Auction 86 - Part I - Rare & Important Items
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Silk and silk velvet, couched metal-cord embroidery (gold and silver), sequins.
A conical, pointed head covering made of black velvet over a card base, densely embroidered with gilt metal cord in symmetrical vegetal patterns. Sewn onto the head covering is an embroidered yellow silk scarf that hangs down over the back of the neck and back.
Paintings and photographs from the 19th and early 20th centuries – many of them appearing on postcards distributed throughout the Jewish world – show Tunisian Jewish women in various forms of dress. These pictures indicate that this particular head covering was an element of ceremonial costume, to be worn during Sabbatical holidays, Sabbaths, wedding celebrations, and other festive occasions, namely at times when women were expected to wear their best jewelry and most elegant clothing, the latter lavishly gold embroidered. The renowned French author Guy de Maupassant recalls having encountered Tunisian Jewish women during his visit to the region, roughly in 1890, and mentions their spectacular finery: "Their heads are topped by pointed headdresses that are often silver or golden […] with a scarf cascading down the back […] in their finest garments, something resembling nightgowns made of gold or silver weave […] On the Sabbath […] they receive their friends […] seated one beside the other […] covered in silks and shining fabrics…" (cited by Hagar Salamon and Esther Juhasz, "'Goddesses of Flesh and Metal': Gazes on the Tradition of Fattening Jewish Brides in Tunisia, " "Journal of Middle East Women's Studies, " Vol. 7, No. 1 [Winter 2011], pp. 1-38).
Height: 20 cm. Length of scarf: approx. 60 cm. Good-fair condition. Blemishes to embroidery, unraveled sections and tears.
For a similar head covering, see The Israel Museum Collection, Item No. B79.1012.
Enclosed: Four postcards with photographs of Tunisian Jewish women wearing the "duka" head covering. 9X14 cm. Good condition. Minor stains and blemishes.
Wool knot-pile; cotton foundation.
The central panel – the outline of which echoes that of the Tablets of the Law – displays an Art Nouveau-style candelabrum with intertwined branches, a familiar design by early Bezalel artists. The rug’s stylized base is decorated with Stars of David and 'Zion' monograms; the same inscription repeats in the border. The Tablets of the Law appear within the candelabrum's main shaft, with the word 'Zion' once again in the background, behind the candelabrum's branches. The entire central panel is strewn with small seven-branch candelabras. Signed "Bezalel Jerusalem" in the border.
134X105 cm. Good condition. Minor stains. Strap sewn to verso.
Provenance: The Anton Felton Collection.
Reference:
1. Jewish Carpets, by Anton Felton. Woodbridge: Antique Collectors' Club, 1997, pp. 95.
2. Gereh International Carpet and Textile Review, Issue 12, June 1997, pp. 8.
Wool knot-pile; cotton foundation.
Rug in bold red, ochre and black. The main central panel features a mihrab-like arched window, showing David's Tower. The arched panel border reads, "If I forget thee, O Jerusalem, let my right hand forget her cunning" (Psalms 137:5; Hebrew), and at its base the words “Tower of David” in Hebrew. The rest of the panel is strewn with a repeating pattern of candelabra. The rug’s wide border displays a repetitive cartouche and floral pattern; the cartouches quote – again – the verses from Psalms 137:5-6: "If I forget thee, O Jerusalem, let my right hand forget her cunning; If I do not remember thee, let my tongue cleave to the roof of my mouth; if I prefer not Jerusalem above my chief joy." The four corners of the border contain characteristic Bezalel candelabra.
93x72 cm. Good condition. Some fading to edges. Cropped fringes. Straps sewn to the upper and lower edges on verso.
Provenance: The Anton Felton Collection.
Reference: Jewish Carpets, by Anton Felton. Woodbridge: Antique Collectors' Club, 1997, pp. 103.
Wool knot-pile; cotton foundation.
The main panel displays a rich array of intertwining flora and fauna – deer, ibex, turtledoves, peacocks and cranes appear amongst vines and flowers, under a canopy of a tall palm tree bisecting a blue field, hinting at the outline of the Tablets of the Law. The main border displays peacocks and clusters of grapes. The two guard strips are inscribed with Hebrew texts, the outermost of these repeats the words "Song of Songs" whilst the inner strip recites the verse "The blossoms have appeared in the land…" from the Song of Songs. Signed (Hebrew) "Marbadiah Jerusalem".
The Marbadiah workshop was founded in 1920 as a successor to the Bezalel carpet-weaving department, which had been headed by Jacob Kantorowitz. Kantorowitz also managed Marbadiah, and designed this carpet.
135X98 cm. Good condition. Some fading. Straps sewn to upper and lower edges on verso.
Provenance: The Anton Felton Collection.
Reference: Jewish Carpets, by Anton Felton. Woodbridge: Antique Collectors' Club, 1997, pp. 88-91.
Between 1507 and 1509, the Jewish apostate Johannes Pfefferkorn published a number of anti-Jewish tracts; considering Jewish books, and especially the Talmud, to be "the source of all evil", he called to have them seized and destroyed. Due to his efforts, in 1509, Holy Roman Emperor Maximilian I ordered the confiscation of Jewish books by authorized agents. Pfefferkorn, in his capacity as the Frankfurt agent, immediately began carrying out the order. The confiscation of Jewish books aroused the opposition of several German scholars, who claimed that Christian truth was hidden in Jewish sources. The debate that developed eventually led the emperor to rescind the order.
This book is unique in being an anti-Jewish work printed by one of the leading Hebrew printers in Italy, Gershom Soncino. The book, authored by the Friar Minor Pietro Colonna Galatino, shows that Jewish texts contain hints pertaining to the Christian doctrine. Perhaps Soncino agreed to print this work, which attacks his own religion, since it could be used to support the claims of those who opposed Pfefferkorn (thus protecting Jewish books – and in particular the Talmud).
The book contains many Biblical and Talmudic quotes in Hebrew. First page of each chapter within woodcut border (this border was used in the title pages of various Hebrew books printed by Gershom Soncino, such as Kol Bo, Rimini 1525-1526).
Gershom Soncino, one of the leading Hebrew printers, wandered with his printing equipment through various Italian cities. He printed three books in Ortona, including one in Hebrew. This is the first book he printed in Ortona.
CCCXI, [1] leaves. 30 cm. Good condition. Stains. Minor wear. Minor worming. Minor marginal tears to title page. Stamps. Early parchment binding, damaged. Large open tear to front board. Spine and back board (together with several leaves) partially detached.
The book comprises the text of Birkat HaMazon in Hebrew, with Latin translation and commentary, alongside an "emended" Christian version of passages of Birkat HaMazon, in which Jewish motifs were exchanged for Christian-Messianic motifs. This is followed by text in Hebrew and Latin – "What Prevents Jews from Believing", a shortened version of an antisemitic essay published by Paul Fagius in Sepher Aemana.
Paul Fagius (1504-1549), Lutheran scholar and Hebraist, studied theology and Hebrew in the Heidelberg and Strasbourg Universities, and was ordained for priesthood. In 1537, he returned to Isny (where he had served as teacher and principal of the Latin school several years earlier), and dedicated himself to teaching Hebrew to students of theology; the pinnacle of his activities was the establishment of the first printing firm in Germany with Hebrew type, in which he published his books, including commentaries to the Bible and other Torah books, books on Hebrew grammar, and his Latin translations of Hebrew works. The printing firm played an important role in furthering Protestant Hebraic studies, which flourished during the Reformation.
R. Eliyahu Ashkenazi "HaBachur" (1469-1549) served as proofreader in Fagius's press, where he printed HaTishbi and other books on Hebrew grammar. One of the Hebrew books printed by Fagius was the missionary book Sepher Aemana, which is presented as the work of a Jew proving the veracity of Christianity, though it was presumably composed by Fagius himself.
[32] pages (gatherings: A-C4, A4). 21 cm. Good condition. Stains. Many handwritten Latin inscriptions. New leather binding.
The Schutz-Pass attests that the bearer enjoys the protection of the Kingdom of Sweden. Hand signed by the Swedish ambassador Carl Ivan Danielsson and bearing the inked stamps of the Swedish Embassy in Budapest. In the lower left corner there is an additional hand signature – albeit one apparently made swiftly, and not readily decipherable – that of Raoul Wallenberg.
Alongside the certificate is a letter which was issued the same day. The serial number of the certificate – 9582 – also appears in the margin of the letter. The letter contains a clarification in Hungarian, explaining that the bearer of the certificate is to be treated as a Swedish subject, and is therefore exempt from the obligation of wearing an identifying label, namely the notorious Yellow Badge. This letter bears Raoul Wallenberg's full signature.
Evidently, the certificate and letter were held together with a paper clip, and were meant to be carried together.
The actions of the Swedish Embassy in Budapest on behalf of the Jews of Hungary began shortly after the Nazi German conquest of Hungary in 1944. Carl Danielsson, the Swedish ambassador, issued temporary Swedish passports specifically to Hungarian Jews with relatives or commercial relations with Swedish subjects. In July 1944, after large numbers of Hungarian Jews had already been deported to Auschwitz, Raoul Wallenberg was dispatched on behalf of the Swedish Foreign Office to Budapest to assist in the rescue of the city's remaining Jews. For the most part, the Hungarian and German authorities honored the diplomatic standing of the Swedish Embassy, and Wallenberg managed to issue thousands of "Schutz-Passes" that offered reliable protection to their Jewish bearers, despite the fact that they lacked any legal status. Wallenberg did not make do with the issuing of these passes, and resorted to additional measures in his attempts to save Hungarian Jews; among other things, he opened shelters to house Jewish refugees, and applied various forms of pressure upon senior officials in the Nazi regime to halt the deportation of Jews to Auschwitz. According to a number of eyewitness accounts, he would arrive in time at the train stations where Jews were being concentrated for deportation to Auschwitz, and demand that all those ostensibly carrying the "Schutz-Passes" be allowed to get off the train. In 1966, the honorific of "Righteous among the Nations" was bestowed upon Raoul Wallenberg by Israel's Yad Vashem World Holocaust Remembrance Center.
The name "Ernő Major" which appears on the present "Schutz-Pass" and its accompanying letter can also be found in the list of Jewish survivors from the city of Budapest in the Database of Holocaust Survivor and Victim Names of the United States Holocaust Memorial Museum in Washington DC.
"Schutz-Pass": [1] f., approx. 34 cm. Letter: [1] f., approx. 15X21 cm. Good condition. Fold lines and creases. Foxing (from paper clips). Minute tears to edges and along fold lines. "Schutz-Pass" without passport photo, and with abrasions to paper in space allotted for the photo.
Collection comprising some 25 items dealing with various aspects of the story of Leo Frank, an American Jew convicted in the 1913 murder of the young girl Mary Phagan, in Atlanta, Georgia, in the American Deep South, and subsequently lynched by an organized mob. The collection includes a postcard with a photograph showing Frank's hanged body; a piano roll for a player piano, with the melody of a ballad written about the murder; extensive legal correspondence dating from the 1980s regarding the struggle led by the Anti-Defamation League to exonerate Frank (letters and memoranda), and more. United States, 20th century. English.
The Murder of Mary Phagan and the Lynching of Leo Frank: A Modern Blood Libel
Lynchings and violent expressions of racial discrimination against Afro-Americans were routine occurrences in the American Deep South in the early 20th century. Savage acts of anti-Semitism such as the Leo Frank Affair were, in contrast, quite rare. A toxic mixture of hatreds – racism, anti-Semitism, tensions between disparate socioeconomic groups, mutual loathing between "traditional Southerners" and "progressive Yankees" from the North – was brought to bear, and Frank's brutal lynching was the tragic result.
The story began to unfold on April 27, 1913, when the body of 13-year-old Mary Phagan was found in the cellar of the pencil factory where she worked and from where she had been fired days earlier. The body was discovered by the factory's night watchman, Newt Lee, and he was the one who summoned the police. One day before that, Phagan had returned to the factory to claim her final salary, only to be robbed, raped, and brutally murdered on the spot. A number of suspects were arrested; the prime suspects were Lee, the night watchman, and Jim Conley, the factory's janitor – both Afro-Americans – and the company manager, Leo Frank, a well-to-do Jew who had been raised and educated in New York. The police investigation was badly mishandled, and was tainted by anti-Northern resentment and anti-Semitism. Following several months of investigation, Frank was put on trial, charged with murder. The prosecution based its case on dubious testimonies regarding Frank's "inappropriate" behavior and his allegedly suspicious conduct the day after the murder, and most notably, on the word of Conley, the janitor, who testified that he had assisted Frank in moving the body from the floor where she was murdered to the cellar.
The trial was the subject of extensive media coverage that reached all parts of the United States. The print media highlighted the sensationalist aspects of the case, and heaped criticism on the police from a number of different directions, on one hand addressing the problematic nature of the process that led to the murder charge, and, on the other hand, putting pressure on the police to bring about a swift conviction. In Georgia itself, the trial – and even more so, the reports and headlines in the news media – led to a surging wave of anti-Semitism, alongside a vitriolic campaign of hatred aimed personally at Frank. The fact that the primary suspects in the murder were all either Jewish or Afro-American created an atmosphere of tension between the two communities.
On August 28, 1913, the trial jury found Leo Frank guilty as charged, and he was sentenced to death. Notwithstanding the outsized influence of public opinion – heavily tainted by anti-Semitic sentiments – on the jury's decision, and despite the many flaws and irregularities in the investigative and judicial proceedings, Frank's appeals were all dismissed, one after another. Frank's death sentence, was, however, commuted by Georgia's governor, John Slaton, to life imprisonment (the commutation infuriated the public, and essentially ended Slaton's political career), and he was consequently sent to prison.
In the summer of 1915, Frank was stabbed by a fellow inmate. He was severely injured, and admitted for treatment at the prison's infirmary. Several days later, following the governor's announcement of the commutation of the death sentence, a "Vigilance Committee" was convened in the city where Mary Phagan was born, Marietta (northwest of Atlanta). The dozens of members of the Committee represented all sectors of society, including prominent public officials (such as Georgia's former governor, policemen, and the mayor). The Committee decided to subject Frank to a lynching in order to show, in their words, "that a sense of justice lives among the people." In a meticulously well-orchestrated and well-executed operation, they broke into the prison, kidnapped Frank – still hospitalized in the prison's infirmary – and brought him to Marietta, where they hanged him in broad daylight. The incident, attended at one point by many hundreds of onlookers, was documented in photographs. The names of the numerous perpetrators were known to all, but not a single one of them was prosecuted. Many viewed the lynching as the natural outcome of "popular justice, " and celebrated it as a notable achievement. Frank's body was sent for burial in New York.
Among other consequences, the incident led to a mass exodus of Jews from Georgia and the establishment of the Anti-Defamation League by the B'nai B'rith organization. But there were darker consequences as well; the lynching also triggered the re-establishment of the Ku Klux Klan at the hands of a group that called itself "The Knights of Mary Phagan." The organization continues to exist in this incarnation till this day.
The Posthumous Pardon
In 1982, an affidavit was published in the American newspaper "The Tennessean." It was given by Alonzo Mann, who, as a teenager, had worked for Leo Frank in the pencil factory, and was one of the witnesses who had testified in the original trial. In the affidavit, Mann provided new details regarding the murder – details that would identify Mary Phagan's true murderer asJim Conley, and thus serve to exonerate Leo Frank. Mann's new testimony set the stage for a long process, initiated by lawyers representing the Anti-Defamation League, aimed at clearing Frank's name. The bulk of the present collection consists of various legal documents and pieces of legal correspondence related to the ADL's initiative. Eventually, in 1986, this initiative reached a successful conclusion with Frank being granted a full posthumous pardon, owing to the failure of the state to fulfill its duty to protect him from his murderers – this despite the fact that he was never actually absolved of his guilty verdict in the murder of Mary Phagan.
Included in the present collection:
• "Souvenir postcard" with photo showing Frank's hanged body shortly after the lynching. Postcards of this sort, featuring different photographs from the scene of the lynching, were sold as souvenirs for years after the incident, as were other forms of "memorabilia, " including strips cut from the clothing worn by Frank at the time, and pieces of the hanging rope or noose (early decades of the 20th century).
• Booklet issued by the Rhodes' Colossus factory of Atlanta in support of Leo Frank, decrying the injustice of his conviction (1915).
• A piano roll for a player piano, with the melody of the ballad "Little Mary Phagan" relating the tale of the murder (1925). The ballad's lyrics are printed alongside the perforations on the rolled sheet.
• Issues of the newspapers "The New York Times" (June 22, 1915) and "The Denver Express" (May 27, 1915) containing news items relating to the incident.
• Vol. No. 10 of "American State Trials, " containing extensive coverage of the trial of Leo Frank. This volume was published as part of a series of books documenting the most famous of America's criminal trials. Edited by John D. Lawson, published by F.H. Thomas Law Book Co., St. Louis, Missouri, 1918.
• Copy of a document containing a list of the names of the members of the legal committee established for the purpose of clearing Frank's name ("Lawyers' Committee – Leo M. Frank"), chaired by Dale Schwartz. [1982?]
• Approximately 20 copies of letters and memoranda (apparently, formerly in the possession of Gary Jackson, an attorney and judge) pertaining to efforts to clear Frank's name – efforts that began roughly seventy years after the lynching: letters and memoranda issued by individuals representing the Anti-Defamation League of B'nai B'rith, and various lawyers, most of them working for the legal firm Troutman, Sanders, Lockerman & Ashmore of Atlanta, Georgia; letters and memoranda written by the attorney Dale Schwartz, as well as letters and memoranda received by him and by others – letters from various legal experts, reports on the progress of the legal proceedings, and legal strategy of the "Lawyers' Committee" (perhaps most notable among them is a letter from attorney Lewis H. Weinstein – renowned for his part in the successful clearing of the names of Nicola Sacco and Bartolomeo Vanzetti many years after their execution in Massachusetts – in which he offers advice regarding the legal efforts to clear Frank's name). Taken together, all the above documents clearly reveal the sequence of events in the process leading up to the pardon.
One of the letters sent by attorney Dale Schwartz was addressed to Lewis Slaton, District Attorney of Fulton County, Georgia (which includes most of the municipal area of Atlanta) and is dated April 8, 1982. The letter was sent following a meeting that took place the previous day, in which Schwartz and his colleagues – Charles Wittenstein and Sidney Feldman – discussed the matter of clearing Frank's name with the District Attorney. In the letter, Schwartz argues that in light of the recent affidavit delivered by Alonzo Mann, one of the original witnesses in the trial, it has been proved beyond a shadow of a doubt that Leo Frank did not murder Mary Phagan. In an intriguing memorandum dated June, 1982, Dale Schwartz lays out the full course of action to be adopted in the legal campaign seeking Leo Frank's pardon. In another important letter, dated March 21, 1986, attorney Gary Jackson thanks the Governor of the State of Georgia, for granting Leo Frank a posthumous pardon.
• A copy of the official application (dated December 9, 1982) requesting a posthumous pardon, submitted to the Georgia State Board of Pardons and Paroles. The application was jointly submitted by three organizations, namely the Anti-Defamation League of B'nai B'rith, the American Jewish Committee, and the Atlanta Jewish Federation.
Also enclosed:
• A glass Coca-Cola bottle bearing the inscription "Leo Frank Innocent" on its label (2015, English).
• A color picture showing the victim of a lynching in the American South, enclosed in an envelope bearing the message "WARNING The enclosed photograph is very disturbing" (contemporary anti-racist promotional material).
Size and condition vary.
References:
• Elaine Alphin, "Unspeakable Crime: the Prosecution and Persecution of Leo Frank, " Carolrhoda Books, Minneapolis / New York, 2014.
• Jeffrey Melnick, "Black-Jewish Relations on Trial: Leo Frank and Jim Conley in the New South, " University Press of Mississippi, Jackson, 2000.
Letter handwritten and signed by Albert Einstein (with the initials "AE"), addressed to the Danish journalist Karen Stampe Bendix. No indication of place or date [United States, ca. 1936]. German.
A fascinating letter written against the backdrop of the threat posed by Nazi Germany's rapid mobilization in conjunction with its escalating political extremism, and the increasing likelihood of another war. Thus, notwithstanding his decidedly pacifistic worldview, Albert Einstein insists that under the prevailing circumstances, there is no choice but to confront Germany, the sooner the better, and perhaps even take the initiative in doing so. In this regard, he takes issue with the conciliatory stance of the powers of the free world: "Most regrettable is the feeble stance of England, insofar as it indeed postpones the start of war, but certainly cannot prevent it. It would have been best to intervene already three years ago. There are diseases that cannot be overcome without surgery. I cannot deny this even though I abhor the knife."
Einstein implores Stampe to take comfort in her own situation, inasmuch as Denmark, her native country, "is unthreatened by the impending turbulence, " and promises her that "even if it is economically difficult, there is yet strange consolation in that no place on earth is in a better situation." (This assertion turned out to be untrue in hindsight, seeing as notwithstanding the nonaggression pact it signed with Germany, Denmark was attacked and occupied by Nazi German forces in 1940.) The letter ends with a description of the prevailing sentiment in the United States: "There is heavy unemployment here as well, and unlike the situation in the past, [there is] a mood of pessimistic resignation with the state of affairs. On the other hand, the difficult circumstances here have not led to the heated political passions so familiar to us from Europe."
Einstein makes parenthetic reference to his wife's poor state of health, as well as the couple's general living conditions: "We live in an old, pretty house in picturesque surroundings… but I am still plagued by an unimaginable flood of letters."
Albert Einstein (1879-1955), among the most influential physicists of the 20th century, gave rise to the theory of relativity and helped lay the foundations for the theory of quantum mechanics. Nobel Laureate in Physics. Born in Ulm in southern Germany, studied in Switzerland, and served as professor at a number of different universities. In addition to his distinguished scientific accomplishments, Einstein was deeply involved in social and political activism; when the Nazis came to power in Germany in 1933, Einstein chose to renounce his German citizenship and settle in the United States with his second wife, Elsa Einstein (1876-1936), where he was offered a position at the Institute for Advanced Study at Princeton, New Jersey. Einstein remained at Princeton until his death on April 18, 1955.
Albert Einstein was an avowed pacifist all his life, and remained steadfast in his opposition to war in almost any form. As such, he campaigned for the establishment of international institutions promoting conflict resolution between the nations of the world. Notwithstanding this worldview, considering the threat posed to humanity by Nazi Germany – "an enemy who pursues the destruction of life as an end in itself" – Einstein vociferously called for the free world to prepare for war. So great was the danger in his view, that he implored United States President Franklin D. Roosevelt to order the accelerated development of an atomic bomb to ensure America would be in possession of this lethal weapon before Nazi Germany. With the conclusion of the Second World War, Einstein returned to his previous positions in opposition to virtually all use of military force, and campaigned forcefully for nuclear disarmament. For more on this subject, see below.
Karen Stampe Bendix (1881-1963), Danish educator, screenwriter, and author. Daughter of Danish-Jewish composer Victor Bendix and of the Danish noblewoman and activist author Rigmor Stampe Bendix (godchild of Hans Christian Andersen). In the 1930s, Stampe Bendix developed a close relationship with Albert Einstein and his wife, and published a lengthy article on Einstein in the Danish newspaper "Politiken."
[1] f., folded (roughly two-and-a-half written pages), 17.5 cm. Good condition. Fold lines and creases. Stains. Small tears along fold lines, repaired.
Albert Einstein's Pacifistic Worldview
For his entire life, Albert Einstein regarded himself as a passionate pacifist. With every fiber of his being, he opposed military conflict in all its forms. He sought to completely abolish the concept of the nation-state, whose very existence, in his view, rendered warfare unavoidable. In this vein, in the early days of the First World War, he signed the pacifistic manifesto entitled "Aufruf an die Europäer" ("Call to the Europeans, " 1914) as a direct response to "Manifest der 93" (the "Manifesto of the 93") – a rallying cry for war signed by 93 notable German academics. In the interwar period, through various frameworks, he actively and persistently strove to further his pacifistic and humanistic agenda, and to advance the goal of establishing powerful international institutions that could promise stability in Europe and enable the creation of multilateral international cooperative ventures, that would advance the cause of peace and eventually bring an end to war. In several instances, he went as far as intervening personally on behalf of conscientious objectors and pacifists who had been persecuted and prosecuted by legal governmental authorities in a number of different European countries (see "Einstein on Peace" [below], chapters 4 and 5).
Despite his longstanding commitment to pacifism, Nazi militarism and Adolf Hitler's aggressive territorial ambitions convinced Einstein that Nazi ideology posed a clear and present danger to both European Jewry and European civilization, and that Hitler must be stopped at all costs, sooner rather than later. In a letter dated 1936, Einstein wrote the following: "A strange breed of pacifist, you will probably say of me! But I cannot shut my eyes to realities. It is no exaggeration to say that the British, and, to some extent, the French pacifists are largely responsible for the desperate situation today because they prevented energetic measures from being taken at a time when it would have been relatively easy to adopt them. In vain, I advocated appropriate policies in 1933. But the 'Great Men' at the time almost ridiculed the danger of war" (see "Einstein on Peace" [below], p. 273).
Einstein regarded the possibility of Nazi Germany possessing an atomic bomb as a threat to all humanity, and believed it was essential the Allied Powers beat Germany in the race to the bomb. This view brought him and physicist Leo Szilard to send, in 1939, the so-called "Einstein-Szilard Letter" to United States President Franklin D. Roosevelt, to call the attention of the US administration to the latest developments in the field of nuclear fission, to clarify the potential military uses of this new technology, and to voice their fears that Nazi Germany might be pursuing an atomic weapon. In essence, the Einstein-Szilard Letter ultimately gave rise to the Manhattan Project which would eventually lead to the production of the world's first atomic bomb. Einstein later expressed his regrets of having signed this letter. In 1946, he and Szilard established the Emergency Committee of Atomic Scientists (ECAS) with the aim of warning the public of all the potential dangers of the atomic bomb. In 1955, shortly before his death, Einstein signed the Russell-Einstein Manifesto which similarly dealt with the threat of nuclear weaponry and beseeched the governments of the world to pursue the resolution of international conflicts by peaceful means.
In yet another letter, addressed to Japanese pacifist Seiei Shinoara and dated June 23, 1953, Einstein clarified his positions regarding Nazism and the American use of the atomic bomb with the following words: "I am a dedicated [‘entschiedener'] but not an absolute pacifist; this means that I am opposed to the use of force under any circumstances, except when confronted by an enemy who pursues the destruction of life as an end in itself […]" (English; excerpted from "Einstein on Politics" [see below], p. 491).
References:
1. Otto Nathan and Heinz Norden, eds., "Einstein on Peace, " Schocken Books, New York, 1960.
2. Robert Schulmann and David E. Rowe, eds., "Einstein on Politics, " Princeton University Press, Princeton NJ and Oxford UK, 2007, p. 491.
Letter typewritten on stationery blind-stamped with Albert Einstein's address and bearing his signature. Addressed to the Australian pathologist, Dr. Alton R. Chapple. Princeton, New Jersey, USA. February 18, 1949. English.
Through the duration of the Second World War, Albert Einstein remained steadfast in his insistence on forceful, aggressive action against Nazi Germany. But immediately after the conclusion of the war – and once the full extent of the horror caused by the dropping of the atomic bombs on Japan was revealed – he began to once again advance, just as vociferously, the pacifistic agenda he had subscribed to most of his life, and quickly became one of the world's leading proponents of nuclear disarmament. In the ominous shadow of the Soviet-American nuclear arms race, and with the terrifying specter of nuclear holocaust rendered more palpable than ever, the Australian pathologist, Dr. Alton R. Chapple, turned to Einstein with a passionate entreaty to hear "a few words of leadership and hope" from the renowned pacifist (see: Einstein on Peace, p. 510, below).
In response, with the present letter, Einstein offered a decidedly pessimistic analysis regarding the state of politics and international relations: "There seems to be no doubt that in all countries the power is in the hands of power-loving persons who know very little restrictions when it comes to the realization of ambitious goals. This is so whatever may be the form of political machinery, dictatorial or democratic." As Einstein insists in the letter, this power structure is based on government control of the media and educational systems. Evidently, Einstein believed that governments – both in the West and in the Eastern Bloc – were guilty of leading their public astray regarding the need for weapons of mass destruction.
Expecting the scientific community to prevent the continued development of such weaponry was unrealistic according to Einstein, for a number of reasons: First, existing military capabilities were already sufficiently adequate to bring about total destruction; second, scientists were concerned, first and foremost, not with the attainment of practical goals, but rather with the furthering of human knowledge in and of itself, and in any case, there was no telling what form the practical applications of their discoveries would take; and third, financial considerations were preventing a great number of technical personnel – who were an essential part of the weapons development process – from refusing any available offer of employment. Therefore, even if they were aware that their labor was likely to lead to devastation on a global scale, they would be pressed to continue taking an active role in advancing the arms race.
Einstein concludes as follows: "Hope can be based only in the intellectual and moral independence of a sufficient number of people the world over who can resist all the nefarious influences brought to bear upon them […] Honesty and courage of the individual to stand up for his convictions on every occasion is the only essential thing."
Albert Einstein (1879-1955), among the most influential physicists of the 20th century, gave rise to the theory of relativity and helped lay the foundations for the theory of quantum mechanics. Nobel Laureate in Physics. Born in Ulm in southern Germany, studied in Switzerland, and served as professor at a number of different universities. In addition to his distinguished scientific accomplishments, Einstein was deeply involved in social and political activism; when the Nazis came power in Germany in 1933, Einstein chose to renounce his German citizenship and settle in the United States with his second wife, Elsa Einstein (1876-1936) where he was offered a position at the Institute for Advanced Study at Princeton, New Jersey. Einstein remained at Princeton until his death on April 18, 1955.
[1] f., 28 cm. Good condition. Foxing. Fold lines and creases. Minute hole at top of leaf, with negligible damage to blind-stamped address.
Reference:
Otto Nathan and Heinz Norden, eds., "Einstein on Peace, " Schocken Books, New York, 1960. The present letter is cited in this book, pp. 510-511.
Provenance: Sotheby's London, December 5, 2017, Lot 95.
Large collection of letters and photographs from the psychoanalyst Carl Gustav Jung – letters sent by Jung to the psychoanalyst Dr. Rivkah Schärf Kluger, most handwritten and hand signed by him (German); photographs of Jung at his home in Küsnacht on the outskirts of Zurich, and more. Switzerland, [ca. 1940-60].
The collection includes:
• 62 letters bearing Carl Gustav Jung's signature (German). Most are handwritten, on official stationery, and the remainder typewritten. Most are in their original envelopes. The letters were sent from 1940 to 1960 to Jung's student and close friend, the psychoanalyst Dr. Rivkah Schärf Kluger. To the best of our knowledge, these letters have never been printed or published.
The letters deal with a wide range of personal and professional subjects, and contain some intriguing references to Jung's theories. In his letters, Jung relates to various ideas and concepts connected to his own theories of analytical psychology; he consults with Dr. Schärf Kluger regarding the publication of his studies and works, provides her with guidance in editing and copy-editing her own research, tells her about the state of his own health, about his vacations and future plans, gives her all manner of advice, and more. In some of his letters, Jung psychoanalyzes Schärf Kluger's dreams – which she had told him about in her letters to him – by deciphering, interpreting, and clarifying them.
In one letter, dated April 3, 1946, Jung analyzes a particular dream Schärf Kluger had told him about, which appeared connected to the relationship between the two: "You stay too long – Hidden behind this is a desire to be part of my family. But I lead you out, – that is, out of the realm of ‘being a daughter' […] The card points to the pious Jew who has to teach you obedience. The apparatus that lengthens my nose is suggestive of the intention, that is, the distant goal one reaches when one pursues that nose. The small wriggling fish behind all this is the Christian symbol […] This is the part or the ‘self, ' the ‘atman' (from Old High German = breath, Holy Spirit) that a person internalizes, aspires to bring closer, that which enables one to breathe (‘Spiritus Vitae, ' [the ‘spirit of life']), in other words, that which enables life. Life is sacrifice, that is, any form of fulfillment is sacrifice, because completion is both a beginning and an ending… the ‘self' lives only insofar as we live our lives according to reality. Through illusions we distort reality and attempt to avoid it."
In another letter, dated November 11, 1944, Jung writes to Schärf Kluger as follows: "It seems to me every time something is constellated in your unconscious, threatening dreams are aroused, because you usually react to your unconscious as if it were something pathological. This is a form of overreaction, and is far too pronounced, and is apparently related to the fact that you dropped abruptly, shall we say, from the Middle Ages into the Modern Era – actually to the pinnacle of modernity." In yet another letter, dated August 30, 1943, Jung confides to her that "it so happened that you once suddenly appeared in one of my dreams, but I can't remember the context."
In some of the letters, Jung appears to be intrigued by the Hebrew language and Jewish texts. In one of them, dated May 24, 1944, he thanks Schärf Kluger for sending him a particular kabbalistic composition, and writes as follows: "This [the composition] strongly reinforces my own feelings and experiences. I was very impressed by it. In the darkest hours of my illness, every night I found myself in something of a ‘pomegranate orchard.' [In all likelihood, the composition in question is the book by Rabbi Moses ben Jacob Cordovero titled ‘Pardes Rimonim' = ‘Pomegranate Orchard.'] In another letter, he thanks Schärf Kluger for providing him with an interpretation of the Hebrew word "rikmah" (= embroidery, tapestry, [biological] tissue).
• 41 photographs, including photos of Carl Gustav Jung at home in Küsnacht, on the outskirts of Zurich. Some of the photos show him in his study room, or working in the yard outside his house, or with members of his family, colleagues, and acquaintances, and more. Two of the photographs (portrait photographs of Jung) were taken by Margarita Fellerer, one of them is signed by Jung.
Size and condition vary.
Carl Gustav Jung (1875-1961), Swiss physician and psychiatrist, one of the founding fathers of modern psychology; the father of analytical psychology, sometimes referred to as Jungian Psychology, and the theorist who gave rise to the concept of "collective unconscious." Jung was one of the most prominent of Sigmund Freud's students; Freud regarded him for a while as his natural successor, and even made certain he would be appointed President of his newly founded International Psychoanalytical Association. In 1912, Jung published a treatise, based on the results of his research, entitled "Psychology of the Unconscious, " in which he took issue with some of Freud's fundamental theoretical premises. This publication led to an ultimately irreconcilable personal and professional rift between the two. The main bone of contention between Freud and Jung involved their respective views regarding the unconscious; while Freud concentrated on illicit urges and repressed personal memories, Jung chose to focus on patterns of collective thought. In Jung's view, the appearance of recurring symbols and images in divergent cultures points to the existence of a pervasive collective unconscious wherein experiences are passed on from one generation to the next, originating with the dawn of humanity. In his opinion, this collective unconscious, consisting of symbols and images that exist cross-culturally among virtually all human societies – what Jung termed "archetypes" – exerts a profound influence on human personality. The impact of Jung's approach extended far beyond the field of psychology, into such areas as philosophy and religion, behavioral sciences, literature, art, and more.
The Swiss psychoanalyst Dr. Rivkah Schärf Kluger (1907-1987), was one of Carl Gustav Jung's most outstanding disciples. Born in Bern, Switzerland, she was the firstborn daughter of Sara Ettel Wiesel and Meschulem Leib Schärf, a Jewish couple of Hasidic origin who immigrated to Switzerland from Bukovina (today part of Romania; then a region of the Austro-Hungarian Empire). When she was four years old, her family moved from Bern to Zurich. Her academic training began at the University of Zurich, where she first studied philosophy and psychology, and then moved on to Semitic languages and religious history. She took a thorough interest in the field of Jewish mysticism and kabbalah. Her first encounter with Jung came when she was still a young student; she read his writings, attended his lectures, and kept detailed notes on the content of his lessons. Some of these notes have been recently published. In 1936, she began working alongside Jung as a psychoanalyst, and subsequently started teaching students of her own at the C.G. Jung Institute in Zurich. In 1946, she earned her doctorate. Her doctoral thesis dealt with the image of Satan in the Old Testament. Jung, who was immensely impressed with her work, had the thesis published as an appendix to his own book, "Symbolik des Geistes." Jung and Schärf Kluger developed a deep and durable, longstanding personal friendship. They would meet from time to time, and exchanged many letters over a prolonged period of correspondence. In 1955, Schärf Kluger moved to the United States along with her husband, Yehezkel Kluger. The two settled in Los Angeles, where Schärf Kluger lectured at the C.G. Jung Institute of Los Angeles. In 1969, the couple immigrated to Israel, settling in Haifa, where Schärf Kluger continued both teaching and practicing psychoanalysis.
Enclosed:
• Letters sent to Rivkah Schärf Kluger following the death of her mother in early February, 1950, including a handwritten, hand-signed letter from Emma Jung, wife of Carl Jung; a handwritten, hand-signed letter from the psychologist Toni Wolff (1888-1953), sometimes referred to as Jung's "second wife"; a letter of condolence signed by Jung's daughter Agathe and her husband Kurt Niehus; a letter (written on a postcard) from "M.J." – probably Jung's daughter, Marianne Jung; and more.
• Two lengthy letters written by Rivkah Schärf Kluger to Carl Jung: one from May 28, 1956, and the other from January 25, 1961. Another one of her handwritten letters is enclosed with one of Jung's letters, dated April 13, 1942.
• A letter signed by Aniela Jaffé, Carl Jung's secretary, and dated May 26, 1961. This letter, addressed to both Rivkah Schärf Kluger and her husband Yehezkel just a few days prior to Carl Jung's passing, gives a highly detailed account of Jung's failing health. In the letter, Aniela Jaffé requests that the couple treat the matter as strictly confidential.
• 13 handwritten or typewritten letters from the German-Jewish psychiatrist James Kirsch (1901-1989), chairman and founder of the C.G. Jung Institute of Los Angeles, dated 1951-54. Addressed to Yehezkel Kluger. English.
• 8 handwritten or typewritten letters from Prof. Heinrich Zangger (1874-1957), chairman of the University of Zurich's Instituts für Rechtsmedizin (Institute of Forensic Medicine). Addressed to Rivkah Schärf Kluger. German.
Reference:
Nomi Kluger-Nash, "Rivkah Schärf Kluger: A Life Fuelled with Intensity of Spirit and Rare Depth of Soul, " [Appendix I] in Carl Gustav Jung, "The Solar Myths and Opicinus de Canistris: Notes of the Seminar given at Eranos in 1943," Daimon (publisher), Switzerland, 2015.
25 letters written in Shai Agnon's singularly distinctive style, including, inter alia, requests pertaining to various literary matters, requests regarding the publication of stories in the daily newspaper "Haaretz" and references to the paper's editorial board, references to the great deal of effort Agnon has devoted to his writings, and other matters.
Included in the present collection:
• Letter in German, handwritten by Agnon and signed "Shai Czaczkes" (1922), addressed to "Mr. Moses" (Siegfried Moses?). Mentioned in the letter are Agnon's wife, Esterlein (Esther) and their infant daughter, Emunah: " Seeing as, several months ago, I changed professions – I am now ¾ nanny and ¼ sous-chef – I was unable to respond to you immediately." • Two letters addressed to the author Dov Kimhi (late 1930s?; 1943). One letter relates to Kimhi's (Hebrew) book "Massot Ketanot"; the other pertains to a story written by Kimhi: " Kimhi my friend, you have gladdened my spirit with your delightful story, Jubilee of the Aged Artist. And thank you and may you be blessed for being so kind as to mention my name in it…" (the story referred to here was published in "Haaretz" on December 3, 1943, and dedicated to Agnon). • Three letters addressed to the author Yitzhak Lamdan (1940; 1950s). In one letter, Agnon writes that " a new story I have not, but had I had a new story, never would my publisher agree to print it somewhere else..." • A letter addressed to Shlomo Picker (1958). Agnon writes that "as I learned from [reading] his letter, the gentleman requests that [I] recommend his book to the 'Haaretz' editorial board, so [that] they dedicate a review to it. I have no influence on the "Haaretz" editorial board nor on its authors… and at times they do the opposite of what is requested of them or of the advice given to them." Agnon then signs off with the complimentary close and signature: "The overly busy and troubled Shai Agnon." • Letter addressed to Yehoshua Tan Pay (1958), head of the "Haaretz" editorial board in Jerusalem, with a request to publish a review of a book by Shlomo Picker. • Four letters addressed to Benjamin Tammuz (1950s and 1960s). Two of them deal with the publication of excerpts from Agnon's story "Hadom VeKiseh". Agnon writes, inter alia, about the difficulties he experiences in reading articles in "Haaretz": " How it pains me to see these tortured words, mercilessly torn, one letter here and another in the next line. And needless to say how difficult it is for me to read those tiny letters whose purpose can only be to deprive the readers of their eyesight." Another letter deals with various publications printed in "Haaretz." As something of a footnote to this letter, Agnon adds an autobiographical recollection: " On Lag Ba'Omer nine-and-fifty years ago, I set foot for the first time on the soil of Jaffa. That was the beginning of my arrival in the Land of Israel. Back then my handwriting was beautiful and legible." In yet another (this one typewritten) letter, Agnon relates that "each and every week I receive delightful letters from Ashkenazic and Sephardic girls and boys, including residents of the ma'abarot [immigrant camps], regarding stories of mine that they have read"; he adds that he received one particular letter from Grade Six children who "had read ‘Tzipori' and asked me, on behalf of the entire class, if they [the stories] are really true." At the end, Agnon apologizes for his wordiness, and explains that this is because he is " training my fingers to use a typewriter, out of love for my fellow men, so as not to torment them with my atrocious penmanship." • Letters addressed to Ya'akov Horowitz, editor of the literature and culture supplement to "Haaretz, " regarding various literary subjects, such as the publication of his stories in the newspaper, copy editing of those stories, and other issues (1950s and early 1960s). In one of the letters, Agnon specifies a number of conditions for the publication of one of his stories in the paper: "[It must be] printed in attractive letters, " " do not crush the words, " " do not play ‘kuntzin' [Yiddish: ‘tricks'] on me as you have [in the past]." With regard to a story intended for the pre-Rosh Hashanah issue of the newspaper, Agnon writes as follows: " You surely wanted [to receive] a modern story; but what can I do? I am unable to satisfy the modern muse." • A typewritten letter, hand signed by Agnon (1960), addressed to "a most honored editor." Regarding stories he had contributed to "Gilyon HaBesht" ("the Ba'al Shem Tov Issue"), Agnon writes: " they demanded of me numerous hours and much labor. I did not spend as many days [working] on my book Shevu'at Emunim nor did I invest as much labor." • Letter addressed to Salman Schocken (1960) regarding the publication of a story by Agnon in the pre-Passover issue of "Haaretz." Typewritten, with an additional seven handwritten lines, and with Agnon's hand signature. • Additional letters.
25 letters (19 of them handwritten by Agnon). One letter incomplete, missing the end. Size and condition vary. Overall good condition. Stains. Creases and fold lines. Punch holes on some sheets. Minor tears.