pp, 30X21 cm. Good condition. Minor stains, tears to cover.
Category
Anti-Semitism, the Holocaust and She'erit Ha-Pleita
Catalogue
Auction 31 - Jewish and Israeli History and Culture
May 21, 2013
Opening: $300
Sold for: $375
Including buyer's premium
Sárga Könyv. Adatok a Magyar Zsidóság Háborús Szenvedéseiböl, 1941-1945 [the Yellow Book, about the hardships of Hungarian Jews during the war]. Budapest: Hechaluc ("HeChalutz"), 1945. Hungarian. 1st edition.
Early documentation of Hungarian Jews Holocaust, edited by the Hungarian poet Béla Vihar . Accompanied by 11 black and white illustrations by Shraga Weil, portraying life in concentration and extermination camps. See also: "kedem" catalogue no. 24, item 347. 216 pp, 20 cm. Good condition. Minor tears and creases to cover and to title page.
Early documentation of Hungarian Jews Holocaust, edited by the Hungarian poet Béla Vihar . Accompanied by 11 black and white illustrations by Shraga Weil, portraying life in concentration and extermination camps. See also: "kedem" catalogue no. 24, item 347. 216 pp, 20 cm. Good condition. Minor tears and creases to cover and to title page.
Category
Anti-Semitism, the Holocaust and She'erit Ha-Pleita
Catalogue
Auction 31 - Jewish and Israeli History and Culture
May 21, 2013
Opening: $200
Sold for: $275
Including buyer's premium
A Nyiregyhazi Getto Tortenete [story of the Nyiregyhazi ghetto], by Aladar Kiraly. Nyiregyhazi: Venkovitz, 1946. Hungarian.
Booklet about the ghetto in Nyiregyhazi, Hungary. Cover illustration by Szalay Pal. 67, [1] pp, 24.5 cm. Good condition. Stains, damages to cover. Dedication in pen on first page.
Booklet about the ghetto in Nyiregyhazi, Hungary. Cover illustration by Szalay Pal. 67, [1] pp, 24.5 cm. Good condition. Stains, damages to cover. Dedication in pen on first page.
Category
Anti-Semitism, the Holocaust and She'erit Ha-Pleita
Catalogue
Auction 31 - Jewish and Israeli History and Culture
May 21, 2013
Opening: $250
Sold for: $450
Including buyer's premium
1944. Illustrations by Péter Áldor, introduction by Fodor József. Budapest: Független Magyarorzág Kiadása, 1945. Hungarian.
Eighteen illustrations portraying the horrors of WW II and the Holocaust, persecutions against Jews and their suffering. [22] leaves, 30 cm. Good condition. Tears to borders of cover and leaves.
Eighteen illustrations portraying the horrors of WW II and the Holocaust, persecutions against Jews and their suffering. [22] leaves, 30 cm. Good condition. Tears to borders of cover and leaves.
Category
Anti-Semitism, the Holocaust and She'erit Ha-Pleita
Catalogue
Auction 31 - Jewish and Israeli History and Culture
May 21, 2013
Opening: $1,000
Sold for: $1,250
Including buyer's premium
Six paintings (watercolor on paper) depicting the Gurs Detention Camp (Le camp de Gurs), France, by Ono Berndt, 1941.
The paintings show the various detention camp buildings (living quarters, kitchen). On the reverse side of the painting with the title “Total” (which shows a general view of the camp) there is another painting forming a title on which is written “Gurs 1941", and the name of the artist, Ono Berndt.
The Gurs detention Camp, in south west France, was established by the government of the Third French Republic, in 1939, after the fall of Catalonia at the end of the Spanish Civil War, to control the stream of refugees coming over the Spanish border. At the beginning of WWII German and other citizens from Axis countries were imprisoned there as well as French citizens who were thought to be dangerous politically. With the establishment of the Vichy regime in France, which collaborated with the Nazis, the camp became a detention camp for Jews who did not have French citizenship, as for others who were regarded as a danger to the government. Many of the Jews imprisoned there died as a result of the harsh conditions of the camp, and for others the camp served as a station on the way to the extermination camps in the east.
Total of six paintings on five paper sheets, 16X12 cm each, in a passe-partout 22X28 cm. Good condition, a few stains. Drawing pin holes at the corners of the pictures.
The paintings show the various detention camp buildings (living quarters, kitchen). On the reverse side of the painting with the title “Total” (which shows a general view of the camp) there is another painting forming a title on which is written “Gurs 1941", and the name of the artist, Ono Berndt.
The Gurs detention Camp, in south west France, was established by the government of the Third French Republic, in 1939, after the fall of Catalonia at the end of the Spanish Civil War, to control the stream of refugees coming over the Spanish border. At the beginning of WWII German and other citizens from Axis countries were imprisoned there as well as French citizens who were thought to be dangerous politically. With the establishment of the Vichy regime in France, which collaborated with the Nazis, the camp became a detention camp for Jews who did not have French citizenship, as for others who were regarded as a danger to the government. Many of the Jews imprisoned there died as a result of the harsh conditions of the camp, and for others the camp served as a station on the way to the extermination camps in the east.
Total of six paintings on five paper sheets, 16X12 cm each, in a passe-partout 22X28 cm. Good condition, a few stains. Drawing pin holes at the corners of the pictures.
Category
Anti-Semitism, the Holocaust and She'erit Ha-Pleita
Catalogue
Auction 31 - Jewish and Israeli History and Culture
May 21, 2013
Opening: $180
Sold for: $325
Including buyer's premium
Concentration camp, print signed by the artist, Holocaust survivor, Yehuda Bacon.
Bacon was born in Czechoslovakia in 1929. In 1942 Bacon was deported with his family to Theresienstadt and in 1943 to Auschwitz. When Auschwitz has been evacuated he was sent with the Death Marches to the camps of Blechhammer, Mauthausen and Gunskirchen. Was freed on May 5, 1945. Bacon started his studies in the Prague Art Academy. In his works Bacon portrayed his experiences during the Holocaust. Most of his works express what he witnessed in Auschwitz and Theresienstadt. The drawings he drew of the Auschwitz crematoriums were presented as evidence in Eichmann's trial. Made"Aliya" to Israel in 1946 and started to study in the "Bezalel" academy of art. Later on he went to continue his studies in London and Paris. When he returned he was appointed as a teacher in "Bezalel". Won in 2010 the Mordechai Ish Shalom prize for his life work.
Bacon was born in Czechoslovakia in 1929. In 1942 Bacon was deported with his family to Theresienstadt and in 1943 to Auschwitz. When Auschwitz has been evacuated he was sent with the Death Marches to the camps of Blechhammer, Mauthausen and Gunskirchen. Was freed on May 5, 1945. Bacon started his studies in the Prague Art Academy. In his works Bacon portrayed his experiences during the Holocaust. Most of his works express what he witnessed in Auschwitz and Theresienstadt. The drawings he drew of the Auschwitz crematoriums were presented as evidence in Eichmann's trial. Made"Aliya" to Israel in 1946 and started to study in the "Bezalel" academy of art. Later on he went to continue his studies in London and Paris. When he returned he was appointed as a teacher in "Bezalel". Won in 2010 the Mordechai Ish Shalom prize for his life work.
Category
Anti-Semitism, the Holocaust and She'erit Ha-Pleita
Catalogue
Auction 31 - Jewish and Israeli History and Culture
May 21, 2013
Opening: $500
Sold for: $813
Including buyer's premium
TOLKACZEW, Zinowij [Tolkatchev, Zinovii]. Majdanek [Maydanek – A Destruction Camp]. Warsaw: Czytelnik, 1945.
Limited edition, numbered portfolio (600 copies) containing 28 paintings by Tolkatchev, created after he participated in the Soviet liberation of the Maydanek concentration camp in July 1944. Tolkatchev was a Russian artist who enlisted in the Red Army in 1941. In 1944, he was stationed on the Ukrainian front, near Majdanek. Horrified by what he witnessed, Tolkatchev spent a month painting scenes from within the newly liberated death camp. A member of the Polish-Soviet Nazi Crimes Investigation Commission encouraged Tolkatchev’s work and in November 1944, his exhibition of Majdanek paintings became one of the earliest artistic depictions to publicly document the Nazi death camps. When this portfolio was published soon after, in February 1945, the Polish Government sent copies to Allied heads of states and government and military officers. Looking back on his work, Tolkatchev wrote, “I did what I had to do; I couldn’t refrain from doing it. My heart commanded, my conscience demanded.” Today these works are in the collection of the Yad Vashem Museum in Jerusalem.
[3, 8, 26] pp, 36x26cm. Text in Polish, Russian, English and French. Good Plus condition, with minor wear to the edges of some pages. A few pages with creases and restored tears. Lacking original portfolio cover. Enclosed in a custom cloth-covered clamshell case.
Accompanied by "Private Tolkatchev at the Gates of Hell – Majdanek and Auschwitz Liberated: Testimony of an Artist", a catalog of a 2005 exhibition at Yad Vashem. All the works in the Majdanek portfolio appear and are described in the exhibition catalog.
Limited edition, numbered portfolio (600 copies) containing 28 paintings by Tolkatchev, created after he participated in the Soviet liberation of the Maydanek concentration camp in July 1944. Tolkatchev was a Russian artist who enlisted in the Red Army in 1941. In 1944, he was stationed on the Ukrainian front, near Majdanek. Horrified by what he witnessed, Tolkatchev spent a month painting scenes from within the newly liberated death camp. A member of the Polish-Soviet Nazi Crimes Investigation Commission encouraged Tolkatchev’s work and in November 1944, his exhibition of Majdanek paintings became one of the earliest artistic depictions to publicly document the Nazi death camps. When this portfolio was published soon after, in February 1945, the Polish Government sent copies to Allied heads of states and government and military officers. Looking back on his work, Tolkatchev wrote, “I did what I had to do; I couldn’t refrain from doing it. My heart commanded, my conscience demanded.” Today these works are in the collection of the Yad Vashem Museum in Jerusalem.
[3, 8, 26] pp, 36x26cm. Text in Polish, Russian, English and French. Good Plus condition, with minor wear to the edges of some pages. A few pages with creases and restored tears. Lacking original portfolio cover. Enclosed in a custom cloth-covered clamshell case.
Accompanied by "Private Tolkatchev at the Gates of Hell – Majdanek and Auschwitz Liberated: Testimony of an Artist", a catalog of a 2005 exhibition at Yad Vashem. All the works in the Majdanek portfolio appear and are described in the exhibition catalog.
Category
Anti-Semitism, the Holocaust and She'erit Ha-Pleita
Catalogue